Valentine's Day, Sunday, February 14, 2010 at 10:20 am

More documents

Recommendations

Info

the theme; medium susp cy plays; Vlns II plays C min chord (C/Eb/G),etc.More in Part II soon.Bill Wrobel wj@pavenet.net 10/25/98Herrmann's "White Witch Doctor" Pt IIWHITE WITCH DOCTORReel 7/5-8/1 "Bakuba Country" Molto largamente, 41 bars, :56. Bars 1,8, 16-28 deleted.Reel 8 pt 2 "The Skulls" Furioso in C. 16 bars, :51. Ferociousmounting of sounds ff
Reel 9 pt 7 "The Camp(original)" Slow in C. 6 bars, :31. Basically theNecklace/Jacques theme.Reel 10 pt 2 "The Three Doctors" 11 bars. 2 piccs, 1 flute, Serpent, C.F., TamTam, 3 Tpts, 3 Pos. Opens with sordini tpts in cup mutes and sordini Pos playing quarternotes D/A/F to(Bar 2)A min chord (A/C/E).Reel 10 pt 3X "Jacques(original)" 6 bars, :22.[not used]Reel 10 pt 3 "The Camp II" Slow in C. 14 bars, 1:10.Reel 10 pt 3A "30 Seconds" Slow in 4/8. 16 bars, :39. Starts with thevibe striking a B minMaj 7th chord (B/D/Gb/Bb). Ditto the StudioOrgan. Bars 1 through 4 the B.Cls & Serpent play half notes Gb up to Bbto Db down to A. Picc and 2 Fls play largely descending quarternotes (A/Bb/Gb/D etc). The harp strums low grace note Gb up to octavehigher Gb half note in the 1st bar, then Bb on 2nd, Db on 3rd, wholerest on 4th, etc. In Bar 3 the vibe & S.O. sound the Bb minMaj 7thchord (Bb/Db/F/A). etc.Reel 10/4-10/5 "The Fight" Largo in 3/4. 56 bars, 2:50. First twoquarter beats played by Timp I, notes F/Ab, hard hammers ff. The thirdand final beat of the bar is hit by the Large Bass Drum. By Bar 7 thecue turns tutti, highlighted by the Tpts & Pos play notes C with hardmutes. Horns are stopped on note C, etc. Timp II takes over for I untilbar 15, by which time the native log drum joins in. By bar 27 the TamTam sounds a half note (p) and then Timp I plays a four-notepattern(triplet on note F to Ab quarter note), etc. On bar 45 the cueclimaxes with the crash of the Large Susp Cymbal sfff. The StudioOrgan(on "Flute stops mutation")plays ff the E min chord (E/G/B) butactually the complete notes played bottom to are B/E/G/B/E/G/B/E. Pos& Tpts also sound the E min triad. Then the Horns "bells in air" play Bbmin chord half notes (Bb/Db/F) to next bar's A min chord (A/C/E). Thenthe Pos sound the F# min chord (F#/A/C#)to A min. etc.Reel 10 pt 6 "Terror" Vivo in 6/8. Six bars. Pic, 2 Fls, 4 Cls, 2Fags, 3 Susp Cymbals. Rapid ascending/descending arch pattern of 16thNotes (12 dyads per bar). Bb/D, C/Eb, C3/E, D/F, D#/F#, E/G, F/Ab, andback down. First bar played by picc & fls. Bar 2=Cls I & II join in. Bar3= Cls III & IV join in. Bar 4= Fags join in. etc.Reel 10 pt 6A "Recovery" Molto cantabile in C. 20 bars, 1:04(bar 7deleted).85
Page 1 and 2:
FILM SCORE BLOGS [Blog # 41]Valenti
Page 3 and 4:
I enjoyed watching The Fugitive but
Page 5 and 6:
-“Fugitive Susp.” [I assume Fug
Page 7 and 8:
Then in the Fugitive episode comes
Page 9 and 10:
One purchase I did take advantage (
Page 11 and 12:
session but almost always left behi
Page 13 and 14:
pages to UCSB. The person is Marcus
Page 15 and 16:
triplet value 8ths down to (Bar 2)
Page 17 and 18:
for $2.50 long ago (probably at the
Page 19 and 20:
marriage with Groucho was a joke?
Page 21 and 22:
I discuss this in my final Talking
Page 23 and 24:
“Main Title” Cue #35885 Maestos
Page 25 and 26:
on note B.Bars 13-14 = The ostinato
Page 27 and 28:
whole notes. Timp trill (roll) on G
Page 29 and 30:
Bar 14= The melody line continues w
Page 31 and 32:
find 16th notes G#-A-B-C-D-E to 32n
Page 33 and 34: sound). In Bar 12, notes F#-C#-F#,
Page 36 and 37: Bar 24 = Bis on E min again. Bass c
Page 38 and 39: Cmaj7#9 (C/E/G/B/D#), etc. Clarinet
Page 40 and 41: amongst them. Very interesting chas
Page 42 and 43: "Maria's Room" Lento (mesto) in C."
Page 44 and 45: Principal recording date was July 1
Page 47 and 48: to quarter notes as Hugo jokes abou
Page 49: whole notes D/G held fermata. Bass
Page 52 and 53: music "vira do minho" [unknown auth
Page 54 and 55: ut with notes D-Eb-E, F, Gb-Ab to (
