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Life – a user's manual Part II - Boksidan

Life – a user's manual Part II - Boksidan

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It may be easier to find something to write about an environment that is created for an event that will<br />

happened. For example, a table setting for a coffee break.<br />

In this case, the author, for example,<br />

may describe the furniture, the table<br />

setting, point out that there is no milk<br />

cartons or the fact that the table is set<br />

for five persons. It is of course<br />

depending on what's going to happen<br />

there and who made the table setting.<br />

If it were set for a birthday party, one<br />

would, tentatively, write that the table<br />

setting was pretty meager, but if it on<br />

the contrary, was set for a regular<br />

coffee break at work .....<br />

Here are some different types of environmental descriptions taken from a number of novels.<br />

In the viewer's eye’s<br />

Many novels are written so that it is clear that there is a person (usually the protagonist) who observes the<br />

environments. For those who choose this approach, it is important that they are described in a manner<br />

consistent with the viewers supposed personality. The easiest way to do this is probably to try to imagine<br />

what the person in question would have told you about if he had told you about the scene. So maybe<br />

Norman Mailer did when he wrote this (note that it is written in I-form and present, which is unusual):<br />

"So often I go to these emerald green swamps in the end of the town, I think of the pilgrims. The coastal<br />

dunes farther out are so low that you can see the ships along the horizon even when the water is invisible.<br />

Sport fishing boats seems to travel in caravans across the sand. If I have a drink inside, I start laughing,<br />

because opposite the memorial plaque over the pilgrims, not five ten feet from the stable where the United<br />

States began, is the entrance to a big motel. It may not be uglier than any other giant motel but it is certainly<br />

not more beautiful either, and the only tribute to pilgrims is that they call it the "inn". The paved parking is<br />

as large as a football field."<br />

From "Tough guys don’t dance" by Norman Mailer.<br />

The novel "The Window" (see below) is very rich in environmental descriptions, and about half of the 100<br />

first lines of the book contains text that describes an environment. As the following excerpt in which a small<br />

digression on garden walls that leads us to understand that the main character is in an exclusive area. The<br />

novel is written entirely in the I-form and the past, but the description is strangely impersonal.<br />

"The road was lined with estates surrounded by walls and fences. Some had high walls, some had low walls,<br />

some with an ornate iron fence, some were a bit old-fashioned and coped with large hedges. The street had<br />

no sidewalk. There was no one who walked in this area, not even the mail man.<br />

The evening was warm, but not as hot as in Pasadena. It was a hypnotic fragrance of flowers and sunshine, a<br />

gentle rustling of garden sprinklers behind hedges and walls, the clear crackling sound of lawnmowers that<br />

delicately moved over peaceful lawns."<br />

From “The Window" by Raymond Chandler.<br />

309

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