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Dictionary of Music - Birding America

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476 wind quintetFrench horn, the air column is set in vibration by theplayer’s lips. In WOODWIND INSTRUMENTS, it is setin vibration either through a flue-shaped opening(flute) or by means <strong>of</strong> a reed (clarinet, oboe, bassoon).The pitch sounded by any wind instrument—brass or woodwind—depends on the length <strong>of</strong> thevibrating air column; the longer the air column, thelower the pitch. The length <strong>of</strong> the air column can bevaried by means <strong>of</strong> additional lengths <strong>of</strong> tubing(such as slides in the trombone, or valves that makeavailable extra tubing in the French horn) or by fingerholes, which cut <strong>of</strong>f wind from part <strong>of</strong> the tube.The pitch produced also depends on whether the aircolumn vibrates along all <strong>of</strong> its length or part <strong>of</strong> itslength; in the latter case, harmonics (overtones <strong>of</strong>the fundamental pitch) are produced. The mostimportant way <strong>of</strong> producing harmonics isOVERBLOWING.The tone color <strong>of</strong> wind instruments—that is, thedifference in sound between a trumpet and a Frenchhorn producing the same note—depends on theblend <strong>of</strong> harmonics produced along with the fundamentaltone. This in turn depends on the shape <strong>of</strong> theinstrument’s mouthpiece (cup-shaped, funnelshaped,an open hole), the presence or absence <strong>of</strong>reeds, the shape <strong>of</strong> the bore (inside) and bell, andother factors. See also TRANSPOSING INSTRUMENTS.wind quintetSee under QUINTET.wobble An extreme vocal VIBRATO (def. 6).Wolf (volf), Hugo (hoo — ′gō), 1860–1903. AnAustrian composer who is remembered principallyfor his lieder (see LIED, def. 1). In the tradition <strong>of</strong>Schubert and Schumann, Wolf set to music poems<strong>of</strong> considerable literary merit. He also admiredWagner, whose influence is seen in the elaboratepiano accompaniments Wolf provided for his songs.Wolf’s most important collections <strong>of</strong> lieder are theMörike-Lieder (1888), with texts by HeinrichMörike; Goethe-Lieder (1889), to poems byGoethe; Spanisches Liederbuch (“Spanish Songbook,”1890) and Italienisches Liederbuch (“ItalianSongbook,” 1891, 1896), to German translations <strong>of</strong>Spanish and Italian poems. Of Wolf’s other works,which include choral music, an opera, and variousinstrumental pieces, the one most <strong>of</strong>ten performedtoday is Italienische Serenade (“Italian Serenade,”1887), a string quartet that he later transcribed fororchestra.wood block Also block, Chinese block, templeblock. An orchestral percussion instrument consisting<strong>of</strong> a rectangular piece <strong>of</strong> wood, 6 1 / 2 to 8 incheslong, with a slit cut in one side to form a resonatingcavity. Tapped with a wooden stick or mallet, it producesa high-pitched resonant “toc-toc” sound, theexact pitch varying with the size <strong>of</strong> the block.woodwind instruments A family <strong>of</strong> wind instrumentsin which sound is produced by the vibration<strong>of</strong> an air column set in motion by the player’s breaththrough a mouth hole or reed. As in other windinstruments, the pitch <strong>of</strong> the note sounded dependson the length <strong>of</strong> the vibrating air column. This lengthdepends in part on whether the pipe is open at bothends, as in flutes, or closed at one end, as in clarinets.The length <strong>of</strong> the pipe can also be altered, butin woodwinds, unlike brass instruments, the lengthcan only be shortened, not lengthened. Shorteningthe air column, and hence raising the pitch, isaccomplished by means <strong>of</strong> holes bored in the side <strong>of</strong>the instrument. The holes are opened and shut eitherdirectly by the fingers (finger holes) or by means <strong>of</strong>valves and keys. When all the holes are closed, thepipe sounds its fundamental tone; as the holes areopened, one by one, they successively raise thepitch.The name “woodwind” comes from the fact thatmost <strong>of</strong> the instruments in the group were oncemade <strong>of</strong> wood. Today this is no longer true; flutesusually are made <strong>of</strong> metal, recorders sometimes <strong>of</strong>plastic, and saxophones are always made <strong>of</strong> metal.The chief woodwind instruments <strong>of</strong> the symphonyorchestra are the flute, piccolo, oboe, Englishhorn, bassoon, double bassoon, clarinet, and bassclarinet. Also used occasionally are the saxophone,bass flute, heckelphone, and basset horn. (TheFrench horn is sometimes included as well.) Theflute and piccolo consist <strong>of</strong> tubes open at both ends;the air is set in vibration by the player’s breaththrough a mouth hole. The oboe, English horn, and

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