Valentine's Day, Sunday, February 14, 2010 at 10:20 am

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ut with notes D-Eb-E, F, Gb-Ab to (Bar 24) Db whole note. After a quarter rest, theharp responds with three wavy gliss B Dom 9th chords (B/D#/F#/A/C#).Starting on Bar 42, the music is "Andante" as the scene changes to a mob in frontof the town church: "Give us back our church!" Father Ferreira intervenes. ThePos/harp/piano play the G minor 1st inversion whole note chord (notes Bb/D/G) tied tonext bar. The english horn/clarinets/strings play the Priests motif. So, after an 8th rest,low 8th notes G-A-Bb, Bb-Bb-Bb-Bb to (Bar 43) Bb-C-Bb/A to quarter notes A to Gheld fermata.Reel 6 pt 2 ["Good Day!"] Maestoso in C. 2 bars, : 07. The cue sheets titles it"Exit." Scene: Father Ferreira is in his office speaking with the Administrator and hisaide. the Administrator finally ends the conversation with "It is now in your hands. Goodday!"and slams the door behind him.Very dramatic for a tiny cue! 2 oboes/3 clarinets/bass clarinet/2 Fags/4 horns/3trumpets/3 Pos/tuba/timp/2 pianos/strings. Immediately after the Administrator exclaims"Good Day!" the orchestra play ff a C minor 1st inversion chord rinforzando (Eb/G/C),followed by two quarter rests. Then on the 4th beat you have the Bb minor 7th quarternote 1st inversion chord (F/Ab/Bb/Db) to (Bar 2) the C major 1st inversion chord(E/G/C). All the instruments are quarter note rinforzando except the brass and rollingtimp which are half note dotted tied to 8th note rinforzando, followed by an 8th rest.[added 2/12/10 :] Specifically, violins play small octave G/middle C rinforzandoquarter notes (followed by two quarter rests) to Ab/Line 1 Db rinforzando quarter notesto (Bar 2) G/C rinforzando quarter notes (followed by a quarter and half rest). Violas playsmall octave Eb quarter note (followed by two quarter rests) to F quarter notes to (Bar 2)E (natural) quarter note (followed by rests). In the same rest pattern, VC play Greatoctave G/small octave C quarter notes to Great octave F/Bb quarter notes to (Bar 2) G/Cquarter notes once again. CB play small octave C rinforzando quarter note (followed bytwo quarter rests) down to Great octave Bb quarter note back up to (Bar 2) C quarternote. Two pianos in this rest pattern play (pedal) Great octave C/G/small octaveC/Eb/G/middle C quarter notes to (after two quarter rests) Contra-octave Bb/Great octaveE/Bb/F/Ab/Line 1 Db quarter notes to (Bar 2) Great octave C/G/small octave C/E/G/Line1 C quarter notes. The timp beats small octave C quarter note (followed by two quarterrests) down to Great octave Bb quarter note up to (Bar 2) small octave C dotted half notetrem roll and tied to 8 th note (followed by an 8 th rest). The tuba plays this an octave lowerregister as written. Three trombones play ff Great octave G/small octave C/Ebrinforzando quarter notes (followed by two quarter rest) to F/Bb/small octave F quarternotes to (Bar 2) Great octave G/small octave C/E dotted half notes tied to 8ths. 3trumpets play small octave G/Line 1 C (trumpets II-III on G) quarter notes (followed bytwo quarter rests) to Ab/Line 1 Db [written Bb/Eb] quarter notes to (Bar 2) G/middle Cdotted half notes tied to 8 th notes (followed by an 8 th rest). 4 horns play ff small octaveC/Eb/G/middle C [written small octave G/Bb/Line 1 D/G] quarter notes (followed by twoquarter rests) to Great octave Bb/small octave F/Ab/Line 1 Db quarter notes to (Bar 2)small octave C/E/G/middle C dotted half notes (rinforzando-marked) and tied to 8 th notes.Fags play Great octave C/G rinforzando quarter notes (followed by two quarter rests) toContra-octave Bb/Great octave F rinforzando quarter notes to (Bar 2) Great octave C/Grinforzando quarter notes (followed by a quarter and half rest). The bass clarinet plays54
