note dotted, etc. The harp plays a steady be<strong>at</strong> of quarter note chords starting with Gbmajor (Gb/Db/Bb). The strings play whole note Gb major in combined tones (violins onBb/Db, violas on Gb, VC on Gb/Db).By Bar 43 in 2/4 meter, there is a lovely combin<strong>at</strong>ion of instrumental sound whenElizabeth says, "Who are you?" First we have the solo oboe, after an 8th rest, playing anF 8th note up to Bb quarter tied to quarter note next bar to Ab quarter note. In Bar 45,after an 8th rest, the solo clarinet takes over, playing B 8th up to E quarter note tied toquarter note next bar to Eb. In Bar 47, after an 8th rest, the solo flute takes over, E 8thnote up to B tied to next bar to A quarter note, held ferm<strong>at</strong>a.In Bar 51, the music is in the key sign<strong>at</strong>ure of E major (4 sharps or F#/C#/G#/D#),C meter. Doc Frail just informed her, "Remember, I said you are temporarily blind."Elizabeth then asks, "My f<strong>at</strong>her, he's dead, isn't he?" The violins play mf the HangingTree motif "molto espressivo," B 8th to (Bar 51) E to octave higher B 8th to (s<strong>am</strong>epitched) B half note tied to 8th. Then A 8th to (Bar 52) G# to E 8th to E half note tied toE 8th note, etc. The supporting strings play the harmonic structure of E major (notesE/G#/B) half notes, followed by the F# minor 7half note chord (F#/A/C#/E).The music seques to the next cue. Here Doc says, "Don't be disturbed aboutanything. I'll take care of you."[Breakfast For Three] R5/3. Con moto in C. 18 bars, 5 pp. Scene: Doc goesout and greets Rune with a good morning and asks if there's enough breakfast for three."Sure!" He tells Rune to set up a cowbell alarm for her to call them when needed.2 bassoons/violins/celli play mf a refreshing melody line which changes to 2/4meter in bar 2, and back to C meter in bar 3. After an initial 8th rest, we find 8th notes Bup to F# to E, then 8th notes D down to A, C to F. In Bar 2, notes B down to D, A to B.In Bar 3 the violins take over the principal melody line soli with the G half notetied to G 8th, then 8th notes F/D/F. After an 8th rest, the celeste and oboe play anaccompanying melody phrase, rising 8th notes A.C/C to G quarter note dotted. The harpand pizz celli I play rising 8th notes F/C/A/C, repe<strong>at</strong>ed again. The violas play wholenotes A/D; celli II play whole notes F/C; CB play whole note F. The total effect is the Fmajor 6(actual notes D/F/A/C).In Bar 4, we have the Eb major 7 (Eb/G/Bb/D). So the harp and celli I playEb/Bb/G/Bb, repe<strong>at</strong>ed. The oboe and celeste play rising 8th notes G/Bb/D to G quarternote dotted. Etc.Change to 3/4 meter in Bar 11, "con moto." Here the Elizabeth Theme is playedbriefly in F major (F/A/C). The melody line starts on A half note dotted. Ends on Fminor 7 (F/Ab/C/Eb). The harp plays rising triplet 8th notes F-C-Eb, F-Ab-C, Eb-Ab-Cto (Bar 18) Eb-F-Ab, C-Eb-F, Ab-C-Eb. Seque to next cue.[Saloon Construction] R5/4. Allegro in 6/8 time, 58 bars, 15pp. Scene: Thetown is busy building the Skull Creek saloon. Key sign<strong>at</strong>ure of G major (one sharp for Cinstruments, three sharps for the B-fl<strong>at</strong> instruments of clarinets and trumpets). 2 Fags/3Pos/violas/celli play the ostin<strong>at</strong>o p<strong>at</strong>tern of quarter note to 8th note, played twice per bar.The Pos are most prominent, playing root position G major (small octave G/B/D) quarterto 8th notes, then A minor quarter to 8th note chords (A/C/E). The bass drum licks off70
the be<strong>at</strong> and the cymbal sounds off on the second be<strong>at</strong> of the 6/8 meter. Tuba and bassplay 8th note G (Gre<strong>at</strong> octave for CB; Contra-octave for tuba) on the 1st be<strong>at</strong>, C on the2nd be<strong>at</strong>. The piano and horns also sound the aforementioned chords.In the second be<strong>at</strong> of the 4th bar, two sordini trumpets (along with 2 oboes/2cls/violins) start the Mining C<strong>am</strong>p melody line, rinforzando-accented. So we find Gquarter note down to E 8th to (Bar 5) G half note dotted tied to quarter note next bar(violins start on g'''). On the second be<strong>at</strong> of Bar 5, the open (not muted) trumpet III and 2horns play a response figure an octave lower, also rinforzando. Bells add to the principalmelody line.In Bar 13 the lower strings etc play D major (D/F#/A) ostin<strong>at</strong>o p<strong>at</strong>tern. The cueclimax starts on Bar 47(Key sign<strong>at</strong>ure of F major or 4 sharps) after Tom Flounce says,"Good luck!" The E major chord (E/G#/B) is played on the 1st be<strong>at</strong>, then C# minor7(notes C#/E/G#/B). The Pos emphasize quarter note dotted E up to C# to (Bar 48) B todescending 8th notes G#-F#-E. Repe<strong>at</strong> next two bars.In Bars 51-52 the Pos play C to A to (Bar 52) G to triplet E/D/C. Repe<strong>at</strong> next twobars. In Bar 55 the E major chord returns (E/G#/B). Two sordini horns play theconcluding melody notes, B quarter note to G# 8th to B half note dotted tied to next bar,held ferm<strong>at</strong>a.