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Dictionary of Music - Birding America

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differential tone 107D-flat One <strong>of</strong> the musical tones (see PITCHNAMES), one half tone below D and one half toneabove C. On the piano, D-flat is identical with C-sharp (see ENHARMONIC for an explanation). Themajor scale beginning on D-flat is known as D-flatmajor. A composition based on this scale is said tobe in the key <strong>of</strong> D-flat major, the KEY SIGNATURE forthis key being five flats. For the location <strong>of</strong> D-flat onthe piano, see KEYBOARD.di For Italian musical terms beginning with di,such as di nuovo, see under the next word (NUOVO).diapason (English dī′′ ə pā′ zən; French dyA pAZÔN′). 1 A group <strong>of</strong> organ pipes that provide thebasic tone <strong>of</strong> the instrument (see ORGAN; PRINCIPAL,def. 1). 2 The entire range <strong>of</strong> a voice or instrument.3 French for PITCH. 4 French for TUNING FORK.diapason normal (dyA pA ZÔN′′ nôr mAl′). TheFrench term for CONCERT PITCH, which in 1859 wasestablished as the A above middle C at a frequency<strong>of</strong> 435 cycles per second.diatonic (dī′′ə ton′ik). 1 Pertaining to or containingthe notes that make up an octave containing fivewhole tones and two half tones. Both the major andminor scales are diatonic, as are the CHURCH MODES.For example, one such arrangement is F, G, A, B♭,C,D, and E, constituting the scale <strong>of</strong> F major;the remaining notes, which do not belong to thisscale, are termed chromatic. Naturally, the termsfig. 79 p/u from p. 110“diatonic” and “chromatic” apply only when aspecific key (scale) is in question. In music whereno particular key is used (see ATONALITY) the termshave no meaning. 2 Proceeding by scale degrees.3 Using DIATONIC HARMONY.diatonic chord A chord made up only <strong>of</strong> diatonicnotes, for example, F–A–C in the key <strong>of</strong> F major;the chord F–A–C♯ , on the other hand, is called achromatic chord, since it contains a chromatic note(C-sharp).diatonic harmony Harmony that consists chiefly<strong>of</strong> diatonic chords (it is rarely possible to exclude allchromatic notes).didgeridoo Also, didjeridu (did′jer i doo — ′′) Australianaborigine. An end-blown straight naturaltrumpet, without a separate mouthpiece, that is usedby Australian aborigines. The average instrument is1 to 1.5 meters (39 to 59 inches) long, with a bore <strong>of</strong>3.5 to 7.5 centimeters (1.3 to 2.9 inches) but exceptionallylarge ones, 2.5 meters long, are used in specialceremonies. It sounds a bass drone with waves<strong>of</strong> high overtones. Among the aborigines thedidgeridoo may be played only by men. In additionto ceremonial functions, it is used to accompanysinging and dancing, supply rhythm and tone coloras well as being used as a drone. Western composersuse it occasionally, as Annea Lockwood does inThousand Year Dreaming (1993) for ten instrumentsand Philip Glass in Voices (2001) for didgeridoo andorgan.Dies irae (dē′ās ēr′e) Latin: “day <strong>of</strong> wrath.” Asection <strong>of</strong> the Roman Catholic Requiem Mass (theMass for the dead) whose text and music date fromthe thirteenth century. Although early composers<strong>of</strong> Requiem Masses used the original monophonic(with a single voice-part) music for this section asa SEQUENCE, later composers, among them Mozartand Verdi, set the words to more dramatic music <strong>of</strong>their own. The original music has also been usedto suggest the idea <strong>of</strong> death in some secular (nonreligious)compositions, as by Saint-Saëns in hisDanse macabre (“Dance <strong>of</strong> Death”) and byBerlioz in his Symphonie fantastique (“FantasticSymphony”).diferencia (dē fe ren′thē ä) Spanish: “variation.”A musical form consisting <strong>of</strong> THEME AND VARIA-TIONS. Many fine diferencias for lute and keyboardinstruments were written by Luis de Narvaez, Antoniode Cabezón, and other sixteenth-century Spanishcomposers. Narvaez was one <strong>of</strong> the first to use theform <strong>of</strong> theme and variations, which he developed toan extent extraordinary for his time.differential toneSee under TARTINI, GIUSEPPE.

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