small octave C [written D] quarter note (followed by two quarter rests) to small octaveBb [written C natural] quarter note to (Bar 2) middle C quarter note. 3 clarinets playsmall octave Eb/G/Line 1 C quarter notes (followed by two quarter rests) to F/Ab/Line 1Db quarter notes to (end Bar 2) E/G/Line 1 C quarter notes. Two oboes play middle Crinforzando quarter note (followed by two quarter rests) to Db quarter note to (Bar 2)middle C quarter note (followed by rests). End of cue.I love this short cue scene and the terrific essence of power and potency itconveys.Reel 7 pt 1 [Lucia Sleeps at Cova] 12pp., 48 bars. Scene: The two familiesdiscuss recent events. The father of the Morto children says, "They saw the Lady; thepriest did not. I believe what they tell me." Then the scene changes to later that nightwhen Lucia's restless sleep prompts her to run in the dead of night to the cova and appealto the Lady. She falls asleep, crying.Bars 1-9 = Family pow-wow scene. The oboe and violins play the Vision theme,half note A tied to 8th note, followed by rising 8th notes A/Bb/C to (Bar 2) D doubledotted quarter note down to D 16th octave lower, etc. The violas are bowed whole notetremolo on C minor triad (C/Eb/G) to (Bar 2) G minor 1st inversion (Bb/D/G).In Bar 2, the celli and basses play the exact same two-bar motif, starting it in themiddle of the motif (still being played by the oboe and violins).Bar 4 = The violas play descending quarter note chords bowed trem.Bar 9 = The scene ends with the clarinets/bass clarinet/Fags/violas/VC/CBplaying the combined sound of G major (G/B/D).Bar 10 = The cue changes to "Slowly" in 4/4 meter. Lucia is tossing and turningin her bed. Same pattern as in reel 6 pt 1, again starting in the G minor 2nd inversion(D/G/Bb) bowed trem of the strings. The harp again plays two 8 note figures in 16thnotes, etc. This segment of music runs for 20 seconds, followed by Max's arrangement of"Ave Maria" by Bach-Gounod for 51 seconds, and then "Tis the Month of Our Mother"for 48 seconds. The medley ends with an "Amen" motif for 10 seconds as a crowdedvillage scene is shown.Reel 7/2-8/1 [Crowd at Cova] Molto agitato in C. 20pp., 80 bars. Scene: Acrowd develops at the cova. Workers start to erect a wooden arch over the little treewhen they discover Lucia asleep (end of page 6 in the cue).The Lucia Theme is played for 41 seconds. 3 flutes/2 oboes/violins start themelody right after the trombones etc sound the Eb minor whole note chord (notesEb/Gb/Bb). After an 8th rest, the melody line plays rising 8th notes Bb-Cb-Db to Dquarter note, followed by Eb-F 8th notes to (Bar 2) Gb whole note.Bar 2 = The english horn/clarinets/bass clarinet/organ/violas/celli play that samepattern.Bar 3 = The violins etc take over the melody line again, exactly as in Bar 1.Bar 4 = Instead of the Gb whole note, the violins play Bb whole note, etc. etc.Bar 18 = The cue changes to Andante in 3/4 time, playing Max's arrangement ofthe Credo for 25 seconds as the woman instructs the workers where to put the arch. Theharp strums an E minor sound, wavy gliss (actual notes E/B/E, G/B/E/C). The englishhorn and violins play the melody line.55
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FILM SCORE BLOGS [Blog # 41]Valenti
Page 3 and 4: I enjoyed watching The Fugitive but
Page 5 and 6: -“Fugitive Susp.” [I assume Fug
Page 7 and 8: Then in the Fugitive episode comes
Page 9 and 10: One purchase I did take advantage (
Page 11 and 12: session but almost always left behi
Page 13 and 14: pages to UCSB. The person is Marcus
Page 15 and 16: triplet value 8ths down to (Bar 2)
Page 17 and 18: for $2.50 long ago (probably at the
Page 19 and 20: marriage with Groucho was a joke?
