Optimod-AM 9400 V1.2 Operating Manual - Orban
Optimod-AM 9400 V1.2 Operating Manual - Orban
Optimod-AM 9400 V1.2 Operating Manual - Orban
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3-42<br />
OPERATION ORBAN MODEL <strong>9400</strong><br />
zero. For example, to limit an excessively wide image while preventing more than 3<br />
dB difference in gain between the sum and difference channels, set the AGC<br />
MAXIMUM DELTA GAIN REDUCTION control to 3.0 and the AGC MASTER DELTA THRESHOLD<br />
control to some positive number, depending on how much automatic width control<br />
you want the <strong>9400</strong> to perform.<br />
AGC Bass Delta Threshold works the same as AGC MASTER DELTA THRESHOLD, but<br />
applies to the bass band. You will usually set it the same as AGC MASTER DELTA<br />
THRESHOLD.<br />
Clipper Controls<br />
The clipper controls apply only to the analog <strong>AM</strong> processing chain.<br />
The HD <strong>AM</strong> chain uses a look-ahead limiter employing a different technology<br />
than the distortion-cancelled clipper used in the <strong>AM</strong> analog<br />
chain.<br />
Bass Clip (“Bass Clip Threshold”) sets the threshold of <strong>Orban</strong>’s patented embedded<br />
bass clipper with reference to the final clipper. The bass clipper is embedded in the<br />
multiband crossover (after bands 1 and 2 are summed) so that any distortion created<br />
by clipping is rolled off by part of the crossover filters. The threshold of this clipper is<br />
usually set between 2 dB and 5 dB below the threshold of the final limiter in the<br />
processing chain, depending on the setting of the LESS-MORE control in the parent<br />
preset on which you are basing your Modify adjustments. This provides headroom<br />
for contributions from the other three bands so that bass transients don’t smash<br />
against the back-end clipping system, causing overt intermodulation distortion between<br />
the bass and higher frequency program material.<br />
Some <strong>9400</strong> users feel that the bass clipper unnecessarily reduces bass punch at its<br />
factory settings. Therefore, we made the threshold of the bass clipper useradjustable.<br />
The range (with reference to the final clipper threshold) is 0 to –6dB. As<br />
you raise the threshold of the clipper, you will get more bass but also more distortion<br />
and pumping. Be careful when setting this control; do not adjust it casually. Listen<br />
to program material with heavy bass combined with spectrally sparse midrange<br />
material (like a singer accompanied by a bass guitar) and listen for IM distortion induced<br />
by the bass’ pushing the midrange into the clipping system. In general, unless<br />
Clipper Controls<br />
Full Modify Name Advanced Name Range<br />
--- Overshoot Compensator Drive –2.0 … +2.0<br />
BASS CLI Bass Clip Threshold –6.0 … 0.00 dB<br />
B-CL SHAP Bass Clip Shape 0 … 10<br />
BASS MODE Bass Clip Mode Soft, Med, Hard, LLHard<br />
--- Speech Bass Clip –6.0 … 0.00 dB<br />
FINAL CLIP Final Clip Drive –3.0 … +5.0 dB<br />
HF-CL HF Clip Threshold –16…0.00, Off<br />
--- Speech Bass Clip Threshold<br />
--- Overshoot Comp Drive –2.0 … +2.0<br />
Table 3-6: Clipper Controls