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Optimod-AM 9400 V1.2 Operating Manual - Orban

Optimod-AM 9400 V1.2 Operating Manual - Orban

Optimod-AM 9400 V1.2 Operating Manual - Orban

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1-10<br />

INTRODUCTION ORBAN MODEL <strong>9400</strong><br />

Best Location for OPTIMOD-<strong>AM</strong><br />

The best location for OPTIMOD-<strong>AM</strong> is as close as possible to the transmitter so that<br />

its output can be connected to the transmitter through a circuit path that introduces<br />

the least possible change in the shape of OPTIMOD-<strong>AM</strong>’s carefully peak-limited<br />

waveform. This connection could be short lengths of shielded cable (for transmitters<br />

with analog inputs) or a direct AES3 connection (if the transmitter has a digital input<br />

available). If this is impossible, the next best arrangement is to feed the <strong>9400</strong>’s AES3<br />

digital output through an all-digital, uncompressed path to the transmitter's exciter.<br />

If the programming agency’s jurisdiction ends at the link connecting the audio facility<br />

to the transmitter, a variety of problems can occur downstream. (The link might<br />

be telephone / post lines, analog microwave radio, or various types of digital paths.)<br />

The link, the transmitter peak limiters, or the transmitter itself can all introduce artifacts<br />

that a studio-located audio processor cannot control.<br />

If the transmitter is not accessible:<br />

All audio processing must be done at the studio and you must tolerate any damage<br />

that occurs later. If an uncompressed AES3 digital link is available to the transmitter,<br />

this is an excellent, accurate means of transmission. However, if the digital link employs<br />

lossy compression, it will disturb peak levels by up to 4 dB. Lossy compression is<br />

also inappropriate for another reason: it cannot accommodate pre-emphasized audio<br />

(like OPTIMOD-<strong>AM</strong>‘s output) without introducing serious artifacts.<br />

Unlike FM, where the transmitter usually can be set up to provide preemphasis,<br />

<strong>AM</strong> transmitters are universally “flat.” Therefore, unlike FM,<br />

there is no option when using lossy compression to de-emphasize at the<br />

output of OPTIMOD-<strong>AM</strong> and then to restore the pre-emphasis at the<br />

transmitter. The best one can do is to use NRSC pre-emphasis, apply NRSC<br />

de-emphasis before the lossy link’s input, and then re-apply NRSC preemphasis<br />

at the link’s output.<br />

If only an audio link is available, use the <strong>9400</strong>’s left and right audio outputs and feed<br />

the audio directly into the link. If possible, request that any transmitter protection<br />

limiters be adjusted for minimum possible action — OPTIMOD-<strong>AM</strong> does most of that<br />

work. Transmitter protection limiters should respond only to signals caused by faults<br />

or by spurious peaks introduced by imperfections in the link. To ensure maximum<br />

quality, all equipment in the signal path after the studio should be carefully aligned<br />

and qualified to meet the appropriate standards for bandwidth, distortion, group<br />

delay and gain stability, and such equipment should be re-qualified at reasonable<br />

intervals. (See Optimal Control of Peak Modulation Levels on page 1-8).<br />

If the transmitter is accessible:<br />

You can achieve the most accurate control of modulation peaks by locating<br />

OPTIMOD-<strong>AM</strong> at the transmitter site or by connecting it to the transmitter through<br />

an uncompressed digital STL.<br />

Because OPTIMOD-<strong>AM</strong> controls peaks, it is irrelevant whether the audio link feeding<br />

OPTIMOD-<strong>AM</strong>’s input terminals is phase-linear. However, the link should have low<br />

noise, the flattest possible frequency response from 30-9,500, and low nonlinear distortion.

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