23.01.2015 Views

Optimod-AM 9400 V1.2 Operating Manual - Orban

Optimod-AM 9400 V1.2 Operating Manual - Orban

Optimod-AM 9400 V1.2 Operating Manual - Orban

SHOW MORE
SHOW LESS
  • No tags were found...

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

3-4<br />

OPERATION ORBAN MODEL <strong>9400</strong><br />

rate “carrier” and the peak limiting process produces modulation sidebands<br />

around each Fourier component.<br />

Considered from this perspective, a hard clipper has a wideband gain<br />

control signal and thus introduces sidebands that are far removed in frequency<br />

from their associated Fourier “carriers.” Hence, the “carriers”<br />

have little ability to mask the resulting sidebands psychoacoustically.<br />

Conversely, a look-ahead limiter’s gain control signal has a much lower<br />

bandwidth and produces modulation sidebands that are less likely to be<br />

audible.<br />

Simple wideband look-ahead limiting can still produce audible intermodulation<br />

distortion between heavy bass and midrange material. The<br />

look-ahead limiter in your <strong>Optimod</strong> uses sophisticated techniques to reduce<br />

such IM distortion without compromising loudness capability.<br />

Loudness and density<br />

The amount of gain reduction determines how much the loudness of soft passages<br />

will be increased (and, therefore, how consistent overall loudness will be). The<br />

automatic gain control (AGC) and the multiband limiter both provide gain reduction,<br />

although their effects are quite different.<br />

In a competently-designed processor, audibly objectionable distortion occurs only<br />

when the processor is clipping peaks to prevent the audio from exceeding the peak<br />

modulation limits of the transmission channel. The less clipping that occurs, the less<br />

likely that the listener will hear distortion. However, to reduce clipping, you must<br />

decrease the drive level to the clipper, which causes the average level (and thus, the<br />

loudness) to decrease proportionally.<br />

Receiver high frequency rolloff introduces further complications. A typical<br />

receiver’s severe HF rolloff reduces the headroom available at high frequencies and<br />

makes it difficult to achieve a bright sound. This is because bright sound requires<br />

considerable high frequency power to appear at the output of the receiver, thus<br />

requiring a very large amount of high frequency power to be transmitted so that a<br />

sufficient amount will survive the receiver’s rolloff.<br />

To increase brightness and intelligibility at the receiver, the <strong>9400</strong>’s NRSC pre-emphasis<br />

boosts the treble at 6dB/octave starting at 2.1 kHz. HF CURVE settings from 0 to 10<br />

produce more severe pre-emphasis, boosting at 18dB/octave with 2 kHz up about 3<br />

dB. Without very artful processing, this pre-emphasis will radically increase the level of<br />

the peaks and force you to decrease the average level proportionally. <strong>Orban</strong>'s high<br />

frequency limiting and distortion-canceling clipping systems greatly ease this trade-off,<br />

but cannot eliminate it. Therefore, you can only increase brightness by reducing<br />

average modulation (loudness) unless you accept the increased distortion caused by<br />

driving the final clippers harder.<br />

In processing, there is a direct trade-off between loudness, brightness, and distortion.<br />

You can improve one only at the expense of one or both of the other two. Thanks to<br />

<strong>Orban</strong>'s psychoacoustically-optimized designs, this is less true of <strong>Orban</strong> processors than<br />

of any others. Nevertheless, all intelligent processor designers must acknowledge and<br />

work within the laws of physics and psychoacoustics as they apply to these trade-offs.

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!