12.07.2015 Views

Valentine's Day, Sunday, February 14, 2010 at 10:20 am

Valentine's Day, Sunday, February 14, 2010 at 10:20 am

Valentine's Day, Sunday, February 14, 2010 at 10:20 am

SHOW MORE
SHOW LESS
  • No tags were found...

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

Vera Miles is in episode # 19, "The Man Who Couldn't Die." Nina Foch and MichaelRennie are in # 22, "Vengeance Is the Spur."" Robert Duvall is in # 24, "The GoldenDoor." Robert Redford is in # 35, "The Evil Th<strong>at</strong> Men Do" (<strong>10</strong>-16-63). Leonard Nimoyis in a few episodes such as # 44 "Man of Violence" and # 99 "Show Me A Hero"(Herrmann scored th<strong>at</strong> one!)._______________________________________________talkingherrmann mailing list**********************************1-4-<strong>10</strong>:Talking Herrmann: 'The Psycho Theme' publishedReply by: Bill Wrobel ()______________________________________________________________________You have two articles available <strong>at</strong>:http://stephenhusarik.cgpublisher.com/How about providing a link so th<strong>at</strong> we can read this Psycho paper you are personallyadvertising?? I may even be willing to spend $5 for the electronic version (although I <strong>am</strong>a practitioner of free dissemin<strong>at</strong>ion of knowledge).Here is th<strong>at</strong> Journal site I just googled:http://www.h-e-r-a.org/hera_journal.htmHowever, it appears th<strong>at</strong> the site has not been upd<strong>at</strong>ed to reflect the current Fall <strong>20</strong>09issue (just shows the Spring <strong>20</strong>09 issue). It would be nice to see the Table of Contents.quote: "Transform<strong>at</strong>ion of the “Psycho Theme” in Bernard’s Herrmann’s Music forPsycho Stephen Husarik (University of Arkansas, Fort Smith)Thirty years of research have uncovered many interesting facts about BernardHerrmann’s music for the film, Psycho. Fred Steiner (1975) convincingly discussed itsmodular organiz<strong>at</strong>ion, Royal Brown(1982) uncovered its harmonic idiom and Grah<strong>am</strong> Bruce (1985) sorted its themes intocomprehensible groups. Recently, Willi<strong>am</strong> Wrobel (<strong>20</strong>03) c<strong>at</strong>aloged m<strong>at</strong>erials fromHerrmann’s Sinfonietta (1936) to show the influence of reused m<strong>at</strong>erial upon Psycho.Until now, however, no onehas shown how “The Psycho Theme” (labeled as such in the musical cues for the film) istransformed191

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!