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Publikacija SEP 2011 - Vilenica

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continues Chartier, indirect knowledge has increased with the development<br />

of the means of communication 6 . An author’s performance<br />

therefore has the exact opposite effect: it provides a first-hand experience<br />

of literature through the primary (by which I mean the oral<br />

tradition of poetry) and unique means of communication, a type of<br />

struggle for the existence of literature and its mission.<br />

To conclude, to perform poetry is to communicate the essence of<br />

poetry: with reading aloud on the one hand, the “technical” sides of<br />

poetry come more vividly to life, such as its rhythm, rhyme etc., and<br />

on the other, the author’s voice, the voice of the poem, speaks, speaks,<br />

thus making poetry talk 7 : the poem’s essence is extended.<br />

Translated by Špela Bibič<br />

6 Bourdieu, Chartier, Ginzberg: Sociologija, zgodovina, književnost, (translated by Varja Balžalorsky,<br />

Ignac Fock, Tomaž Jurca, Studia humanitatis, Ljubljana <strong>2011</strong>, p. 122); Slovene<br />

translation [Translator's note].<br />

7 Anyone who has listened to the recitals of Dane Zajc knows what I mean.<br />

20

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