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Dictionary of Music - Birding America

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gehalten 157a fiddle called the RABAB. Both male and femalevoices are used but they do not predominate, merelyserving as one <strong>of</strong> numerous melodic components.Some twentieth-century Western composershave shown interest in the gamelan. Messiaen scoredfor similar groups <strong>of</strong> vibrating metal instruments inmany <strong>of</strong> his works from the mid-1940s on, and composersas diverse as Boulez, Stockhausen, and Brittenwere influenced by this kind <strong>of</strong> sound. Moredirectly, Lou Harrison wrote a Double Concerto forviolin, cello, and Javanese gamelan (1981). Also,numerous gamelan ensembles have been formed in<strong>America</strong> and Europe.gamut (gam′ət). The entire RANGE <strong>of</strong> a voice,instrument, or scale, that is, all the notes it can produceor includes. The term comes from a contraction<strong>of</strong> gamma and ut; gamma was used to represent thelowest note in the medieval scale and ut the first note(later changed to do).gapped scale Any scale that is made up <strong>of</strong> only aselection from the notes <strong>of</strong> a larger scale and thereforecontaining at least one interval larger than awhole tone. For example, the PENTATONIC SCALE is agapped scale, since it is made up <strong>of</strong> only five <strong>of</strong> theseven tones <strong>of</strong> the diatonic (major or minor) scale.(See also SCALE.)garbato (gär bä′tô) Italian. Also, con garbo (kôngär′bô). A direction to perform in a graceful, elegantmanner.garbo, conSee GARBATO.gauche (gōsh) French: “left.” A direction to playa note or passage with the left hand. Abbreviated g.gavotte (gA vôt′) French. A popular seventeenthcenturydance, which in the eighteenth centurycame to be used as a movement in instrumentalsuites. It is normally in duple meter, in moderatetempo, and tends to begin on the third beat <strong>of</strong> ameasure. Bach used the gavotte in several suites,among them his English Suites nos. 3 and 6, and hisOrchestral Suite no. 1. Sometimes two gavotteswere used, one after another (marked Gavotte 1 and2), in which case the first was usually repeated afterthe second. The second gavotte frequently was inthe form <strong>of</strong> a musette, having a bass part that imitatedthe drone <strong>of</strong> a bagpipe.G clef Another name for treble clef, the sign forwhich is derived from the letter G (see under CLEF).Gebrauchsmusik (gə brouKHs′moo — zēk′′) German:“music to be used,” “utility music.” A terminvented in the 1920s for music to be played(“used”) at home by amateurs instead <strong>of</strong> in a concerthall by pr<strong>of</strong>essional performers. (The term was firstcoined for dance music to dance to, as opposed todance music to be listened to.) To make home performanceeasier, such compositions call for smallgroups <strong>of</strong> players and are not too lengthy or technicallydifficult. Moreover, they <strong>of</strong>ten allow for substitutingdifferent instruments when the ones called forare not available. Among those who wrote suchworks was Paul Hindemith, whose Gebrauchsmusikcompositions include a children’s opera, Wir baueneine Stadt (“We Are Building a City,” 1930); Spielmusik(“<strong>Music</strong> for Playing”) for strings, flutes, andoboes, op. 43, no. 1; and a set <strong>of</strong> easy duets for twoviolins.gebunden (gə boo n′d ə n) German. A direction toplay a series <strong>of</strong> notes in a connected, legato fashion.gedämpft (gə demft′) German. A direction toproduce a muted, muffled tone. In wind instrumentssuch as the French horn, this can be effected byusing a mute.gedehnt (gə dānt′) German. A direction to performin a slow, stately manner, drawing out eachnote.Gefühl, mitSee GEFÜHLVOLL.gefühlvoll (gə fYl′fôl) German. Also, mit Gefühl(mit gə fYl′). A direction to perform expressively,with feeling.gehalten (gə häl′t ə n) German. A direction tohold (sustain) each note to its full value.

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