[The Ladies Committee] R6/2. Slowly in C time, 28 bars, 6pp. Scene:Elizabeth tries to describe wh<strong>at</strong> she thinks Rune and Frail look like. Shortly the localladies committee of busybodies show up, expressing their moral disapproval of havingMiss Mahler staying <strong>at</strong> Doc Frail's place.At the beginning of the cue, Elizabeth says, "Rune is very handsome, I know..."The solo cello plays a sweet version of the Hanging Tree theme. The harp and sordiniviolas and altri celli and bass add harmonic texture. The solo cello plays small octavequarter note A in the grace bar to (Bar 1) rising 8th notes Line 1 D to A to D half notetied to another D 8th note, followed by a descent to the G 8th note to (Bar 2) F# and D8th notes to D half note, etc.The strings play the D major chord (D/F#/A) with the harpplaying low notes Gre<strong>at</strong> octave D/A/small octave F#/A/Line 1 D dotted half notes tied to8 th notes. The chord changes in Bar 4 to A Dom 7/11 (A/C#/E/G/D), etc.Starting in Bar 9, the Ladies Committee (consisting of four stuck-up middle agedwomen) come in their buggy to the front of the cabin. Very nice orchestr<strong>at</strong>ions hereplayed mf "giocoso." The solo cello still is playing whole note Line 1 G tied thru Bar11. Two clarinets and bassoons play the Busybodies motif ostin<strong>at</strong>o very effectively here.First the clarinets play a Line 2 F acciacc<strong>at</strong>ura (slashed grace note preceding the principalnote) to each Gb 8th note played repetitiously. After an 8th rest, the clarinet plays sevensuch Gb 8th notes accompanied by an acciacc<strong>at</strong>ura in Bar 9, eight in Bar <strong>10</strong>, two in Bar11 followed by a Gb half note.Two stacc<strong>at</strong>o bassoons (playing an octave apart of small octave/Line 1 registers)and pizzic<strong>at</strong>o violas and altri celli play a descending 8th note p<strong>at</strong>tern: notes F-A-Ab, D-Db-C-Cb to (Bar <strong>10</strong>) Bb-A-Ab-G, Gb-F-Fb-Eb to (Bar 11) D-Db to C half note (C and c[Gre<strong>at</strong> and small octaves] for the bassoons). The CB also sound a C half note <strong>at</strong> thispoint.In Bar 12, the committee leader st<strong>at</strong>es, "We're here to see Miss Mahler." The71
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FILM SCORE BLOGS [Blog # 41]Valenti
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I enjoyed watching The Fugitive but
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-“Fugitive Susp.” [I assume Fug
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Then in the Fugitive episode comes
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One purchase I did take advantage (
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session but almost always left behi
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pages to UCSB. The person is Marcus
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triplet value 8ths down to (Bar 2)
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for $2.50 long ago (probably at the
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- Page 21 and 22: I discuss this in my final Talking
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Thanks for your interesting observa
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Mer,”…certain passages of it, I
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{Image http://img193.imageshack.us/
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talkingherrmann mailing list*******
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While Herrmann was not the King of
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So Herrmann was playing with heavil
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different takes). I wonder if Bill
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Talking Herrmann: SUSPENSE THEME (C
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Talking Herrmann: Mind in the Shado
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13. Nathan Hale - Cue #8 1:48 Berna
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NotHitch:"Coll" or "col" (normally
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{Image http://img252.imageshack.us/
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I had long ago written a paper on t
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I will provide more examples shortl
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Below is another image from "A Man'
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CBS-television score for the pilot
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The image below is my own personal
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**********************Talking Herrm
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talkingherrmann mailing list*******
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six versions of the last two bars t
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You know, I've been trying to recal
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http://img695.imageshack.us/img695/
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The top of the scan shows On Danger
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Personally I was a bit disappointed
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5. BH discussed his meeting with Co
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Crime school, Four Daughters, Break
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I wonder if anybody here knows (per
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talkingherrmann mailing list*******
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was far more adaptable and willing
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I forgot to mention that the Wester
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On Monday, they will start showing
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Vera Miles is in episode # 19, "The
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gets a revelation at that instant w
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2010 and maybe into 2011). This esp
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Herrmann television scores, various
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I archived into Word whatever inter