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Optimod-AM 9400 V1.2 Operating Manual - Orban

Optimod-AM 9400 V1.2 Operating Manual - Orban

Optimod-AM 9400 V1.2 Operating Manual - Orban

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OPTIMOD-<strong>AM</strong> DIGITAL OPERATION 3-35<br />

sponse in this frequency range is flat. The result is natural-sounding bass on male<br />

voice.<br />

If you like a larger-than-life, “chesty” sound on male voice, set this control away<br />

from OFF. Then, gating causes the gain reduction of the lowest frequency band to<br />

move to the same gain reduction (minus a gain offset equal to the numerical setting<br />

of the control) as its nearest neighbor when gated. You can therefore set the maximum<br />

gain difference between the two low frequency bands, producing considerable<br />

dynamic bass boost on voice.<br />

The difference will never exceed the difference that would have otherwise occurred<br />

if the lowest frequency band were independently gated. If you are familiar with<br />

older <strong>Orban</strong> processors, this is the maximum amount of boost that would have occurred<br />

if you had set their DJ BASS BOOST controls to ON.<br />

The amount of bass boost will be highly dependent on the fundamental frequency<br />

of a given voice. If the fundamental frequency is far above 100Hz, there will be little<br />

voice energy in the bottom band and little or no audio bass boost can occur even if<br />

the gain of the bottom band is higher than the gain of its neighbor. As the fundamental<br />

frequency moves lower, more of this energy leaks into the bottom band,<br />

producing more bass boost. If the fundamental frequency is very low (a rarity), there<br />

will be enough energy in the bottom band to force significant gain reduction, and<br />

you will hear less bass boost than if the fundamental frequency were a bit higher.<br />

If the MB GATE THRESH (Gate Threshold) control is turned OFF, the DJ BASS boost setting<br />

is disabled.<br />

BRILLIANCE sets the drive level into the Band 5 compressor in the digital radio<br />

channel only. Because band 4 gain reduction determines band 5 gain reduction, this<br />

control has the same effect as the BAND 5 OUTPUT MIX control. It is included only for<br />

compatibility with <strong>Orban</strong>’s 8400 and 8500 HD processors so that you can duplicate<br />

the sound of these processors’ presets by copying their control settings to the <strong>9400</strong>.<br />

HF ENH (“High Frequency Enhancer”) is a program-adaptive 6 dB/octave shelving<br />

equalizer with a 4 kHz turnover frequency. It constantly monitors the ratio between<br />

high frequency and broadband energy and adjusts the amount of equalization in an<br />

attempt to make this ratio constant as the program material changes. It can therefore<br />

create a bright, present sound without over-equalizing material that is already<br />

bright.<br />

LOWPASS ("Lowpass Filter Cutoff Frequency") allows you to decrease (but not increase)<br />

the low-pass cutoff frequency compared to its setting in active transmission<br />

preset. See (7.B) on page 2-26.<br />

LPF SHAPE ("Lowpass Filter Shape") allows you to decrease (but not increase) the<br />

low-pass filter's shape compared to its setting in active transmission preset. See step<br />

(7.C) on page 2-27.<br />

HIGHPASS ("Highpass Filter Cutoff Frequency") allows you to increase (but not decrease)<br />

the highpass cutoff frequency compared to its setting in active transmission<br />

preset. See step( 7.D) on page 2-28.

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