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Dictionary of Music - Birding America

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Mm. 1 An abbreviation for MINOR. 2 An abbreviationfor MAIN or MANO (“hand”).M. 1 An abbreviation for MAJOR. 2 An abbreviationfor MEDIANT.ma (mä) Italian: “but.” A word used in such musicalterms as ma non troppo (“but not too much”).MacDowell (mək dou′əl), Edward, 1860–1908.An <strong>America</strong>n composer remembered principally forhis short piano compositions in romantic style. Ofteninspired by nature, MacDowell was at his best insuch short pieces as the collections WoodlandSketches (among them, “To a Wild Rose” and “To aWater Lily”) and Sea Pieces. MacDowell also wrotemany songs and a number <strong>of</strong> longer works, includingtwo piano concertos, several symphonic poems, andtwo suites. Although his musical style is that <strong>of</strong> nineteenth-centuryEuropean romanticism, MacDowell<strong>of</strong>ten depicted in his music the natural beauty <strong>of</strong><strong>America</strong> (for example, in New England Idyls) andoccasionally even used <strong>America</strong>n Indian melodies(as in his Suite no. 2). In 1907 a summer colony forartists, composers, and writers, the MacDowellColony, was established in his honor at his formersummer home in Peterborough, New Hampshire.Machaut (mA shō′), Guillaume de (gē yōm′ də),c. 1300–1377. A French composer and poet whowas the most important French musician <strong>of</strong> the ARSNOVA. Machaut traveled widely for a time, finallysettling in Rheims, where he remained for the lastforty years <strong>of</strong> his life, serving as canon <strong>of</strong> the cathedral.Most <strong>of</strong> Machaut’s music was secular (nonreligious).He wrote songs, using the important forms <strong>of</strong>his time—ballade, rondeau, and virelai—as well asthe earlier lai. He also wrote motets, which arenotable for their isorhythmic features (the use <strong>of</strong> thesame rhythmic pattern for successive portions orrepetitions <strong>of</strong> a melody). His most important compositionis a Mass, the first polyphonic setting <strong>of</strong> theentire Ordinary <strong>of</strong> the Mass known to have beenwritten as a unit by one composer. Previously, polyphonicMasses consisted <strong>of</strong> sections contributed byvarious composers, <strong>of</strong>ten written over a long period<strong>of</strong> time. Machaut’s Notre Dame Mass, one <strong>of</strong> thefinest compositions that survive from this period,consists <strong>of</strong> four movements based on chants <strong>of</strong> theOrdinary and set like motets, with highly independentpart-writing over a supporting isorhythmicstructure (see MOTET), and two movements in theolder CONDUCTUS style, that is, with note againstnote and all the parts largely in the same rhythm.madrigal 1 In Italy in the first half <strong>of</strong> the fourteenthcentury, a type <strong>of</strong> poem usually set to musicwith two voice-parts, the upper part being more elaboratelyornamented than the lower and both singingthe same text. The poem consists <strong>of</strong> two or three225

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