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Dictionary of Music - Birding America

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6 afterbeatafterbeat Any beats <strong>of</strong> a measure following theDOWNBEAT. In jazz and rock the accents <strong>of</strong>ten fall onthe second and fourth beats <strong>of</strong> a measure, rather thanon the downbeat. Also see UPBEAT.after-danceSee NACHTANZ.agilmente (ä′′jēl men′te) Italian.perform lightly and smoothly.A direction toagitato (ä′′jē tä′tô) Italian. A direction to performin a restless, excited manner.Agnus Dei (än′yoo — s dā′ē) Latin: “Lamb <strong>of</strong> God.”1 The last section <strong>of</strong> the musical part <strong>of</strong> the Ordinary<strong>of</strong> the Roman Catholic MASS. 2 A part <strong>of</strong> the AnglicanCommunion service.agogic (ə goj′ik) accentSee under ACCENT.agrément (A grā mäN′) French. A term used forany <strong>of</strong> a number <strong>of</strong> ORNAMENTS used in Frenchmusic <strong>of</strong> the seventeenth century, which came to begenerally adopted in all Western (European and<strong>America</strong>n) music. Agréments are indicated by specialsigns or, occasionally, by small notes.aguinaldo (ä gwē näl′dō) Spanish. A VenezuelanChristmas carol. The melodies, <strong>of</strong>ten syncopated,are in 2/4 or 6/8 meter, accented by percussion andstrings.A instrument See under A.air 1 A simple tune or melody, used either in asong for one or more voices, or in an instrumentalpiece. 2 Another spelling <strong>of</strong> AYRE, def. 1. 3 Also,ayre, aria. One <strong>of</strong> the optional movements <strong>of</strong> theseventeenth- and eighteenth-century suite (seeSUITE, def. 1). A well-known example is the secondmovement <strong>of</strong> Bach’s Suite no. 3 in D (for orchestra),familiar in an arrangement by August Wilhelmj forviolin solo with piano accompaniment entitled Airon the G String. 4 A French word for song. Frenchoperas and ballets <strong>of</strong> the seventeenth and eighteenthcenturies sometimes included an air, either for voiceor for instruments, to accompany dancing.air column The air enclosed in the tube (body) <strong>of</strong>a wind instrument. It is the vibrations <strong>of</strong> the air columnthat produce the instrument’s sound, and thedimensions <strong>of</strong> the column that determine the pitchand tone quality <strong>of</strong> the sound. See also AEROPHONE;BORE.air de cour (er′′ də koor′) pl. airs de cour (er′′də koor′) French: “court air.” A short song <strong>of</strong> severalstanzas, sometimes with a refrain, usually foreither one voice accompanied by lute or severalvoices without accompaniment. Such songs werewritten chiefly in France during the late sixteenthand seventeenth centuries, <strong>of</strong>ten to please the king orbe performed at court.al, à la For Italian and French musical termsbeginning with al or à la, such as al fine or à la fin,see under the next word (FINE; FIN).Albéniz (äl bā′nēth, al bā′nis), Isaac (ē′säk),1860–1909. A Spanish composer and pianistwho is remembered chiefly for works that reflectthe rhythms and styles <strong>of</strong> Spanish folk music. Hismost famous piece is Iberia, a suite for piano. Achild prodigy, Albéniz studied in various cities <strong>of</strong>Europe; among his teachers was the composerFranz Liszt. Albéniz wrote a great many compositions,but most <strong>of</strong> his life he had to continue to giveconcerts in order to support himself. In addition topiano music, he wrote a number <strong>of</strong> operas andnumerous songs.Alberti (äl bâr′tē) bass A regular pattern <strong>of</strong> brokenchords (chords whose notes are played one afteranother instead <strong>of</strong> together) played as an accompanimentby the left hand in piano and other keyboardmusic. The device is named for Domenico Alberti(1710–c. 1740), an Italian composer who used thepattern <strong>of</strong>ten but did not actually invent it. Theaccompanying example is from a piano sonata byMozart.fig. 3 p/u from p. 6

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