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Optimod-AM 9400 V1.2 Operating Manual - Orban

Optimod-AM 9400 V1.2 Operating Manual - Orban

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3-36<br />

OPERATION ORBAN MODEL <strong>9400</strong><br />

Stereo Enhancer Controls<br />

The <strong>9400</strong> provides two different stereo enhancement algorithms. The first is based<br />

on <strong>Orban</strong>’s patented analog 222 Stereo Enhancer, which increases the energy in the<br />

stereo difference signal (L–R) whenever a transient is detected in the stereo sum signal<br />

(L+R). By operating only on transients, the 222 increases width, brightness, and<br />

punch without unnaturally increasing reverb (which is usually predominantly in the<br />

L–R channel).<br />

The second stereo enhancement algorithm is based on the well-known “Max” technique.<br />

This passes the L–R signal through a delay line and adds this decorrelated signal<br />

to the unenhanced L–R signal. Gating circuitry similar to that used in the “222-<br />

style” algorithm prevents over-enhancement and undesired enhancement on<br />

slightly unbalanced mono material.<br />

It is unwise to use stereo enhancement with low bitrate codecs. At low bit rates,<br />

these codecs use various parametric techniques for encoding the spatial attributes of<br />

the sound field. Stereo enhancement can unnecessarily stress this encoding process.<br />

Both modes have gating that operates under two conditions.<br />

<br />

The two stereo channels are close to identical in magnitude and phase.<br />

In this case, the enhancer assumes that the program material is actually<br />

mono and thus suppresses enhancement to prevent the enhancement<br />

from exaggerating the undesired channel imbalance.<br />

<br />

The ratio of L–R / L+R of the enhanced signal tries to exceed the threshold set by<br />

the L-R / L+R RATIO LIMIT control.<br />

In this case, the enhancer prevents further enhancement in order to prevent<br />

excess L–R energy, which might increase distortion in <strong>AM</strong> stereo<br />

transmission.<br />

The stereo enhancer has the following controls:<br />

Amount sets the maximum spatial enhancement.<br />

Enhancer In / Out bypasses the stereo enhancer. OUT is equivalent to setting the<br />

Stereo Enhancer Controls<br />

Basic / Intermediate Name Advanced Name Range<br />

Amount Amount 0.0 ... 10.0<br />

Enhancer In / Out Out / In<br />

Ratio Limit Ratio Lim 70 … 100%<br />

Diffusion Diffusion Off, 0.3 ... 10.0<br />

Style Style 222 / Delay<br />

Depth Depth 0 … 10<br />

Table 3-4: Stereo Enhancer Controls

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