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TheFACTS ON FILEDictionaryof MusicC
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CONTENTSAuthor’s NoteAbbreviation
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ABBREVIATIONSThe following abbrevia
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TheFACTS ON FILEDictionaryof Music
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acoustic 3ers the pitch one half to
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African-American music 5with cowbel
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allemande 7alborada (äl′′ bō
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ancora 9the alto voice is from the
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antiphon 11sometimes the SUBDOMINAN
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ariette 13ACCIACCATURA, which is a
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art rock 15heard (unamplified, ampl
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auxiliary tone 17special gatherings
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BB 1 One of the musical tones (see
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agpipe 21book, Versuch über die wa
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allet 23form (with the same music f
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allet 25SOME FAMOUS BALLETSComposer
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anjo 27among the civilian populatio
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aroque 29baritone horn 1 In America
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Bartók, Béla 31IMPORTANT BAROQUE
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asse danse 33voice with a strong up
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attuta 35now used in virtually ever
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ell 37composers of Western music. B
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Berlin, Irving 39twelve tones of th
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Birtwhistle, Harrison 41B-flat A mu
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lues 43certo, his Concerto Grosso n
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ore 45of whom are Giuseppe Torelli
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owing 47effects, and heavy percussi
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evis 49brass instruments make up th
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Bull, John 51Bruch (broo KH), Max (
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Byzantine chant 53Buxtehude (books
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56 Cabezón, Antonio detheatrical r
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58 caesuraFor older music the missi
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60 campanacampana (käm pä′nä).
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62 canticleother baroque forms, rea
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64 caposix voices, with or without
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66 castanetscastanets (kas′′tə
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68 celloWORKS FOR CELLO FROM 1800 O
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70 chamber operaMendelssohn, and Br
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72 chiaramenteA direc-chiaramente (
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74 chorale motetchorale motet A pol
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76 chordophonechordophone (kôr′d
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78 cinellicinelli (chē nel′lē).
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80 clarinettefig. 67 p/u from p. 84
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82 claviervibrate. The strings’ v
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84 collagerow neck, either two or t
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86 concertanteconcertante (kôn′
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88 concertoIMPORTANT PIANO CONCERTO
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90 concert overtureA concerto gross
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92 contrabasscontrabass (kon′trə
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94 cornetta(the accompanying illust
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96 country rockactivities such as q
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98 Credoacclaim, and she has come t
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100 Cui, Césarflat (see ENHARMONIC
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DD 1 One of the musical tones (see
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Delius, Frederick 105Debussy (dŒ b
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differential tone 107D-flat One of
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dissonance 109dim.Also, dimin. An a
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doo wop 111dodecupledoh (dō).See D
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double bass 113fig. 82 p/u from p.
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Druckman, Jacob 115the most importa
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dulcimer 117early electronic compos
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Dynamophone 119duramente (doo —
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122 editingSchubert wrote écossais
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124 electronic instrumentsas to obt
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126 electronic musiccreate sounds w
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128 empresséempressé (äN pre sā
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130 entr’acteability, or of balan
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132 étudesome other instruments th
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FF 1 One of the musical tones (see
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fantasia 137written out and the cho
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fifth 139feroce (fe rô′che) Ital
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finger hole 141McBoing-Boing; and M
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Flemish school 143flageolet (flaj
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flute 145sizes, the most common of
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form 147songs by such composers as
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free reed 149considered American fo
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frottola 151F was the favorite inst
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funk 153The fugue is thought to be
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GG 1 One of the musical tones (see
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gehalten 157a fiddle called the RAB
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gioco, con 159Youmans, and Kurt Wei
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Glinka, Mikhail 161complete Borodin
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gong 163Gloria (glô′rē ä). 1 A
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great organ 165The chants for this
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Gubaidulina, Sofia 167medieval trad
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guitare 169guitar A stringed instru
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HHThe German term for the note B na
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harmonica 173symphonies, the opera
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harmonium 175beats of music are con
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harpsichord 177notes outside that s
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Haydn, Franz Joseph 179Some of his
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hexachord 181baroque instrumental s
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homophony 183the ballets Nobilissim
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hurdy-gurdy (hûr′dē gûr′dē)
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Hz. 187Hypoaeolian (hī′′ pō
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190 impressionismimpressionism The
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192 inniglong orchestral works, not
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194 interpretationLUDE, def. 2. 3 A
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196 intonationIn other systems of t
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198 Italian overtureas - = notes)
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200 Jaques-Dalcroze, ÉmileJaques-D
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202 jazz bandfingering instruments,
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KK. 1 Also, K.V. An abbreviation fo
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key bugle 207than between two less
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Kodály, Zoltán 209The kithara con
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Ll. Also, L. An abbreviation for ei
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ledger lines 213rina, one of the tw
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lied 215bered chiefly for a single
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Liszt, Franz 217pitch, especially r
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lullaby 219may have been programmed
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lute 221originally have been made f
