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Valentine's Day, Sunday, February 14, 2010 at 10:20 am

Valentine's Day, Sunday, February 14, 2010 at 10:20 am

Valentine's Day, Sunday, February 14, 2010 at 10:20 am

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talkingherrmann mailing list********************************<strong>10</strong>-19-09:Talking Herrmann: Box 4 CBS M<strong>at</strong>erial UCSBNew topic by: Bill Wrobel ()______________________________________________________________________I briefly worked on Box 4 <strong>at</strong> UCSB (CBS memos, progr<strong>am</strong> notes, etc.). For instance,Folder 1 had progr<strong>am</strong> inform<strong>at</strong>ion on the radio series Invit<strong>at</strong>ion to Music. Of the manylists of concerts, there was the "World Premiere" of Wells Raises Kane on May 11, 1943conducted by Herrmann himself. On June 18 he conducted Ravel's Concerto in G major.On November 11 he conducted DeFall's Nights in the Gardens. On 2/2/44 he conductedhis own Fantasticks.One interesting not<strong>at</strong>ion was th<strong>at</strong> Korngold showed up on May <strong>10</strong>, 1944 to conduct his"Scherzo for Sinfonietta" No. 5 and a Merry Overture & Intermezzo (or something--Idon't have the exact notes).Anyway, in one of the folders I found this highly interesting letter written to Herrmannby Jim Fassett who worked for CBS as a music director and I believe a sound engineer.He also composed a birdsong symphony in 1960, I believe. He wrote a heartfelt fan letterto Herrmann th<strong>at</strong> I'm sure Bennie appreci<strong>at</strong>ed:{Image http://img33.imageshack.us/img33/5893/r125.jpgI can easily read the image in the "Preview" but if it shows up too small in the finalupload on the site, I'll see if I can send a larger image--or I may have to type themessage..._______________________________________________talkingherrmann mailing list***********************************<strong>10</strong>-19-09:Talking Herrmann: Box 4 CBS M<strong>at</strong>erial UCSBReply by: Bill Wrobel ()______________________________________________________________________Bernie,I’ve been thinking over your music, and the more I recall it the better I like it. Still I thinkthe Nocturne is a superior piece of work. Wh<strong>at</strong> I like about it the most is the fact th<strong>at</strong> itcre<strong>at</strong>es a distinct mood, which, I must admit, I’ve felt many many times before onhearing other compositions, and especially (this may shock you) in Debussy’s “La126

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