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Publikacija SEP 2011 - Vilenica

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public poetry reading in present time, but this can also be used for the<br />

promotion of literature and poetry, because it transcends advertising<br />

dimensions and serves to bring benefits to publishers and create profit.<br />

In civilised and richer societies, where the commercial status of poetry<br />

can be questionable, the state covers the material and profit deficit<br />

by promoting poetry and poetry collections at literary gatherings and<br />

public appearances of poets. However, the aim of public poetry readings<br />

is not to gain a better position of poetry for commercial purposes<br />

or to please the reading public, but ennoblement and upgrading of the<br />

poem which can acquire completely new value when interpreted by<br />

its author. Similarly, readers, who at a public reading come face to face<br />

with a poet, inevitably experience his or her poetry differently, regardless<br />

of whether this leads to a better or worse experience of a particular<br />

poem. There have always existed differences between the written<br />

and the spoken, but when we talk of poetry, which is dependent on<br />

rhythm, sound and – if you like – melody, it becomes totally unnecessary<br />

to explain the advantages of live poetry reading. Assuming<br />

that readers or listeners in the audience are not highly or specifically<br />

trained for understanding poetry, their experience will, among other<br />

things, depend on the manner of poetic interpretation. As a teenager,<br />

in the city library I first had an opportunity to hear the famous poem<br />

Okrenimo se kredencu sirotinjskom (Let’s turn to the cupboard of the<br />

poor) by Vujica Rešin Tucić, a great avant-garde Yugoslav poet. It was<br />

very crowded in the packed hall and I couldn’t even see who was reciting<br />

the poem, but the interpretation was such that many generations<br />

have remembered it for 40 years. It seems fascinating that until yesterday<br />

I believed the poem was titled March on the Cupboard, because the<br />

poet had recited it in the rhythm of a reveille. For many years crowds<br />

of people were coming to the poet’s live readings, although his published<br />

book of poetry was available from every bookshop.<br />

Public poetry reading can help bring art closer to every person who<br />

is spiritually sensitive and feels a desire for the elevated, regardless of<br />

their academic background. The late 1970’s saw the advent of literary<br />

promotions which were taking place in all kinds of public places – in<br />

50

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