Page 56 and 57: Bars 26-32 = The strings and organ
Page 58 and 59: minor 2nd inversion 8th note chord
Page 61 and 62: At the end of Bar 4 the baritone tr
Page 63 and 64: octave F up to small octave C 8ths
Page 65 and 66: (Bar 3) F/small octave C half notes
Page 67 and 68: hiding), Rune questions Frail. The
Page 69 and 70: on G note tied to next few bars. Th
Page 71 and 72: the beat and the cymbal sounds off
Page 73 and 74: [“Like what?!”] R6/5. Dramatic
Page 75 and 76: In Bars 12-19, as she opens her eye
Page 77 and 78: C#/E/G#/B) followed, after a half n
Page 79 and 80: starting on F minor by the violins
Page 81 and 82: twice more. Bar 1 = VC/CB B half no
Page 83: Reel 5 pt 4 "Little Mama" Slow & Te
Page 87 and 88: G-A-Bb-Line 1 C-D-D# (connected as
Page 89 and 90: next bar in the same rest pattern.
Page 91 and 92: D-F#-A-D-F#-A-D). The last note D (
Page 93 and 94: and violas play "rubato" quarter no
Page 95 and 96: case the scene works better without
Page 97 and 98: on the first two beats by the flute
Page 99 and 100: Reel 9/A "Judith Rejected". Deleted
Page 101 and 102: locations after all. These unaligne
Page 103 and 104: [Cue #3767] “Discovery of Well”
Page 105 and 106: First is John Barry's simple but ef
Page 107 and 108: different. But my guess is that the
Page 109 and 110: Universal-Revue Studios Television.
Page 111 and 112: -All cues # entries (whether 1 page
Page 113 and 114: Talking Herrmann: ON DANGEROUS GROU
Page 115 and 116: Idea for Markus M.: It would be fas
Page 117 and 118: last one is weirdly notated by Herr
Page 119 and 120: I did like DePalma's stylist approa
Page 121 and 122: ___________________________________
Page 123 and 124: Thanks for your interesting observa
Page 125 and 126: ********************************10-
Page 127 and 128: Mer,”…certain passages of it, I
Page 129 and 130: {Image http://img193.imageshack.us/
Page 131 and 132: talkingherrmann mailing list*******
Page 133 and 134: While Herrmann was not the King of
Page 135 and 136:
___________________________________
Page 137 and 138:
So Herrmann was playing with heavil
Page 139 and 140:
different takes). I wonder if Bill
Page 141 and 142:
Talking Herrmann: SUSPENSE THEME (C
Page 143 and 144:
Talking Herrmann: Mind in the Shado
Page 145 and 146:
13. Nathan Hale - Cue #8 1:48 Berna
Page 147 and 148:
NotHitch:"Coll" or "col" (normally
Page 149 and 150:
___________________________________
Page 151 and 152:
{Image http://img252.imageshack.us/
Page 153 and 154:
I had long ago written a paper on t
Page 155 and 156:
I will provide more examples shortl
Page 157 and 158:
Below is another image from "A Man'
Page 159 and 160:
CBS-television score for the pilot
Page 161 and 162:
The image below is my own personal
Page 163 and 164:
**********************Talking Herrm
Page 165 and 166:
talkingherrmann mailing list*******
Page 167 and 168:
six versions of the last two bars t
Page 169 and 170:
You know, I've been trying to recal
Page 171 and 172:
http://img695.imageshack.us/img695/
Page 173 and 174:
The top of the scan shows On Danger
Page 175 and 176:
Personally I was a bit disappointed
Page 177 and 178:
5. BH discussed his meeting with Co
Page 179 and 180:
Crime school, Four Daughters, Break
Page 181 and 182:
I wonder if anybody here knows (per
Page 183 and 184:
talkingherrmann mailing list*******
Page 185 and 186:
was far more adaptable and willing
Page 187 and 188:
I forgot to mention that the Wester
Page 189 and 190:
On Monday, they will start showing
Page 191 and 192:
Vera Miles is in episode # 19, "The
Page 193 and 194:
gets a revelation at that instant w
Page 195 and 196:
***************************Sunday,
Page 197 and 198:
2010 and maybe into 2011). This esp
Page 199 and 200:
Herrmann television scores, various
Page 201 and 202:
I archived into Word whatever inter
show all

Valentine's Day, Sunday, February 14, 2010 at 10:20 am

You also want an ePaper? Increase the reach of your titles

Delete template?

Save as template?