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Art Un ticle I.1 ited Sta In the ates News - Woodring College of ...

Art Un ticle I.1 ited Sta In the ates News - Woodring College of ...

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Joint productive activity is <strong>the</strong> process <strong>of</strong> both teacher and students working toge<strong>the</strong>r to producesomething that is <strong>of</strong> value to everyone involved.Developing <strong>the</strong> language and literacy <strong>of</strong> instruction in all activities means that <strong>the</strong>re is an overtfocus on learning <strong>the</strong> discourse <strong>of</strong> <strong>the</strong> content area concurrent with learning <strong>the</strong> concepts.Contexualizing schooling in students’ lived experiences refers to making connections (in anovert manner) between <strong>the</strong> content being learned and <strong>the</strong> students’ personal prior experiences,both within and beyond school.Teaching for cognitive complexity means making sure that every student is cognitivelychallenged, which implies individualization <strong>of</strong> tasks so that everyone is working on a task that isappropriate for his or her knowledge and ability.<strong>In</strong>structional conversation refers to <strong>the</strong> teacher engaging in conversation with an individual orgroup <strong>of</strong> students, where <strong>the</strong> topic <strong>of</strong> conversation is <strong>of</strong> importance to all involved, and <strong>the</strong>teacher does not already know <strong>the</strong> answer to <strong>the</strong> question he or she is asking, and additionally,has an au<strong>the</strong>ntic reason for wanting to know <strong>the</strong> answer.Despite <strong>the</strong> various successes <strong>of</strong> educational approaches grounded in cultural difference <strong>the</strong>ory,in recent years cultural anthropologists have begun to critique <strong>the</strong> underlying framework onseveral counts. These critiques can provide insight into how Tharp’s principles can be enhanced.The first criticism is that cultural difference <strong>the</strong>ory pays insufficient attention to power relations(Mehan, 1993). For example, how can <strong>the</strong> gap between poor, urban Latino culture and <strong>the</strong>culture <strong>of</strong> a discipline <strong>of</strong> power, such as math or science, be successfully negotiated when <strong>the</strong>reis such a great power differential between <strong>the</strong> two? The second critique is that cultural difference<strong>the</strong>ory focuses almost exclusively on <strong>the</strong> structural (macro) level when defining culture, byfocusing on class, race, and/or gender issues. This overlooks <strong>the</strong> more micro level influencessuch as peer groups, or <strong>the</strong> culture <strong>of</strong> <strong>the</strong> individual institution (Geertz, 1973).The third critique deals with cultural difference <strong>the</strong>ory's inattention to issues <strong>of</strong> identity andindividual agency (Minick, 1993). From this perspective, <strong>the</strong>re is no room for an individual todevelop a cultural identity that is at odds with his or her structurally defined culture <strong>of</strong> origin,while in reality, such individuals clearly do exist. The final argument is that cultural difference<strong>the</strong>ory paints a monolithic perspective <strong>of</strong> culture. For example, all students from <strong>the</strong> samecultural group are thought to have developed <strong>the</strong> same patterns <strong>of</strong> thinking, talking, and actingduring childhood, and can likewise be aided by <strong>the</strong> same classroom interventions (Eisenhart &Graue, 1993).Simply by examining one's own cultural background and <strong>the</strong> variety <strong>of</strong> factors that effect it, itbecomes clear that cultural difference <strong>the</strong>ory is an oversimplification <strong>of</strong> how culture helps shapean individual’s identity in practice. For this reason, we turn to a second anthropological tradition,practice <strong>the</strong>ory, which addresses some <strong>of</strong> <strong>the</strong> more intricate dynamics in <strong>the</strong> interactions betweenstructural features and individual agency.Practice <strong>the</strong>ory is concerned with a number <strong>of</strong> different aspects <strong>of</strong> culture, including: 1) <strong>the</strong>socio-historical development <strong>of</strong> cultural groups and <strong>the</strong>ir members over time (Levinson &Holland, 1996); 2) <strong>the</strong> interplay <strong>of</strong> cultural productions (resistance) and cultural reproductions(conforming voluntarily or involuntarily to <strong>the</strong> cultural and structural norms) (Levinson, 1996);3) power relations within and across cultural groups (Luykx, 1996); and 4) <strong>the</strong> dialectic betweenstructural (macro-level) features and individual agency (Holland & Eisenhart, 1990). Practice<strong>the</strong>ory explores how historical persons are formed in practice, within and against larger societalforces and structures. These structures provide <strong>the</strong> (tacitly understood) framework that governs<strong>the</strong> functioning <strong>of</strong> schools, as well as o<strong>the</strong>r social institutions.© 2008 Dr. Ca<strong>the</strong>rine CollierAll Rights Reserved122

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