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Dictionary of Music - Birding America

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stopping 401Stockhausen (shtok′hou zən), Karlheinz (kärl′hīnts′′), 1928– . A German composer whobecame one <strong>of</strong> the pioneers <strong>of</strong> electronic music.After World War II Stockhausen studied with theSwiss composer Frank Martin and later with OlivierMessiaen in Paris. After a period <strong>of</strong> experimentationwith serial techniques, musique concrète, andaleatory music, he became involved with a radio studioat Cologne, Germany, that became a leadingcenter for ELECTRONIC MUSIC. Up to the mid-1960sStockhausen’s works <strong>of</strong>ten made use <strong>of</strong> serial techniquesapplied not just to pitches but to all aspects <strong>of</strong>the material—duration (time values <strong>of</strong> sounds),degrees <strong>of</strong> density, the disposition <strong>of</strong> sounds inspace, and even the extent to which the composerdictates performance (see SERIAL MUSIC). Amongnotable works from this period are Zeitmasse(“Measures <strong>of</strong> Time”) for oboe, flute, English horn,clarinet, and bassoon, in which the tempo andrhythm for each instrument’s part are governed bythe instrument’s capabilities; Klavierstücke XI(“Piano Pieces XI”), in which the pianist maychoose how to play the nineteen fragments <strong>of</strong> whichthe piece consists; Gruppen (“Groups”) for threeorchestras placed in different parts <strong>of</strong> a hall, eachwith its own conductor; Carré (“Square”) for fourchoruses and four instrumental groups; Momente(“Moments”) for soprano, four choruses, keyboard,percussion, and brass instruments, which consists <strong>of</strong>many kinds <strong>of</strong> sound—banging, singing, speaking,babbling, whispering, and all kinds <strong>of</strong> instrumentalsound—arranged into a series <strong>of</strong> “moments,” eachwith a given duration, but which may be performedin any order; and Mikrophonie 1, his first electronicpiece, for a single tam-tam (gong) that is played onby six performers in all kinds <strong>of</strong> ways, including theuse <strong>of</strong> microphones to pick up the gong’s vibrations.From the mid-1960s on Stockhausen toured widelywith his own live electronic music ensemble andcontinued to explore the application <strong>of</strong> electronics totraditional instruments. The new sounds and procedureshe called for <strong>of</strong>ten required new notation; forexample, he sometimes used the plus, minus, andequal signs <strong>of</strong> arithmetic to instruct performers.Works from this period include Stimmung (“Tuning”)for six vocalists, who tune to different overtones<strong>of</strong> a low B-flat and proceed to sing and chantgiven sounds for more than an hour; Mantra, for twopianos and tape, based entirely on a single melody,in which ring modulators alter the harmonics so asto create patterns <strong>of</strong> consonance and dissonance. In1977 he began Licht (“Light”), a seven-eveningmusical theater piece dealing with mythic subjects,each for one day <strong>of</strong> the week.StollenSee under BAR FORM.stomp A blues composition with a heavilymarked beat. This feature is also present in SOUL.See also BLUES.stop 1 In organs, a knob or lever that controls thepassage <strong>of</strong> air to a particular rank (set) <strong>of</strong> pipes,causing them to sound or remain silent. The rank <strong>of</strong>pipes so controlled is also called a stop. The organistselects the desired pipes by drawing the appropriatestops. An organ has as many stops as it has ranks <strong>of</strong>pipes, as well as some stops that control severalranks at a time (mixture stops). See also ORGAN. 2 Inharpsichords, a lever that moves to one side theslides holding certain jacks (hooklike devices thatpluck the strings), so that only some <strong>of</strong> the stringsare plucked when a key is depressed. The use <strong>of</strong>such stops alters the pitch, the tone color, or both.Harpsichords have far fewer stops than organs, usuallyanywhere from four to six. Sometimes the stopsare controlled by pedals instead <strong>of</strong> knobs. See alsoHARPSICHORD.stopped notestopped stringdef. 1.See under STOPPING.See under STRING; also STOPPING,stopping 1 In stringed instruments, such as theviolin, guitar, and lute, altering the pitches <strong>of</strong> soundsproduced by each string by holding down the stringat certain points, thereby shortening its soundinglength. A string so held down is said to be stopped;an unstopped string is called an open string. Thetechnique <strong>of</strong> holding down two strings at the sametime is called DOUBLE STOPPING (although this termalso refers to playing on two open strings at thesame time); holding down three strings is called

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