Valentine's Day, Sunday, February 14, 2010 at 10:20 am

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Reel 7/A "Caroline Lost" 4pp., 15 bars. Scene: Caroline gives back herengagement ring to John.Bar 1 = The harp plays an up rush of 16th notes E-G-Bb-Db, E-G-Bb-Db, E-G-Bb-Db-D. The clarinets and violins, after a triplet value 8th rest, play two 8th note tripletfigures G-A, Bb-Db-E, to 32nd notes G-Ab-Bb-C-Db-Eb-E. Oboes play that last sevennote figure of 32nd notes. Horns play Gb major (Gb/Bb/Db/Gb), etc.Bar 2 = Cue changes to C meter. The oboes/clarinets/violins play theParrish theme starting on the F quarter note. Bassoons/violas/celliplay ascending triplets, etc.Reel 7/B "Laying Trap" Modto di marcia in C. 8pp., 32 bars. Last two barsnot used. Scene: Parrish orders "OK. Let's move out." The Main title opening march isperformed once again, but much more ponderously, slowly. In the grace bar, theE.H./Fags/horns/violins/VC/CB play a five note flourish of 16th notes A-A#-B-C-C#.Snare Drum also beats that pattern.Bar 1 = The strings play quarter note chords (played on the down-bow) D minor(actual notes D/F/A/D), C major (C/E/G/C), Bb major (Bb/D/F), A min7 (A/C/E/G).Repeated next bar.Bar 3 = Cue changes to 6/8 time. Beat notation is quarter note/8th note, repeated,down bow to up-bow on 8th notes. Etc.Reel 7/C "House Burning" C meter. 26 pp., 110 bars. Bars 1-16, 92-110deleted. Key signature of E major (4 sharps). Scene: Parrish and his men are in the nearhills watching Cole and his gang burn his ranch.In Bar 59, the flutes/oboes/clarinets/violins play four sets of descending/ascending32nd notes, eight notes per figure (total = 32) as the fire starts to roar.Reel 8/A "John's Ambush" Moderato in 6/8 meter. 2pp., 7 bars. Cue #9905.Note: This cue was deleted in the final print. Scene: Cole's men approach the rocky passwhere Parrish and his men are waiting. Starts with an ascending legato motion of thepiano in 16th and then 32nd notes in the first two bars. Pos in felts play the A minorchord 1st inversion (C/E/A). Timp rolls on B. Fags/VC/CB on B. Combined wehave a A min/9 chord (A/C/E/B). Then the harp takes over the ascent of 16th notes inBar 3, etc. Would've been a nice dramatic effect if the music was kept in.Reel 8/B "Shoot It Out" Agitato in C. 13pp., 48 bars. In the gracebar, flutes/oboes/clarinets/violins/violas play as ascending figure ofseven 32nd notes to (Bar 1) a trill on B to (Bar 2) a rapidly descendingseries of 16th notes, four per figure, four figures per bar.Reel 8/C "After Battle" Andante. 5pp., 18 bars. Bars 7-18 not used.Reel 8/D "John's Torches" Moderato in C. 12pp., 45 bars. Scene: Judith ridesout to Parrish's night camp.98
Reel 9/A "Judith Rejected". Deleted cue.Reel 9/A1 "Bring Judith" 1 page, 4 bars. Deleted cue.Reel 9/B "Goodbye Cole" Slowly in C. 4pp., 16 bars. Scene: Marthareluctantly says goodbye to Cole, who feels rejected.Reel 9/C "Rousing The Help" Allegro in C. 19pp., 82 bars. 2:44. Pages 7-12 notused(stampede scene). Coma sopra Reel 6/C, bars 1-8.Reel 9/D "Sneaking Up" 3pp., 16bars. :32. Coma sopra Reel 6/C, Bars 1-6.Reel 10/A "Evil Deed" Allegro in C. 6pp., 22 bars. :46. Scene: A burningwagon smashes into the Wilkerson ranch house. Martha refuses to give Lew hiscrutches. rapid playing of 16th notes, six notes per figure, four figures per bar. Startswith bassoons/celli/basses in bar 1. then the clarinets and violas join in Bar 2. thenEnglish horn joins in bar 3; violins Bar 4; oboes Bar 5. then flutes in bar 6.Reel 10/B "Cole Kissed" 3pp., 16 bars. Slowly in C. :35.Reel 10/C "Judith Finds Lew" Agitato in 3/4 time. 2:35.Reel 11/A "Cole Takes Over" Slowly in C. 2:00. 12pp., 46 bars. Scene:Martha is with Cole in town, talking about how they together can rebuild Anchor.Reel 11/B "Wilkerson's Alive" Agitato. 3pp.14 bars.Reel 11/C "Arson Montage" Allegro furioso in 6/8 time. 15pp., 78 bars.Plenty of coma sopras here.4/A.Reel 11/D "Martha Returns" Modto in C. 1:03. 4pp., 21 bars. Coma ReelReel 11/E "The Noose" Agitato in C. :49.Reel 11/F "Let's Go" Maestoso. 1 page, 2 bars. :03.Reel 12/A "Some Leave" Maestoso in C. 4 pp., 16 bars. :32.Reel 12/B "Sheriff Told Off" 10pp., 42 bars.Reel 12/C "E.T." Cue # 992599
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FILM SCORE BLOGS [Blog # 41]Valenti
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I enjoyed watching The Fugitive but
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-“Fugitive Susp.” [I assume Fug
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Then in the Fugitive episode comes
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One purchase I did take advantage (
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session but almost always left behi
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pages to UCSB. The person is Marcus
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triplet value 8ths down to (Bar 2)
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for $2.50 long ago (probably at the
