Publikacija SEP 2011 - Vilenica
Publikacija SEP 2011 - Vilenica
Publikacija SEP 2011 - Vilenica
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public poetry reading in present time, but this can also be used for the<br />
promotion of literature and poetry, because it transcends advertising<br />
dimensions and serves to bring benefits to publishers and create profit.<br />
In civilised and richer societies, where the commercial status of poetry<br />
can be questionable, the state covers the material and profit deficit<br />
by promoting poetry and poetry collections at literary gatherings and<br />
public appearances of poets. However, the aim of public poetry readings<br />
is not to gain a better position of poetry for commercial purposes<br />
or to please the reading public, but ennoblement and upgrading of the<br />
poem which can acquire completely new value when interpreted by<br />
its author. Similarly, readers, who at a public reading come face to face<br />
with a poet, inevitably experience his or her poetry differently, regardless<br />
of whether this leads to a better or worse experience of a particular<br />
poem. There have always existed differences between the written<br />
and the spoken, but when we talk of poetry, which is dependent on<br />
rhythm, sound and – if you like – melody, it becomes totally unnecessary<br />
to explain the advantages of live poetry reading. Assuming<br />
that readers or listeners in the audience are not highly or specifically<br />
trained for understanding poetry, their experience will, among other<br />
things, depend on the manner of poetic interpretation. As a teenager,<br />
in the city library I first had an opportunity to hear the famous poem<br />
Okrenimo se kredencu sirotinjskom (Let’s turn to the cupboard of the<br />
poor) by Vujica Rešin Tucić, a great avant-garde Yugoslav poet. It was<br />
very crowded in the packed hall and I couldn’t even see who was reciting<br />
the poem, but the interpretation was such that many generations<br />
have remembered it for 40 years. It seems fascinating that until yesterday<br />
I believed the poem was titled March on the Cupboard, because the<br />
poet had recited it in the rhythm of a reveille. For many years crowds<br />
of people were coming to the poet’s live readings, although his published<br />
book of poetry was available from every bookshop.<br />
Public poetry reading can help bring art closer to every person who<br />
is spiritually sensitive and feels a desire for the elevated, regardless of<br />
their academic background. The late 1970’s saw the advent of literary<br />
promotions which were taking place in all kinds of public places – in<br />
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