Optimod-AM 9400 V1.2 Operating Manual - Orban
Optimod-AM 9400 V1.2 Operating Manual - Orban
Optimod-AM 9400 V1.2 Operating Manual - Orban
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3-26<br />
OPERATION ORBAN MODEL <strong>9400</strong><br />
In terms of loudness, midrange texture, and HF texture, these presets are similar to<br />
the LOUD-HOT+BASS presets.<br />
IMPACT: IMPACT is intended for CHR and similar formats where attracting a large<br />
audience (maximizing cume) is more important than ensuring long time-spentlistening.<br />
This is a loud, bright, “major-market” preset that has a great deal of presence<br />
energy to cut through on lower-quality radios.<br />
Its sound changes substantially as the Less-More control is turned down—loudness<br />
decreases, while bass punch and transparency improve. Therefore, exploring various<br />
Less-More settings is very worthwhile with IMPACT, because, for many markets, this<br />
preset will be “over the top” if it is not turned down with LESS-MORE. It is not a<br />
good choice for low bit rate codecs because of its brightness.<br />
INSTRUMENTAL: An alias for the JAZZ preset.<br />
JAZZ: JAZZ is tailored toward stations that play mostly instrumental music, particularly<br />
classic jazz (Armstrong, Coltrane, Mingus, Monk, etc.). It is a quiet preset with a<br />
very clean, mellow high end to prevent stridency on saxes and other horns. It preserves<br />
much of the qualities of the original recordings, doing light re-equalization.<br />
The preset produces very low listening fatigue, so it is a good choice for stations that<br />
want listeners to stay all day. Note that stations programming “smooth jazz” should<br />
investigate the SMOOTH JAZZ preset, which is louder and more “commercial”-<br />
sounding.<br />
Because of its mellow high end and lack of density build-up, the JAZZ preset works<br />
well with low bit-rate codecs.<br />
LOUD: There are several LOUD presets.<br />
LOUD-HOT is very bright and present, with up-front vocals. Release time is medium.<br />
LOUD-HOT+BASS is based on LOUD-HOT. It is tuned for the maximum amount of<br />
bass we could add without creating obvious distortion on some program material.<br />
This amount of bass may be excessive with certain consumer radios (particularly<br />
“boom-boxes”) that already have substantial bass boost. Use it with care.<br />
LOUD+SL<strong>AM</strong> is very similar to LOUD-HOT+BASS. Because of the 18 dB/octave BASS<br />
SLOPE, its advantages will be appreciated most through radios with good low bass<br />
response.<br />
LOUD-PUNCHY is the quietest of the “loud” preset family. It is designed for a<br />
bright, sizzling top end and very punchy lows. It is a good choice for stations that<br />
feel that the LOUD-HOT presets are too aggressive, but that think that the ROCK<br />
presets are insufficiently loud for their market position. It is not a good choice for<br />
low bit rate codecs.<br />
LOUD-BIG compromises between LOUD-HOT and LOUD-HOT+BASS. It uses a 12<br />
dB/octave bass equalizer slope to achieve punchy bass that still has enough mid-bass<br />
boost to help smaller radios.