We All are Europe - AESAEC
We All are Europe - AESAEC
We All are Europe - AESAEC
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Module 5 – The Art of Successful Project Proposal Writing II: Linguistic Part<br />
Unit 5.2.<br />
Unit in a nutshell<br />
Achievements<br />
Working with texts and writing an application<br />
Learning how to write in order to appeal to the feelings of the reader,<br />
and above all which feelings should be addressed when writing an application<br />
Becoming acquainted with the characteristics of different types of texts<br />
and formal criteria relevant for the application.<br />
After this unit you will be able to:<br />
define formal and content-based criteria of an application and differentiate<br />
it from other types of text<br />
appeal to the feelings of the project’s evaluator<br />
The limitations of language <strong>are</strong> the limitations of the world. (Ludwig Wittgenstein)<br />
Warming up:<br />
E_____________________<br />
U_____________________<br />
R_____________________<br />
O_____________________<br />
P_____________________<br />
E_____________________<br />
A_____________________<br />
N_____________________<br />
U_____________________<br />
N_____________________<br />
I _____________________<br />
O_____________________<br />
N_____________________<br />
For each letter choose a word beginning with that letter which is relevant to the topic “<strong>Europe</strong>an<br />
Union.” Form two groups, each writing a speech, whereby one group defends the values and activities<br />
of the <strong>Europe</strong>an Union and the second group argues against. It is important that the words you<br />
chose in the above exercise <strong>are</strong> included in the speech.<br />
Give the speeches and decide which arguments you would follow!<br />
5.2.1. The power of words<br />
Listen / Read / Discuss / Exercise<br />
Whoever works with text does not have any pictures at his disposal, which means that pictures must<br />
be formed through language. The writer must arouse ideas and pictures so that we can see, hear,<br />
smell, taste and feel what has been written.<br />
The writer of a text can awaken vivid memories in us and even trigger physical reactions. Just think<br />
of a freshly baked chocolate cake. Can you smell it Does your saliva start to flow Or imagine that<br />
you <strong>are</strong> sucking a juicy, large and very sour lemon. Can you feel the cavity of your mouth, how the<br />
corners of your mouth contract. Our feelings <strong>are</strong> linked to our imagination. For example if I portray<br />
a hungry child crying bitterly then it provokes our sympathy, whereas a child depicted as smiling<br />
causes us to show affection – without us actively needing to do anything.<br />
It is the power of the imagination, which can be incorporated into our whole body!<br />
This issue might also be important when writing a proposal, because evaluators <strong>are</strong> also human beings.<br />
In addition to consciously following the quality criteria, they will also evaluate your project<br />
unknowingly following their emotions and feelings.<br />
Bearing this consideration in mind, which of the evaluator’s feelings do you think you should appeal<br />
to when writing an application And which ones <strong>are</strong> best not to appeal to<br />
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