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Dictionary of Music - Birding America

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emphatisch 127electronic organMENTS.electronic pianoMENTS; DIGITAL PIANO.See under ELECTRONIC INSTRU-See under ELECTRONIC INSTRU-electrophone (ē lek′trə fōn′′). Any musicalINSTRUMENT that produces sound by electric or electronicmeans. See ELECTRONIC INSTRUMENTS.elegante (e′′le gän′te) Italian. Also, con eleganza(kôn e′′ le gän′ dzä). A direction to perform in agraceful, refined manner.eleganza, conSee ELEGANTE.élégie (ā lā zhē′) French: “elegy.” A piece <strong>of</strong>music, vocal or instrumental, expressing sorrow,<strong>of</strong>ten written in memory <strong>of</strong> someone who has died.Examples include Stravinsky’s Élégie for solo violaand Fauré’s Élégie for cello and piano.eleventh The interval <strong>of</strong> an octave plus a fourth.(See also INTERVAL, def. 2.)eleventh chordSee under CHORD.fig. 88 p/u from p. 130Elgar (el′gär), Edward, 1857–1934. An Englishcomposer who became the first English-born composer<strong>of</strong> international importance since the death <strong>of</strong>Purcell in 1695. Elgar’s most successful works arehis Pomp and Circumstance marches (no. 1 isamong the best known <strong>of</strong> all marches), the oratorioThe Dream <strong>of</strong> Gerontius, the Variations on an OriginalTheme (also called Enigma Variations), and hisCello Concerto. His other works include the symphonicpoem Falstaff, two symphonies, a violin concerto,and chamber works. His music in general followsthe forms and harmonic traditions <strong>of</strong> thenineteenth-century romantic composers, which heused with technical skill and a fine gift for melody.Ellington (el′ing tən), Edward Kennedy(“Duke”), 1899–1974. An <strong>America</strong>n pianist andcomposer who became one <strong>of</strong> the most important figuresin the development <strong>of</strong> JAZZ. Ellington began hiscareer as a pianist in ragtime bands. By the 1930s hewas a leader in the big band movement, that is, atrend toward using a jazz band <strong>of</strong> ten to twenty playersinstead <strong>of</strong> the small “combo” <strong>of</strong> five or six. Incontrast to the big bands <strong>of</strong> other musicians, Ellington’sbands were still groups <strong>of</strong> soloists, and in hisarrangements he always left room for improvisationby the individual players. The term “swing,” describingthe jazz style most popular in the 1930s, wascoined by Ellington in one <strong>of</strong> his songs (“It don’tmean a thing if it ain’t got that swing”). AmongEllington’s most famous songs are “Mood Indigo,”“Solitude,” and “Sophisticated Lady.” He also wrotefilm scores and some sacred music.embellishment 1 Another word for ornament(see ORNAMENTS). 2 Another word for NEIGHBOR-ING TONE.embouchure (English äm′boo shoo r′′; French äNboo — shYr′). 1 The mouthpiece <strong>of</strong> a wind instrument,such as the flute or trumpet. 2 The positioningand shaping <strong>of</strong> the mouth, lips, and tongue in orderto play wind instruments with good tone, true pitch,and proper attack.empfindsamer Stil (em pfint′zäm ər shtēl′).German for “expressive style”; see KARL PHILIPPEMANUEL BACH, under BACH.Empfindung, mit (mit em pfin′doo nk) German:“with feeling.” A direction to perform in a sensitive,expressive manner.emphase, avecSee EMPHATIQUE.Emphase, mit (mit em fä′zə) German. Also,emphatisch (em fä′tish). A direction to perform withemphasis and decision.emphatique (äN fA tēk′) French. Also, avecemphase (A vek′äN fAz′). A direction to performwith emphasis and decision.emphatischSee EMPHASE, MIT.

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