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Dictionary of Music - Birding America

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418 syrinxscores to rock groups, and for live performance aswell as composition. The synthesizers used primarilyfor live performance tended to be self-contained,or integrated, meaning that all the functions arebuilt into the system. In contrast, modular systemsare composed <strong>of</strong> interchangeable units, or modules,each <strong>of</strong> which provides a specific function or closelyrelated set <strong>of</strong> functions (oscillators in one module,filters in another, etc.). These more complex andmore versatile systems remained more expensiveand were used mainly in electronic studios.The next major advance was the introduction <strong>of</strong>computerized or digital synthesizers, including adigital sequencer that could play the entire synthesizer.A sequencer is a device that generates controlinformation (in the form <strong>of</strong> adjustable voltages) tocreate a series or sequence <strong>of</strong> events. The digitalsequencer, in effect a microcomputer memory, cancontrol many voltage lines and steps <strong>of</strong> variablelength, and can store hundreds <strong>of</strong> steps. No separatecontrols are required for each step (as in playing akeyboard); the computer simply stores the “numbers”and feeds them to a digital/analog converter.The “numbers” are control voltages, so thesequencer can control any aspect <strong>of</strong> sound that canbe put under voltage control. Thus, with a good digital/analogconverter, which changes “numbers” intoaudible sounds, a computer can become a highlyversatile musical instrument. Moreover, when linkedwith both a sequencer and the technology calledMIDI (see under ELECTRONIC MUSIC), several synthesizerscan be marshaled by a single player.Almost all electronic musical instruments andrecording equipment made today are digital. (TheMoog, an analog synthesizer, is an exception thathas survived.) Although many synthesizers are controlledby a keyboard, their popularity among rockmusicians prompted the invention <strong>of</strong> guitar anddrum synthesizers. The former are controlled bymeans <strong>of</strong> an electric guitar, usually with a specialpickup. The Avatar, for example, requires a specialhexaphonic pickup on the guitar, that is, a separateoutput for each string. There are two basic kinds <strong>of</strong>drum synthesizer or drum machine. One is arhythm generator that provides fixed rhythmic patternsusing imitative drum voices; the other is a percussion-orientedsynthesizer that allows drummersto create new voices. The former can play only presetpatterns—for example, bossa nova, fox trot,Latin, rock, waltz—and the user can vary only thespeed. A programmable synthesizer, in contrast, canbe used to create and play back electronic drumsounds created by samples stored inside the machine(also see SAMPLING).Among the primary uses <strong>of</strong> synthesizers, in additionto live performance, are the creation <strong>of</strong> newsounds and new compositions; use by composers tohear works in progress without having to hire anorchestra or other performing group; making a smallensemble sound larger or, in effect, mimicking thesound <strong>of</strong> a band or other large instrumental ensemblefor a variety <strong>of</strong> purposes (radio broadcast, filmsoundtrack, etc.); and help in teaching the principles<strong>of</strong> music. See also ELECTRONIC MUSIC; ENVELOPE;MODULATION, def. 2; OSCILLATOR; PATCHING;SOUND; VIRTUAL ORCHESTRA.syrinxSee PANPIPES.system Two or more musical staves, joinedtogether on the left by a line or brace, that representthe entire texture <strong>of</strong> a line <strong>of</strong> music. The musicalexample accompanying CLOSE HARMONY shows thefirst system <strong>of</strong> a song’s score.

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