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Optimod-AM 9400 V1.2 Operating Manual - Orban

Optimod-AM 9400 V1.2 Operating Manual - Orban

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5-6<br />

TROUBLESHOOTING ORBAN MODEL <strong>9400</strong><br />

duce loudness reduces peak limiting simultaneously, minimizing potential codec artifacts.<br />

Only turn down the output level control to correct codec clipping.<br />

Loudness Decreases Momentarily When the Radio Crossfades between Analog<br />

and Digital Channels<br />

The analog and digital channels may be in reverse polarity (“out of phase”) from<br />

each other. Try both settings of the POLARITY control associated with the output driving<br />

the digital channel to determine which polarity causes a smoother crossfade. Do<br />

not adjust the POLARITY control of the analog channel output because this will swap<br />

positive and negative peak modulation.<br />

Excessive Sibilance (“ess” sounds) in the Digital Radio Channel<br />

The Band 5 compressor/limiter is mainly useful as a de-esser and to prevent high frequency<br />

artifacts when driving low bit rate codecs like the 36 kbps HDC codec used in<br />

the HD <strong>AM</strong> system. To use the Band 5 compressor/limiter as a de-esser, set the B5<br />

MAXDELTGR to OFF (to allow the channels to be de-essed independently), set the B5<br />

DELTA RELEASE control to +6 (to achieve the fastest possible release), and set the<br />

B4>B5 COUPLING control to 100% (to prevent high frequency energy from building<br />

up excessively).<br />

“Swishing,” “Phasing,” or “Underwater” Artifacts in the Digital Radio<br />

Channel<br />

Excessive high frequency energy can cause this and can also cause gritty high frequency<br />

distortion in digital channels that use a codec employing “spectral band replication”<br />

technology, such as the HDC (used in HD <strong>AM</strong>) and aacPlus (used in DRM)<br />

codecs. To use the B5 compressor in the <strong>9400</strong>’s digital radio processing channel to<br />

control these artifacts, set the B5 MAXDELTGR to 0 (to minimize the amount of L–R<br />

energy that the processing adds at high frequencies), set the B5 DELTA RELEASE control<br />

to 0 (to achieve a smooth integration with the Band 4 compressor), and set the<br />

B4>B5 COUPLING control to 100% (to minimize high frequency energy build-up).<br />

Then adjust the B5 THRESHOLD control to set the maximum amount of high frequency<br />

energy that the processing can produce with bright program material. It is<br />

wise to experiment with this control while listening to the output of the codec you<br />

are using so you can hear the effect that the Band 5 compression has on codec artifacts.<br />

General Dissatisfaction with Subjective Sound Quality<br />

The <strong>9400</strong> is a complex processor that can be adjusted for many different tastes. For<br />

most users, the factory presets, as augmented by the gamut offered by the LESS-<br />

MORE control for each preset, are sufficient to find a satisfactory “sound.” However,<br />

some users will not be satisfied until they have accessed other Modify Processing<br />

controls and have adjusted the subjective setup controls in detail to their satisfaction.<br />

Such users must fully understand the material in Section 3 of this manual to<br />

achieve the best results from this exercise.<br />

Compared to competitive processors, the <strong>9400</strong> offers a uniquely favorable set of<br />

trade-offs between loudness, brightness, distortion, and buildup of program density.<br />

If your radio station does not seem to be competitive with others in your market,<br />

the cause is usually problems with the source material, overshoot in the transmission<br />

link (particularly the transmitter/antenna system) following the <strong>9400</strong>, or an inaccu-

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