Optimod-AM 9400 V1.2 Operating Manual - Orban
Optimod-AM 9400 V1.2 Operating Manual - Orban
Optimod-AM 9400 V1.2 Operating Manual - Orban
- No tags were found...
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
3-52<br />
OPERATION ORBAN MODEL <strong>9400</strong><br />
audible distortion with almost any program material. Large changes in the frequency<br />
balance of the compressor outputs will change this tuning, leaving the <strong>9400</strong><br />
more vulnerable to unexpected audible distortion with certain program material.<br />
Therefore, you should make large changes in EQ with the bass and parametric<br />
equalizers and the HF enhancer, because these are located before the compressors.<br />
The compressors will therefore protect the system from unusual overloads caused by<br />
the chosen equalization. Use the multiband mix controls only for fine-tuning.<br />
You can also get a similar effect by adjusting the compression threshold of the individual<br />
bands. This is comparably risky with reference to clipper overload, but unlike<br />
the MB BAND MIX controls, does not affect the frequency response when a given band<br />
is below threshold and is thus producing no gain reduction.<br />
Advanced Multiband Controls<br />
The following Advanced Multiband controls are available only from <strong>9400</strong> PC Remote<br />
software.<br />
Bx On / Off switches allow you to listen to any band (or any combination of bands)<br />
independently. This is a feature designed for intermediate or advanced users and<br />
developers when they are creating new <strong>9400</strong> presets.<br />
Please note that a single band will interact with the back-end clipping system quite<br />
differently than will that band when combined with all of the other bands. Therefore,<br />
do not assume that you can tune each band independently and have it sound<br />
the same when the clipping system is processing all bands simultaneously.<br />
B1-B5 Attack (Time) controls set the speed with which the gain reduction in each<br />
band responds to level changes at the input to a given band’s compressor. These<br />
controls, which have never previously been available in an <strong>Orban</strong> processor, are risky<br />
and difficult to adjust appropriately. They affect the sound of the processor in many<br />
subtle ways. The main trade-off is “punch” (achieved with slower attack times) versus<br />
distortion and/or pumping produced in the clipping system (because slower attack<br />
times increase overshoots that must be eliminated in the clipping system). The<br />
results are strongly program-dependent, and must be verified with listening tests to<br />
a wide variety of program material.<br />
The ATTACK time controls are calibrated in arbitrary units. Higher numbers correspond<br />
to slower attacks.<br />
In the analog <strong>AM</strong> channel, the look-ahead delay times in bands 3, 4, and 5 automatically<br />
track the setting of the ATTACK time controls to minimize overshoot for any<br />
attack time setting.<br />
High Frequency Limiter (<strong>AM</strong> chain only) sets the amount of additional gain reduction<br />
occurring in band 5 when high frequency energy would otherwise cause excessive<br />
distortion in the final clipper. It uses an analysis of the activity in the final clipper<br />
to make this determination, and works in close cooperation with the band-5 multiband<br />
clipper. Functionally, this control is a mix control that adds a HF limiter gain reduction<br />
signal to the band 4 gain reduction signal to determine the total gain re-