Valentine's Day, Sunday, February 14, 2010 at 10:20 am

and violas play "rubato" quarter note chords E major (E/G#/B) to F minor (F/A/D), backto E major. The end part of that bar and the next two bars are deleted. The music isedited to Bar 34 as the clarinets/Fags/horns/Pos/tuba play a dark sound(as John turnsaround to see the Anchor men watching him suspiciously at the gate). D minor 8th notechord(notes D/F/A)to sustained dyad E/G#. Then the timp beats a triplet on E to (Bar 37)an E roll crescendo-decrescendo ( < > ) held tenuto and tied to an 8th note,followed by an 8th rest. VC/CB also play the same note pattern. In the Grand Pause Bar36, Parrish comments to Judith, Wilkerson's daughter (played by Dianne Foster), "Do youalways provide an armed escort?" Then the Judith theme is played in a fragmentedmanner. the solo oboe plays E quarter note at the very end of the G.P.(silent)bar tothe next bar in 3/4 time, an E half note an octave higher, down to F quarter, etc. Violinsand violas pluck a pizz quarter note on the 2nd beat, etc.Reel 3/B "Meet The Family" Con moto in 3/4 time. 25 bars, 2:09. Cue#9890. Scene: Judith is talking outside near the porch with John. She says, "I was hopingyou'd..." The English horn and violins play mf as soli instruments the Judith theme for afew bars, starting with the small octave G# [written Line 1 D# for the E.H.] quarter notein the grace bar to (Bar 1) Line 1 G# half note (g# ') back down to lower G# quarter note.Bars 2-3 = The violins play small octave A quarter note up to Line 1 G# doubledotted quarter note to F# 16th to (Bar 3) G# dotted half note. In Bar 2, the english hornplays a different figure. After two quarter rests in Bar 3, two bassoons and celli playGreat octave G# quarter note mf < to (Bar 4) A half note, and so forth.Bar 4 = Bassoons/celli continue the melody with the A quarter note up to G#quarter double dot note, etc.Bar 5 = Violas are bowed tremolo on notes C/D/F#. After a 16th rest, the harpplays a legato string of 16th notes (notes D-D-F, F#-Ab-Bb-C, D-E-F#-Ab to (Bar 6)notes D-E-F#-Ab repeated three times that bar and next. Clarinets play a sustained dyadD/F#. Fags/CB on D; violins/VC on G#.In Bar 8, Marta Wilkerson (Barbara Stanwyck) comes out to greet John, "Mr.Parrish, please come in." The harp and piano play wavy line gliss half note dottedchords. The harp plays Db major (Great octave Db/Ab/small octave Db/F/Ab/Line 1 Db)rinforzando-marked dotted half notes (followed by a quarter rest). The piano plays C#major (C#/E#/G#). Enharmonically they are the same chords (sound the same but spelleddifferently).Bar 9 = Two half note wavy chords (arpeggiando) are played, notesDb/Ab/E/G/C, etc. The E.H./clarinets/Fags are "cued in" with the same notes.Bars 10-11 = VC/CB play whole note A mf, rinforzando, tied to next bar. Theharp continues the half note wavy gliss.Bars 12-13 = As Parrish is escorted in, the strings also enter in playing threepizzicato chords per bar, after the first beat rest. the harp and piano also play descendingwavy gliss chords. So, Bb minor 7 chord (Bb/Db/F/Ab) to C major (C/E/G) to Bb minor7 3rd inversion (Ab/Bb/Db/F), etc.Bars 18-19 = The drinks are brought in by a servant. Nice sound here with thesmall ensemble of instruments. I'll go into detail: The cue changes to C meter. twobassoons play Ab whole note, descrescendo( > ), repeated next bar. The piano strikesquarter notes Ab (AA-flat and octave higher on beats 1 & 3 (pedal). VC/CB pluck pizz93