Optimod-AM 9400 V1.2 Operating Manual - Orban
Optimod-AM 9400 V1.2 Operating Manual - Orban
Optimod-AM 9400 V1.2 Operating Manual - Orban
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2-34<br />
INSTALLATION ORBAN MODEL <strong>9400</strong><br />
frequencies might cause bounce and/or distortion on heavy bass transients<br />
in music. In step 15 on page 2-37, you will be instructed to turn the<br />
L+R LF GN control down until these problems are no longer observed.<br />
This will make the measured square wave response poorer. However, engineering<br />
realities force a compromise between best small signal (i.e.,<br />
square wave) response and best large signal (i.e., bounce and distortion)<br />
performance. This compromise is best made by careful experimentation<br />
with program material to find the setting of the L+R LF GN control that<br />
gives the highest average modulation without audible distortion.<br />
J) Adjust the L+R LF FR to make the square wave as flat as possible.<br />
Work quickly to avoid overheating the transmitter. Figure 2-10 shows the<br />
result of a successful adjustment. If a display like that in Figure 2-10 could<br />
not be produced by adjusting the LF FR control, transmitter lowfrequency<br />
response is inadequate and there is too much low-frequency<br />
rolloff.<br />
A transmitter that cannot be fully equalized can cost up to 4dB average<br />
modulation even though audible frequency response does not suffer because<br />
equalization occurs below the audible frequency range. This problem<br />
cannot be corrected without modifying the transmitter. In many<br />
cases, such modification is easy: it merely requires bypassing the highpass<br />
filter(s) in the input stage of the transmitter. It also may require replacing<br />
coupling capacitors with capacitors of a larger value. In other cases, fundamental<br />
inadequacies in the input, inter-stage transformers (if used),<br />
and/or modulation transformers (if used) are the cause. See the discussion<br />
on page 1-15.<br />
Unless the transmitter is of a relatively modern solid-state design, being<br />
unable to equalize it fully is a good reason to replace it with an up-todate<br />
solid-state design using a switching or digital modulator. In most<br />
cases, this purchase will pay for itself in reduced power bills and the new<br />
transmitter will sound far better on the air.<br />
K) Turn off the transmitter and allow it to cool down for several minutes.<br />
13. Equalize transmitter high-frequency response.<br />
A) Set the <strong>9400</strong>'s square wave controls to produce a 1 kHz square wave at 30%<br />
modulation:<br />
a) Navigate to SETUP > TEST.<br />
b) If necessary, set the MODE to SQUARE.<br />
c) Set SQR FREQ to 1000 HZ.<br />
Note: Because the <strong>9400</strong> is digital, its square wave generator cannot produce<br />
any harmonics higher than 16 kHz (one-half of its 32 kHz sampling<br />
frequency). To prevent visible ringing of the square wave due to this<br />
sharp cutoff of its higher harmonics, we have applied an internal digital<br />
filter to the output of the <strong>9400</strong>'s square wave generator. This filter<br />
rounds off the edges and prevents significant ringing. You may want to<br />
look directly with the scope at the unequalized output of the <strong>9400</strong> to get<br />
a feel for what this waveform looks like before it is applied to your<br />
transmitter.