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Valentine's Day, Sunday, February 14, 2010 at 10:20 am

Valentine's Day, Sunday, February 14, 2010 at 10:20 am

Valentine's Day, Sunday, February 14, 2010 at 10:20 am

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Mer,”…certain passages of it, I mean. I think its effectiveness lies in its sparseinstrument<strong>at</strong>ion, if you know wh<strong>at</strong> I mean…economy without thinness. I like the distanteffects from muted instruments and from the correct combin<strong>at</strong>ion of instruments. Best ofall, the fact th<strong>at</strong> it is really original music. You can’t lay your finger on any singlecomposer, even Debussy.The Scherzo, as you say, is a successful “tour de force.” Is it a more ingenious“Cockaigne?”Jim FassettNote th<strong>at</strong> it appears like one “t” <strong>at</strong> the end of his n<strong>am</strong>e, but I think he simply wrote itfast and in an incomplete manner and then boldly crossed those t’s.___________________________________________________________________________________________________________talkingherrmann mailing list********************************<strong>10</strong>-19-09:Talking Herrmann: Box 68 UCSB 'Joy in the Morning'New topic by: Bill Wrobel ()______________________________________________________________________I also looked <strong>at</strong> the contents of Box 68 ("Miscellaneous Short Scores") <strong>at</strong> UCSB lastFriday. In the first folder were various non-Herrmann cues for A H<strong>at</strong>ful of Rain. Thisincluded "Don't Get Around Much Anymore" th<strong>at</strong> utilized trumpets, trombones, saxes,etc. Next was the Convoy main title. I believe I already have th<strong>at</strong> image in my PhotoTour. Next was the "Twice As Tall" song from JTTCOTE.Next in Folder 4 are the Joy in the Morning short score cues (the full score written byHerrmann is apparently lost forever). Immedi<strong>at</strong>ely below is the image of "Bittersweet," acue I found particularly lovely:{Image http://img193.imageshack.us/img193/5555/r13<strong>am</strong>.jpgNext are Man Who Knew Too Much m<strong>at</strong>erials. This includes the "Storm CloudCant<strong>at</strong>a" but also, surprisingly, xeroxes of most of the original score! Such weredefinitely not available when I researched UCSB in the past. These xeroxes are newadditions, copies of wh<strong>at</strong> I l<strong>at</strong>er saw some years ago <strong>at</strong> Par<strong>am</strong>ount Music Library. Thefull score of the Main Title was not available in the copy I researched then but I was toldthe autograph version was safely held in another loc<strong>at</strong>ion.127

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