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Dictionary of Music - Birding America

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SS. 1 In choral music, an abbreviation for SOPRANO.2 In sixteenth-century compositions, an abbreviationfor superius, the highest part. 3 An abbreviation forSEGNO. 4 An abbreviation for SINISTRA.Saariaho (sä′rē ä hō), Kaija (kī′yu), 1952– .Finnish composer who left her country in 1982 forParis to work at IRCAM. Her earliest output consisted<strong>of</strong> lyrical vocal works. About 1980 she shiftedfrom emphasizing melody to timbre and harmony,<strong>of</strong>ten exploiting the tone colors <strong>of</strong> instruments inunusual ways, along with combining acoustic elementswith live electronics, tape, and computerassistance. Until about 1990 she wrote mostly forchamber and solo instruments; she then turned towriting for large orchestras. Outstanding among herworks are Sept Papillons (“Seven Butterflies”) andSpins and Spells, for cello, and Lonh (“Afar”) forsoprano and live electronics; Aile du Songe (“Wing<strong>of</strong> the Dream”), a flute concerto; and Chateau del’âme (“Villa <strong>of</strong> Love”), a song cycle for sopranoand orchestra. She won international acclaim for theopera L’Amour de loin (“Love from Afar”; 2001), astory about a 12th-century French troubadour andhis love for a countess whom he had never met, forwhich she was awarded the prestigious 2003 GrawemeyerAward for contemporary composition.Sachs (säks), Hans (häns), 1494–1576. A Germanpoet and composer who is remembered as themost famous <strong>of</strong> the MEISTERSINGER. He wrote hundreds<strong>of</strong> poems and melodies.sackbut The ancestor <strong>of</strong> the modern TROMBONE,invented in the fifteenth century and built in numeroussizes. It had a somewhat narrower bore andsmaller bell than the trombone, giving it a s<strong>of</strong>tersound and more agility. It also had a wide dynamicrange and blended well with voices.Saint-Saëns (saN säN′), Camille (kA mē′y ə ),1835–1921. A French composer who is rememberedfor just a few <strong>of</strong> his hundreds <strong>of</strong> compositions.Of his dozen or so operas, only Samson et Dalila(1877) is part <strong>of</strong> the current repertory <strong>of</strong> most operahouses. Also well known are his instrumental suite,Le Carnaval des animaux (“The Carnival <strong>of</strong> the Animals”),which he wrote in 1886 but did not allow tobe published until after his death; the symphonicpoem Danse macabre (“Dance <strong>of</strong> Death”); and hisCello Concerto no. 1. Trained as a pianist and organist,Saint-Saëns became very influential in theFrench musical world. He performed, taught (hismost famous pupil was Gabriel Fauré), founded anational music society to encourage French composers,conducted, and wrote a number <strong>of</strong> books(most <strong>of</strong> them on music, but also two books <strong>of</strong>poems). His compositions are in the romantic tradition<strong>of</strong> Liszt and other nineteenth-century composers.Saint-Saëns was particularly skilled at359

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