Valentine's Day, Sunday, February 14, 2010 at 10:20 am

D/F#. English Horn and trombones play rising quarter dot notes A to A# to (Bar 8) B toBb, etc. Horns/timp/violas/celli play the gallop beat on the 1st/3rd/4th/6th 8th sub-beatsstarting with D major (D/F#/A).Bar 26 = After the violins play a finishing figure, they descend on whole note C;violas on whole note dyad E/G. Celli and Fags play an 8th note ostinato, notes C (octaveapart) to unison G, played four times per bar. Bass play the same patter, notes C up to G.Tuba on low C. Trombones on C major whole note chord (C/E/G). Clarinets on C.Bar 27 = Change to Bb whole note. Ostinato pattern dyad C/Db to unison Ab.Pos on whole note chord Db major (Db/F/Ab). Etc.Reel 2/C "Pa Hinkelman" Moderato in C. 20pp., 76 bars. 3:53. Cue #9888.Scene: John gives his men a brief standup on how he's going to sell to Anchor. themusic starts as soon as he says, "I must do it my way." Fags/VC/CB are held fermata onwhole note C in Bar 1, tied to next bar. In Bar 2, the Parrish theme plays again, Ab majorquarter note chord(notes Ab/C/Eb)to descending triplet chords Ab major/G major/Fmajor back to Ab major quarter note chord to F major(notes F/A/C), etc. The Englishhorn and clarinets are "cued in."Pa Hinkelman rides up with his son, Bud, and asks him not to sell to Anchor. TheEnglish Horn/clarinets/bassoons play a quick triplet pattern to an 8th note tied to half-dotnote, "un poco agitato." The solo horn plays descending tenuto notes E-D#-D-C#-E. Theharp and pizzicato violas/VC/CB play descending triplet notes leading to the harp andpiano arpeggiando on B major half notes (actual bass clef notes B/F#/B/D#/F#/B), "letring" in Bar 12. A solo cello plays whole note B held fermata tied to 8th note next bar.In Bar 13, the solo cello plays that B pitch with two quarter notes and a triplet (all tenuto)to (Bar 14) the Parrish theme again played "pleadingly" as Bud pleads with Johnnot to sell out. The harp plays an E major half note chord (E/G#/B) wavy gliss. Clarinetsand bassoons add supporting harmony.Bar 16 = The violins take over the Parrish theme (D quarter note to triplet notesD/C/B, etc) with the English horn. John says he won't get involved with the feud againstthe Wilkerson’s. Four horns are rinforzando ff (fortissimo) on E 8th notes, leading to F#major 8th note chord (F#/A#/C#) played by Fags/Pos/horns/celli etc. Piano is tremon notes F (octave apart). VC/CB are sustained on F notes. Timp rolls on F. TheHinkelmans leave and the Pos/Tuba descend on note Bb, and two bassoons play agitato8th notes Bb to Cb.In Bar 32, the cue changes to molto moderato in C as John rides off to Anchor.This is the "Lone Rider Theme" that was inserted in the Main title, as detailed earlier.Reel 3/A "Chip On Her Shoulder" Agitato in 6/8. 10pp., 47 bars. Scene: TheAnchor Ranch sign is shown, and John is followed by Wilkerson's men. The orchestraplays a sharp C# minor sound (C#/E/G#). Then the strings etc play fast-paced quarternotes to 8th note figures (F# down to C#, A to F#, etc) with occasional rising andfalling triplets.In Bar 19 (:19 into the cue), the music plays the opening motif used previously inthe opening of "Matlock's The Villain." Soon the horns descend tenuto quarter notes.Bar 31 = In C time, the flutes/oboes are both on notes E (octave apart), mp. Thevibe is also on whole note E (e'''). Then the celeste, most prominently, with the violins92