Valentine's Day, Sunday, February 14, 2010 at 10:20 am

locations after all. These unaligned cues were also at the end of the full score materialafter “The End.” The scores are physically located in Boxes 12 and 304 (under“Somewhere in Sahara”) and also Box # 301 (under “Sahara”). Here is the rundown ofthe cues:[Cue # 3757] “Title Music” Reel 1/A. 9 pages, 34 bars, full score orchestratedby Eugene Zador. Included are the three-stave sketch of Rozsa’s, and also the pianoconductorscore. Zador wrote in pencil on Carl Fischer No. 23 paper (20 staves).Production # 181. Duration is 1:24.Instrumentation: 2 flutes, oboe, 2 clarinets, bassoon, 2 horns, 3 Bb trumpets, 3trombones, tuba, timp, cymbal, piano, harp, 6 violins I, 6 violins II, 4 violas, 4 celli,1/2CB. The whole note tonality in Bar 4 (brass & piano) is the F# half-diminished 7 th(F#/A/C/E) as the strings and woodwinds play a run of two “6” 16 th figures and then two“7” 32 nd note figures.[Cue # 3809] “Tank Retreat” Reel 1/B. Con moto in 4/4 time, 10 pages, 37bars. Duration is 1:26. Instrumentation: flute, oboe, clarinet, bassoon, 2 horns, 2 trumpets(initial trumpet I at the start of the cue is muted or sord ), 2 trombones, timp, piano, 4violins I, 4 violins II, 2 violas, 2 celli, 1 CB. I believe the closing whole note tonality inBar 37 is the B half-diminished 7 th (B/D/F/A). It appears Rozsa was fond of the half-dim7ths as Herrmann was![Cue # 3810] “Running Tank” Reel 1/C. Con moto in 4/4 time. 9 pages, 36bars. Duration is 1:11.[Cue # 3811] “Tank Over Hill” Reel 2/Bx. 4 pages, 16 bars. Duration is 00:33.[Cue #3758] “Nostalgia” Reel 2/A. Moderato in C time, 12 bars. Duration is:45. Starts as Bates says, “Why?” :04= “But we got a big—“ Ends as Gunn snatchescanteen.Instrumentation: 2 clarinets, harp, strings. In the grace bar, clarinet I plays mpdolce Line 1 A [written B] dotted 8 th to Bb [written Line 2 C natural] 16 th legato to (Bar1) C dotted 8 th to D 16 th to C down to A quarter notes to A dotted 8 th to Bb 16 th . The harpin Bar 1 is arpeggiando (vertical wavy line rolled chord) on Great octave F/small octaveC/A/Line 1 C/A half notes to Great octave Bb/small octave F/Bb/Line 1 D/F half notes(repeated next bar). Violins I play p Line 1 A down to F half notes (repeated next bar)while violins II play G to F quarter notes to D half note. Violas play small octave A halfnote to F dotted 8 th to E 16 th to D quarter note (repeated next bar). VC play Great octaveF/small octave C double-stopped half notes to Great octave Bb half note. CB pluckspizzicato small octave F quarter note (followed by a quarter rest) down to Great octaveBb quarter note (followed by a quarter rest). So we have the F major (F/A/C) tonality toBb major (Bb/D/F) tonality in Bar 1.[Cue # 3759] “Tambul & Giuseppe” Reel 2/B. 29 bars. Duration is 1:11.Spotting example in the piano-conductor score: “That’s what I’m trying” ( :07).101