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Dictionary of Music - Birding America

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50 bridgebridge 1 In stringed instruments, such as the violin,cello, guitar, etc., a small piece <strong>of</strong> wood on theinstrument’s belly that supports the strings and carriestheir vibrations to the body <strong>of</strong> the instrument.In guitars, lutes, and other plucked stringed instruments,the bridge is glued to the belly and thestrings are attached to it. In the violins and viols thebridge is held in place by the pressure <strong>of</strong> the strings,which are attached to a tailpiece. The bridge <strong>of</strong> aviolin or viol has two feet. The right foot (the onenear the highest-pitched string) rests almost overthe soundpost, which greatly restricts its vibrations.It is the left foot, therefore, that passes most <strong>of</strong> thestring’s vibrations to the belly <strong>of</strong> the instrument.The vibrations <strong>of</strong> the left foot are amplified(strengthened) by the bass-bar, which helps transmitthem to the entire belly. The drawing below is across-section view showing the bridge and soundpost<strong>of</strong> a violin. 2 A musical passage that connectstwo themes (melodies), <strong>of</strong>ten including a modulation(change <strong>of</strong> key) from the key <strong>of</strong> the first themeto that <strong>of</strong> the second. The first and second themes <strong>of</strong>a movement in SONATA FORM are commonly connectedby a bridge. 3 In popular music, the third,contrasting eight-measure section <strong>of</strong> a thirty-twomeasurechorus.fig. 37 p/u from p. 53brillante (bril län′te) Italian. A direction to performin a showy, brilliant manner.brindisi (brin′dē zē) Italian: “health, toast.” Adrinking song, usually set as a solo with a choralrefrain. It is commonly found in nineteenthcenturyopera, for example, in Mascagni’s CavalleriaRusticana and in Verdi’s Macbeth and LaTraviata.brio, con (kôn brē′ô) Italian. Also, brioso (brēô′sô) A direction to perform in a vigorous, spiritedmanner.briosoSee BRIO, CON.Britten (brit′ ə n), Benjamin, 1913–1976. AnEnglish composer who became known particularlyfor his operas and other vocal music. Britten beganhis studies in both piano and composition at anearly age. Although his earliest works are mainlyinstrumental and one <strong>of</strong> his most popular compositionsis The Young Person’s Guide to the Orchestra,which helps the listener identify the various instruments,most <strong>of</strong> his finest works are vocal. Amongthem are the operas Peter Grimes (considered hisbest), The Rape <strong>of</strong> Lucretia, Albert Herring, BillyBudd, The Turn <strong>of</strong> the Screw, A Midsummer Night’sDream, and Death in Venice; Serenade for tenorvoice, horn, and string orchestra; Spring Symphony,for soloists, chorus, and orchestra; A War Requiem,to the text <strong>of</strong> the Roman Catholic Requiem Massand nine poems by the English poet Wilfred Owen;A Ceremony <strong>of</strong> Carols; and many settings <strong>of</strong> folksongs as well as many original songs. His instrumentalworks include a cello sonata and piano, violin,and cello concertos. Britten’s music is largelytraditional in rhythm and melody but makes free use<strong>of</strong> dissonant harmonies.broken chord A group <strong>of</strong> notes played oneafter another that would make a chord if they wereplayed simultaneously. For example, the notesC–E–G make up the tonic triad in the C-majorscale; played together, they form a chord; playedin succession (in any order) they form a brokenchord. A common kind <strong>of</strong> broken chord is thearpeggio, in which the notes are played in order,beginning with the lowest pitch. Another kind<strong>of</strong> broken chord is the ALBERTI BASS. Brokenchords appear most <strong>of</strong>ten in music for keyboardinstruments, especially in accompaniments. Seealso ARPEGGIO.broken consortSee under CONSORT.fig. 38 p/u from p.54

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