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Optimod-AM 9400 V1.2 Operating Manual - Orban

Optimod-AM 9400 V1.2 Operating Manual - Orban

Optimod-AM 9400 V1.2 Operating Manual - Orban

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3-42<br />

OPERATION ORBAN MODEL <strong>9400</strong><br />

zero. For example, to limit an excessively wide image while preventing more than 3<br />

dB difference in gain between the sum and difference channels, set the AGC<br />

MAXIMUM DELTA GAIN REDUCTION control to 3.0 and the AGC MASTER DELTA THRESHOLD<br />

control to some positive number, depending on how much automatic width control<br />

you want the <strong>9400</strong> to perform.<br />

AGC Bass Delta Threshold works the same as AGC MASTER DELTA THRESHOLD, but<br />

applies to the bass band. You will usually set it the same as AGC MASTER DELTA<br />

THRESHOLD.<br />

Clipper Controls<br />

The clipper controls apply only to the analog <strong>AM</strong> processing chain.<br />

The HD <strong>AM</strong> chain uses a look-ahead limiter employing a different technology<br />

than the distortion-cancelled clipper used in the <strong>AM</strong> analog<br />

chain.<br />

Bass Clip (“Bass Clip Threshold”) sets the threshold of <strong>Orban</strong>’s patented embedded<br />

bass clipper with reference to the final clipper. The bass clipper is embedded in the<br />

multiband crossover (after bands 1 and 2 are summed) so that any distortion created<br />

by clipping is rolled off by part of the crossover filters. The threshold of this clipper is<br />

usually set between 2 dB and 5 dB below the threshold of the final limiter in the<br />

processing chain, depending on the setting of the LESS-MORE control in the parent<br />

preset on which you are basing your Modify adjustments. This provides headroom<br />

for contributions from the other three bands so that bass transients don’t smash<br />

against the back-end clipping system, causing overt intermodulation distortion between<br />

the bass and higher frequency program material.<br />

Some <strong>9400</strong> users feel that the bass clipper unnecessarily reduces bass punch at its<br />

factory settings. Therefore, we made the threshold of the bass clipper useradjustable.<br />

The range (with reference to the final clipper threshold) is 0 to –6dB. As<br />

you raise the threshold of the clipper, you will get more bass but also more distortion<br />

and pumping. Be careful when setting this control; do not adjust it casually. Listen<br />

to program material with heavy bass combined with spectrally sparse midrange<br />

material (like a singer accompanied by a bass guitar) and listen for IM distortion induced<br />

by the bass’ pushing the midrange into the clipping system. In general, unless<br />

Clipper Controls<br />

Full Modify Name Advanced Name Range<br />

--- Overshoot Compensator Drive –2.0 … +2.0<br />

BASS CLI Bass Clip Threshold –6.0 … 0.00 dB<br />

B-CL SHAP Bass Clip Shape 0 … 10<br />

BASS MODE Bass Clip Mode Soft, Med, Hard, LLHard<br />

--- Speech Bass Clip –6.0 … 0.00 dB<br />

FINAL CLIP Final Clip Drive –3.0 … +5.0 dB<br />

HF-CL HF Clip Threshold –16…0.00, Off<br />

--- Speech Bass Clip Threshold<br />

--- Overshoot Comp Drive –2.0 … +2.0<br />

Table 3-6: Clipper Controls

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