Optimod-AM 9400 V1.2 Operating Manual - Orban
Optimod-AM 9400 V1.2 Operating Manual - Orban
Optimod-AM 9400 V1.2 Operating Manual - Orban
- No tags were found...
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
5-6<br />
TROUBLESHOOTING ORBAN MODEL <strong>9400</strong><br />
duce loudness reduces peak limiting simultaneously, minimizing potential codec artifacts.<br />
Only turn down the output level control to correct codec clipping.<br />
Loudness Decreases Momentarily When the Radio Crossfades between Analog<br />
and Digital Channels<br />
The analog and digital channels may be in reverse polarity (“out of phase”) from<br />
each other. Try both settings of the POLARITY control associated with the output driving<br />
the digital channel to determine which polarity causes a smoother crossfade. Do<br />
not adjust the POLARITY control of the analog channel output because this will swap<br />
positive and negative peak modulation.<br />
Excessive Sibilance (“ess” sounds) in the Digital Radio Channel<br />
The Band 5 compressor/limiter is mainly useful as a de-esser and to prevent high frequency<br />
artifacts when driving low bit rate codecs like the 36 kbps HDC codec used in<br />
the HD <strong>AM</strong> system. To use the Band 5 compressor/limiter as a de-esser, set the B5<br />
MAXDELTGR to OFF (to allow the channels to be de-essed independently), set the B5<br />
DELTA RELEASE control to +6 (to achieve the fastest possible release), and set the<br />
B4>B5 COUPLING control to 100% (to prevent high frequency energy from building<br />
up excessively).<br />
“Swishing,” “Phasing,” or “Underwater” Artifacts in the Digital Radio<br />
Channel<br />
Excessive high frequency energy can cause this and can also cause gritty high frequency<br />
distortion in digital channels that use a codec employing “spectral band replication”<br />
technology, such as the HDC (used in HD <strong>AM</strong>) and aacPlus (used in DRM)<br />
codecs. To use the B5 compressor in the <strong>9400</strong>’s digital radio processing channel to<br />
control these artifacts, set the B5 MAXDELTGR to 0 (to minimize the amount of L–R<br />
energy that the processing adds at high frequencies), set the B5 DELTA RELEASE control<br />
to 0 (to achieve a smooth integration with the Band 4 compressor), and set the<br />
B4>B5 COUPLING control to 100% (to minimize high frequency energy build-up).<br />
Then adjust the B5 THRESHOLD control to set the maximum amount of high frequency<br />
energy that the processing can produce with bright program material. It is<br />
wise to experiment with this control while listening to the output of the codec you<br />
are using so you can hear the effect that the Band 5 compression has on codec artifacts.<br />
General Dissatisfaction with Subjective Sound Quality<br />
The <strong>9400</strong> is a complex processor that can be adjusted for many different tastes. For<br />
most users, the factory presets, as augmented by the gamut offered by the LESS-<br />
MORE control for each preset, are sufficient to find a satisfactory “sound.” However,<br />
some users will not be satisfied until they have accessed other Modify Processing<br />
controls and have adjusted the subjective setup controls in detail to their satisfaction.<br />
Such users must fully understand the material in Section 3 of this manual to<br />
achieve the best results from this exercise.<br />
Compared to competitive processors, the <strong>9400</strong> offers a uniquely favorable set of<br />
trade-offs between loudness, brightness, distortion, and buildup of program density.<br />
If your radio station does not seem to be competitive with others in your market,<br />
the cause is usually problems with the source material, overshoot in the transmission<br />
link (particularly the transmitter/antenna system) following the <strong>9400</strong>, or an inaccu-