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Optimod-AM 9400 V1.2 Operating Manual - Orban

Optimod-AM 9400 V1.2 Operating Manual - Orban

Optimod-AM 9400 V1.2 Operating Manual - Orban

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OPTIMOD-<strong>AM</strong> DIGITAL TROUBLESHOOTING 5-5<br />

fully realigned, the only cure for any remaining excessive out-of-band radiation is to<br />

reduce the setting of the <strong>9400</strong>'s lowpass filter until the transmission is within specification.<br />

These transmitters are prime candidates for replacement with a modern<br />

solid-state transmitter, which will reduce AC power costs and also sound much better<br />

on-air.<br />

Negative overmodulation that causes carrier pinch-off will also cause the bandwidth<br />

to increase rapidly. Older transmitters may respond better to negative modulation<br />

slightly below 100%, as their distortion can rise rapidly as they approach 100%<br />

modulation.<br />

System Will Not Pass Line-Up Tones at 100% Modulation<br />

This is normal. Sine waves have a very low peak-to-average ratio by comparison to<br />

program material. The processing thus automatically reduces their peak level to<br />

bring their average level closer to program material, promoting a more consistent<br />

and well-balanced sound quality.<br />

The <strong>9400</strong> can generate test tones itself. The <strong>9400</strong> can also be put into Bypass mode<br />

(locally or by remote control) to enable it to pass externally generated tones at any<br />

desired level. (See Test Modes on page 3-54.)<br />

System Will Not Pass Emergency Alert System (“EAS” USA Standard) Tones<br />

at the Legally Required Modulation Level<br />

See System Will Not Pass Line-Up Tones at 100% Modulation (directly above) for an<br />

explanation. These tones should be injected into the transmitter after the <strong>9400</strong>, or<br />

the <strong>9400</strong> should be temporarily switched to BYPASS to pass the tones.<br />

System Receiving <strong>9400</strong>’s Digital Output Will Not Lock<br />

Be sure that the <strong>9400</strong>’s output sample rate is set match the sample rate that the<br />

driven system expects. Be sure that the <strong>9400</strong>’s output mode (AES3 or SPDIF) is set to<br />

match the standard expected by the driven system.<br />

L–R (Stereo Difference Channel) Will Not Null with Monophonic Input<br />

This problem is often caused by relative phase shifts between the left and right<br />

channels prior to the <strong>9400</strong>’s input. This stresses codecs, which can misinterpret these<br />

phase shifts as intentional stereo imaging effects and try to encode them, wasting<br />

bits. It is wise to minimize any left/right phase shifts in your audio facility prior to<br />

the <strong>9400</strong>.<br />

To minimize L–R energy in the signal, it may be wise to turn off the <strong>9400</strong>’s stereo<br />

enhancer and to operate the digital radio chain’s five-band compressor with 100%<br />

coupling, which prevents the processing from adding L–R energy to the signal. The<br />

only possible exception to this rule is when Band 5 is used as a de-esser. See Excessive<br />

Sibilance (“ess” sounds) in the Digital Radio Channel immediately below.<br />

<strong>AM</strong> Analog and Digital Channels Have Unequal Loudness<br />

Adjust the HD LIMITER DRIVE control in the on-air HD preset to match the loudness of<br />

the two channels. Do not reduce the loudness of the digital channel by turning<br />

down its associated output level control. Using the HD LIMITER DRIVE control to re-

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