Page 21 and 22: I discuss this in my final Talking
Page 23 and 24: “Main Title” Cue #35885 Maestos
Page 25 and 26: on note B.Bars 13-14 = The ostinato
Page 27 and 28: whole notes. Timp trill (roll) on G
Page 29 and 30: Bar 14= The melody line continues w
Page 31 and 32: find 16th notes G#-A-B-C-D-E to 32n
Page 33 and 34: sound). In Bar 12, notes F#-C#-F#,
Page 36 and 37: Bar 24 = Bis on E min again. Bass c
Page 38 and 39: Cmaj7#9 (C/E/G/B/D#), etc. Clarinet
Page 40 and 41: amongst them. Very interesting chas
Page 42 and 43: "Maria's Room" Lento (mesto) in C."
Page 44 and 45: Principal recording date was July 1
Page 47 and 48: to quarter notes as Hugo jokes abou
Page 49: whole notes D/G held fermata. Bass
Page 52 and 53: music "vira do minho" [unknown auth
Page 56 and 57: Bars 26-32 = The strings and organ
Page 58 and 59: minor 2nd inversion 8th note chord
Page 61 and 62: At the end of Bar 4 the baritone tr
Page 63 and 64: octave F up to small octave C 8ths
Page 65 and 66: (Bar 3) F/small octave C half notes
Page 67 and 68: hiding), Rune questions Frail. The
Page 69 and 70: on G note tied to next few bars. Th
Page 71 and 72: the beat and the cymbal sounds off
Page 73 and 74: [“Like what?!”] R6/5. Dramatic
Page 75 and 76: In Bars 12-19, as she opens her eye
Page 77 and 78: C#/E/G#/B) followed, after a half n
Page 79 and 80: starting on F minor by the violins
Page 81 and 82: twice more. Bar 1 = VC/CB B half no
Page 83 and 84: Reel 5 pt 4 "Little Mama" Slow & Te
Page 85 and 86: Reel 9 pt 7 "The Camp(original)" Sl
Page 87 and 88: G-A-Bb-Line 1 C-D-D# (connected as
Page 89 and 90: next bar in the same rest pattern.
Page 91 and 92: D-F#-A-D-F#-A-D). The last note D (
Page 93 and 94: and violas play "rubato" quarter no
Page 95 and 96: case the scene works better without
Page 97 and 98: on the first two beats by the flute
Page 99 and 100: Reel 9/A "Judith Rejected". Deleted
Page 101 and 102: locations after all. These unaligne
Page 103 and 104: [Cue #3767] “Discovery of Well”
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First is John Barry's simple but ef
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different. But my guess is that the
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Universal-Revue Studios Television.
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-All cues # entries (whether 1 page
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Talking Herrmann: ON DANGEROUS GROU
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Idea for Markus M.: It would be fas
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last one is weirdly notated by Herr
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I did like DePalma's stylist approa
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___________________________________
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Thanks for your interesting observa
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Mer,”…certain passages of it, I
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{Image http://img193.imageshack.us/
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talkingherrmann mailing list*******
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While Herrmann was not the King of
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___________________________________
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So Herrmann was playing with heavil
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different takes). I wonder if Bill
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Talking Herrmann: SUSPENSE THEME (C
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Talking Herrmann: Mind in the Shado
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13. Nathan Hale - Cue #8 1:48 Berna
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NotHitch:"Coll" or "col" (normally
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___________________________________
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{Image http://img252.imageshack.us/
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I had long ago written a paper on t
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I will provide more examples shortl
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Below is another image from "A Man'
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CBS-television score for the pilot
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The image below is my own personal
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**********************Talking Herrm
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six versions of the last two bars t
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You know, I've been trying to recal
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http://img695.imageshack.us/img695/
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The top of the scan shows On Danger
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Personally I was a bit disappointed
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5. BH discussed his meeting with Co
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Crime school, Four Daughters, Break
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I wonder if anybody here knows (per
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was far more adaptable and willing
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I forgot to mention that the Wester
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On Monday, they will start showing
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Vera Miles is in episode # 19, "The
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gets a revelation at that instant w
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***************************Sunday,
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2010 and maybe into 2011). This esp
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Herrmann television scores, various
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I archived into Word whatever inter
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Valentine's Day, Sunday, February 14, 2010 at 10:20 am

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