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talkingherrmann mailing list********************Talking Herrmann: HOUSE ON K STREET cuesReply by: Bill Wrobel ()______________________________________________________________________Next from House on K Street is "The Shack" cue, CBS cue # 1606. Unfortunately I neverheard this music. If a music editor ever synched it in some CBS show episode (likeHGWT or Gunsmoke) I never heard it. Besides, the score was supposed to be"Restricted--not in Library X"). The music for this episode was not supposed to beroutinely used in needle-dropping clips as "stock" transcription disc music for CBSshows--although it did occur at least once in a Have Gun, Will Travel episode, severalTwilight Zone episodes for the "Mr. Death" music, and so forth.I like the classic Herrmann layering approach in the opening of this cue. He did this alot, such as the opening of the Mushroom Forest cue in JTTCOTE.{Image http://img39.imageshack.us/img39/4233/img0004cal.jpghttp://img39.imageshack.us/img39/4233/img0004cal.jpg_______________________________________________talkingherrmann mailing list*********************Talking Herrmann: HOUSE ON K STREET cuesReply by: Bill Wrobel ()______________________________________________________________________Next image is my research hand-copy of "Stone's House." “Stone’s House” 1604 (M-23) Lento in C time, 13 bars, :44. Quarter note =60.Dynamic cue, and one used in the "Ransom" episode of HGWT right after the nightscene when at daybreak Paladin and the others race off into the rocky terrain. However,the music editor used various isolated bars in this sequence, and in a later scene, othersbars. Although fragmented because of the strange editing, it sounded very exciting to me!{Image http://img130.imageshack.us/img130/6717/img0005k.jpghttp://img130.imageshack.us/img130/6717/img0005k.jpg****************Talking Herrmann: KITTY SHOT: 'Bad Man Shoots'New topic by: Bill Wrobel ()______________________________________________________________________160
The image below is my own personal research hand-copy of a highly interesting musicaleffects cue Herrmann composed for the "Kitty Shot" episode of Gunsmoke airdateFebruary 11, 1961. The written score to this episode used to be available for researchersto study at UCLA, Music Library Special Collections, Room B-425, within Box 112 ofthe CBS Collection. Nowadays you have to read the score in the temporary reading roomat SRLF itself (the central storage area of materials). There used to be an old ColumbiaHouse vhs-video of this episode (#14153) but hopefully this last half-hour season of theseries will be available as a dvd set. Right now I believe Season 3 and maybe 4 isavailable on dvd.This particular cue is #3763 {R3 M1531} or cue X, 14 bars, 1:05.Scene:Shot upon bythe unknown stalker, Matt tells Bayloe to stay put behind rocks while he tries to sneak upon the new "bad man." Here we have the cup-muted Pos playing glissando figures, bothrising and falling. Herrmann rarely used this fascinating device. My only memory of itsuse is here and in "The Jar" episode of the Alfred Hitchcock Hour in terms of prominentuse. I believe it was towards the end of the episode nut I'm not sure.{Image http://img36.imageshack.us/img36/484/img0008eb.jpghttp://img36.imageshack.us/img36/484/img0008eb.jpg_______________________________________________talkingherrmann mailing list*********************Talking Herrmann: KITTY SHOT: 'Bad Man Shoots'Reply by: Bill Wrobel ()______________________________________________________________________Next is cue # 3755 (alternately 1513 or cue II for this episode) titled "Search for BadMan." The image below that is the CBS Music Timing sheet for that specific cue. Scene:Matt leaves Doc's office, leaving Chester and Doc to attend to Kitty who was shotaccidentally in a bar brawl between Bayloe and one of his partners. Matt goes out to theprairie to track down Bayloe (played by George Kennedy). The music starts On Center ofdissolve as Matt closes the door of Doc's office. We then dissolve to the day exterior longshot of Matt riding on top of a ridge.Loads of simple minor triads here, and cup mutes galore!{Image http://img63.imageshack.us/img63/4519/img0009b.jpghttp://img63.imageshack.us/img63/4519/img0009b.jpg{Image http://img38.imageshack.us/img38/2746/img0010pk.jpg161
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FILM SCORE BLOGS [Blog # 41]Valenti
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I enjoyed watching The Fugitive but
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-“Fugitive Susp.” [I assume Fug
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Then in the Fugitive episode comes
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One purchase I did take advantage (
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session but almost always left behi
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pages to UCSB. The person is Marcus
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triplet value 8ths down to (Bar 2)
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for $2.50 long ago (probably at the
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marriage with Groucho was a joke?
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I discuss this in my final Talking
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“Main Title” Cue #35885 Maestos
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on note B.Bars 13-14 = The ostinato
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whole notes. Timp trill (roll) on G
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Bar 14= The melody line continues w
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find 16th notes G#-A-B-C-D-E to 32n
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sound). In Bar 12, notes F#-C#-F#,
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Bar 24 = Bis on E min again. Bass c
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Cmaj7#9 (C/E/G/B/D#), etc. Clarinet
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amongst them. Very interesting chas
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"Maria's Room" Lento (mesto) in C."
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Principal recording date was July 1
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to quarter notes as Hugo jokes abou
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whole notes D/G held fermata. Bass
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music "vira do minho" [unknown auth
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ut with notes D-Eb-E, F, Gb-Ab to (
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Bars 26-32 = The strings and organ
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minor 2nd inversion 8th note chord
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At the end of Bar 4 the baritone tr
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octave F up to small octave C 8ths
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(Bar 3) F/small octave C half notes
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hiding), Rune questions Frail. The
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on G note tied to next few bars. Th
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the beat and the cymbal sounds off
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[“Like what?!”] R6/5. Dramatic
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In Bars 12-19, as she opens her eye
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C#/E/G#/B) followed, after a half n
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starting on F minor by the violins
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twice more. Bar 1 = VC/CB B half no
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Reel 5 pt 4 "Little Mama" Slow & Te
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Reel 9 pt 7 "The Camp(original)" Sl
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G-A-Bb-Line 1 C-D-D# (connected as
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next bar in the same rest pattern.
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D-F#-A-D-F#-A-D). The last note D (
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and violas play "rubato" quarter no
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case the scene works better without
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on the first two beats by the flute
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Reel 9/A "Judith Rejected". Deleted
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locations after all. These unaligne
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[Cue #3767] “Discovery of Well”
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First is John Barry's simple but ef
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different. But my guess is that the
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Page 127 and 128: Mer,”…certain passages of it, I
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