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lyric soprano 223Lyres were played
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226 madrigalstanzas of three lines
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228 mainmain (maN) pl. mains (maN)
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230 marching bandnearly always in d
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232 Massfamous masque, John Milton
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234 mechanical instruments3 In fift
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236 medleyNOTABLE MEDIEVAL MUSICIAN
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238 melody typeis the basis of rhyt
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240 mestoof tone is apparent in his
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242 MIDIbelow the treble staff and
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244 minor intervaland both left the
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246 modern musicmodern musicFROM 19
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248 Moravian musiccomposing and tea
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250 motiftrend was more toward chor
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252 mplearned the art of quartet wr
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254 musicologyled the audience in c
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256 mystical minimalismshaped piece
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258 naturalcould combine both folkl
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260 new age musicthe eleventh centu
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262 notes and restsuntil the mid-tw
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Oo 1 In scores, a sign placed over
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ode 267known composers to write pur
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opera 269op.Also, Op. An abbreviati
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opera 271SOME IMPORTANT OPERASTitle
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opera 273SOME IMPORTANT OPERASTitle
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opera 275SOME IMPORTANT OPERASTitle
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opera 277SOME IMPORTANT OPERASTitle
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opéra-comique 279tury, with the ou
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opus 281SOME FAMOUS OPERETTASTitle
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orchestra 283SOME NOTABLE ORATORIOS
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orchestra 285II. Brasses (13 to 18)
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organ 287Shortly after World War I
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organ 289this family of pipes, amon
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organ Mass 291those of the baroque,
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ôtez 293ornaments, especially in k
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ovvero 295Scarlatti. This form, whi
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298 palletgreatest composers of chu
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300 parody MassMozart’s Ein Musik
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302 passecaillewell as to fill in t
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304 pastoralkind of pasticcio is as
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- Page 329 and 330: 314 piano duetpiano duet A piece fo
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- Page 337 and 338: 322 pousséremarkable gift for writ
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- Page 347 and 348: 332 quotation, musicalmelody in one
- Page 349 and 350: 334 racket bassoonseventeenth centu
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- Page 353 and 354: 338 recitalrecital A public perform
- Page 355 and 356: 340 reelreel A lively dance for two
- Page 357 and 358: 342 related keycreated with a score
- Page 359 and 360: 344 RenaissanceIMPORTANT RENAISSANC
- Page 361 and 362: 346 repeatsecular vocal music was t
- Page 363 and 364: 348 restrest A silence or pause in
- Page 365 and 366: 350 ribibleribibleAnother name for
- Page 367 and 368: 352 rocklove ballads but deal also
- Page 369 and 370: 354 romanticismNarváez, Antonio de
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- Page 375 and 376: 360 salon musicorchestration, and h
- Page 377 and 378: 362 Satzcompositions than for his e
- Page 379 and 380: 364 saxotrombasaxotrombaSee SAXTROM
- Page 381 and 382: 366 Schlagname. By Beethoven’s ti
- Page 383 and 384: 368 Schuller, GuntherHeinrich Heine
- Page 385 and 386: 370 scordaturascordatura (skôr′
- Page 387 and 388: 372 seconda voltaseconda volta (se
- Page 389 and 390: 374 serenatahimself on the mandolin
- Page 391 and 392: 376 Sessions, RogerNunc dimittis (o
- Page 393 and 394: 378 shakuhachimouthpiece against th
- Page 395 and 396: 380 short appoggiaturaused for more
- Page 397 and 398: 382 single reedthe east coast of th
- Page 399 and 400: 384 sixty-fourth restfourth notes e
- Page 401 and 402: 386 soloinstead of letters. The syl
- Page 403 and 404: 388 sonata-allegro formcello and ha
- Page 405 and 406: 390 song cycletrue solo songs conti
- Page 407 and 408: 392 sons bouchésearly composer of
- Page 409 and 410: 394 soundboardtra, has a frequency
- Page 411 and 412: 396 speaker keyWhile this idea is f
- Page 413 and 414: 398 S S Aoctave is divided into twe
- Page 415 and 416: 400 stephalf have upward stems, a p
- Page 417 and 418: 402 StradTRIPLE STOPPING. Stopping
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- Page 421 and 422: 406 string quintetas well as Reger,
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408 submediantsition or section. A
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410 supertitlesupertitle Also, surt
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412 symphonic poemNOTABLE SYMPHONIC
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414 symphonyNOTABLE SYMPHONIES (176
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416 symphonie concertanteNOTABLE SY
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418 syrinxscores to rock groups, an
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420 tabletableAnother word for BELL
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422 tanburastrings are tuned by mea
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424 Telemann, Georg Philippbased on
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426 tenor cortenor corBritish term
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428 theorboEXAMPLES OF THEME AND VA
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430 thoroughbassresigned to devote
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432 Tinctoris, Johannesand the soun
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434 tonantecomposers have abandoned
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436 transposing instrumentssinger o
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438 trillwith a metal beater, with
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440 trombaconsidered an interval to
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442 trouvèreperformed at court. On
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444 tub bassmouthpiece. Three to fi
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446 two-stepfeatures of romanticism
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448 tyrolienneOTHER COMPOSERS FROM
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450 tyrolienneOTHER COMPOSERS FROM
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452 tyrolienneOTHER COMPOSERS FROM
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454 unisunis (Y nē′).SON, def. 1
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456 vampby using valve 3 alone; thi
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458 verismoWindsor), Verdi revealed
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460 videChapel of the Vatican), the
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462 violfrets and are plucked with
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464 violefingerboard. Its name is t
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466 violin clefwith Rodolphe Kreutz
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468 Vittoriameters, and he promoted
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470 voluntaryvoluntary In Anglican
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472 Wagner tubaLiszt’s help Wagne
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474 Webern, Antonoften translated
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476 wind quintetFrench horn, the ai
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478 Würde, mitArchaeopteryx (1978)
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480 yodelnineteenth century it join
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482 Zwischenspielmusic in tradition
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484 The Facts On File Dictionary of
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486 The Facts On File Dictionary of
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488 The Facts On File Dictionary of
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INDEX OF INSTRUMENTSAaccordion 3Aeo
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Index of Instruments 493gender 158G
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Index of Instruments 495tambour de