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Dictionary of Music - Birding America

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340 reelreel A lively dance for two or more couples. Themusic is in duple meter (any meter in which thereare two basic beats per measure, such as 2/2 or 2/4),usually 2/4 or 4/4 meter, and consists <strong>of</strong> regularfour- or eight-measure phrases that are repeated overand over. The reel originated in northern Europe,mainly in Great Britain and Scandinavia. The <strong>America</strong>nversion known as Virginia reel is modeled onthe Irish and Scottish reel.reform operaWILLIBALD.See under GLUCK, CHRISTOPHrefrain 1 Also, chorus. In a poem or song, certainlines that are repeated at regular intervals, bothwords and music remaining the same each time. Thechanging portions <strong>of</strong> the poem or song are calledverses or stanzas, and they alternate with theunchanging refrain. (When the music for the versesremains the same as well, the form is calledSTROPHIC.)The idea <strong>of</strong> a refrain stems from early churchmusic, with its responses (first by the congregationand later by the choir) to solo chants (see ANTIPHON,def. 1; PSALM). Songs with refrains began to be writtenearly in the Middle Ages. Particularly importantwere three French forms, the ballade, rondeau, andvirelai. In these the text <strong>of</strong> the refrain was <strong>of</strong>tentaken from a well-known poem or song. Sometimesthe refrains from several poems were used in a singlesong, so that actually each refrain was different.Such borrowed refrains were also to be used inone voice-part <strong>of</strong> a motet, usually in the highest part.2 In instrumental music, a term occasionally usedfor a periodically recurring section. The most importantmusical form with a section repeated over andover is the RONDO.regal (rē′gəl). A small portable organ <strong>of</strong> the lateMiddle Ages and Renaissance. It had only reedpipes, which are made to sound by the vibrations <strong>of</strong>a flexible strip <strong>of</strong> metal (see under REED). Earlyregals had only a single rank <strong>of</strong> pipes; later morewere added. In the course <strong>of</strong> the fifteenth century,reed pipes began to be used in the larger churchorgans, which until then had had only flue pipes, andthese reed pipes themselves were called regals. Oneversion <strong>of</strong> regal was small enough to be folded inhalf like a book; for this reason it was called bibleregal. See also ORGAN.Reger (rā′gər), Max (mäks), 1873–1916. A Germancomposer who composed an enormous number<strong>of</strong> works in almost every form except opera, particularlya great deal <strong>of</strong> organ and chamber music. Regerrejected the ROMANTICISM <strong>of</strong> the late nineteenth century,turning for inspiration to the works <strong>of</strong> Bach. Heused numerous baroque forms—prelude and fugue,toccata, suite, sonata for unaccompanied violin—andhe emphasized counterpoint and rapid movement,resulting in a texture like that <strong>of</strong> many baroque concertos.However, Reger’s treatment <strong>of</strong> harmony, thepiling up <strong>of</strong> chord after chord in rapid succession, isa feature that belongs more to his own time than toBach’s. Notable among Reger’s orchestral works areSinfonietta, op. 90; Eine Lustspielouvertüre (“AComedy Overture”), op. 120; and Variations andFugue on a Theme by Mozart, op. 132.reggae (rā′gā, re′gā). A kind <strong>of</strong> popular dancemusic that developed in Jamaica in the late 1960sand spread first to Great Britain and then throughout<strong>America</strong> and Europe. An outgrowth <strong>of</strong> earlierJamaican popular forms melded with elements <strong>of</strong>Latin music and <strong>America</strong>n rhythm and blues, reggaeis vocal music, either a solo or harmonized (by three,four, or more voices) song, usually strophic (in stanzas),supported by the driving melodies and rhythms<strong>of</strong> guitars, percussion (especially hi-hat cymbals,snares, and bass drum), and sometimes electricorgan, mouth organ, piano, and/or winds. The mostimportant instrument by far is the electric bass. Likemany popular genres, reggae is in 4/4 time. However,as in most other Jamaican music, the strongly feltbeats are not 1 and 3 but 2 and 4. The bass drumplays a definite rhythm and also may play a distinctmelody line; reggae bass lines are called riddims (acorruption <strong>of</strong> “rhythms”). They complement thechords, melody, and lyrics <strong>of</strong> the song but, because <strong>of</strong>their distinct pattern, can stand as a separate composition.The name “reggae” itself comes from aJamaican street expression meaning “raggedy, everydaystuff,” and initially the music served as anexpression <strong>of</strong> protest for the island’s urban poor. The

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