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marriage with Groucho was a joke?
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I discuss this in my final Talking
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“Main Title” Cue #35885 Maestos
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on note B.Bars 13-14 = The ostinato
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whole notes. Timp trill (roll) on G
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Bar 14= The melody line continues w
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find 16th notes G#-A-B-C-D-E to 32n
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sound). In Bar 12, notes F#-C#-F#,
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Bar 24 = Bis on E min again. Bass c
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Cmaj7#9 (C/E/G/B/D#), etc. Clarinet
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amongst them. Very interesting chas
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"Maria's Room" Lento (mesto) in C."
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Principal recording date was July 1
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Page 56 and 57: Bars 26-32 = The strings and organ
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Page 61 and 62: At the end of Bar 4 the baritone tr
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Page 73 and 74: [“Like what?!”] R6/5. Dramatic
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Page 85 and 86: Reel 9 pt 7 "The Camp(original)" Sl
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Page 105 and 106: First is John Barry's simple but ef
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Page 113 and 114: Talking Herrmann: ON DANGEROUS GROU
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Page 119 and 120: I did like DePalma's stylist approa
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Page 123 and 124: Thanks for your interesting observa
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Page 127 and 128: Mer,”…certain passages of it, I
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Page 131 and 132: talkingherrmann mailing list*******
Page 133 and 134: While Herrmann was not the King of
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Page 137 and 138: So Herrmann was playing with heavil
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___________________________________
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{Image http://img252.imageshack.us/
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I had long ago written a paper on t
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I will provide more examples shortl
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Below is another image from "A Man'
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CBS-television score for the pilot
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The image below is my own personal
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**********************Talking Herrm
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talkingherrmann mailing list*******
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six versions of the last two bars t
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You know, I've been trying to recal
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http://img695.imageshack.us/img695/
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The top of the scan shows On Danger
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Personally I was a bit disappointed
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5. BH discussed his meeting with Co
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Crime school, Four Daughters, Break
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I wonder if anybody here knows (per
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talkingherrmann mailing list*******
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was far more adaptable and willing
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I forgot to mention that the Wester
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On Monday, they will start showing
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Vera Miles is in episode # 19, "The
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gets a revelation at that instant w
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***************************Sunday,
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2010 and maybe into 2011). This esp
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Herrmann television scores, various
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I archived into Word whatever inter
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Valentine's Day, Sunday, February 14, 2010 at 10:20 am

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