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Valentine's Day, Sunday, February 14, 2010 at 10:20 am

Valentine's Day, Sunday, February 14, 2010 at 10:20 am

Valentine's Day, Sunday, February 14, 2010 at 10:20 am

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F minor 1st inversion chord (Ab/C/F). The harp plays leg<strong>at</strong>o 16th notes mp (notes F-C-F-Ab, F-C-Ab-C, etc). Lucia asks, "Are you there, our Lady?" 3 flutes join in playing the Gmajor chord (G/B/D) in Bar 63 to E minor 1 st inversion (G/B/E). The women's chorusalso joins in thru Bar 85.The following is a bar-by-bar breakdown of the women's chorus triadic notes:Bar 65 = Bb major (Bb/D/F)Bar 66 = Gb major 1st inversion (Bb/Db/Gb)Bar 67 = C Diminished (C/Eb/Gb)Bar 68 = Bb minor (Bb/Db/F)Bar 69 = Quarter rest, followed by the Db major 2nd inversion quarter note chord(notes Ab/Db/F) to half note Db major root position (Db/F/Ab)Bar 70 = Whole note chord Bb minor 1st inversion (Db/F/Bb)Bar 71 = Unusual whole note chord Fb major(Fb/Ab/Cb)Bar 72 = Whole note Fb major 2nd inversion(Cb/Fb/Ab)Bar 73 = Whole note chord Eb minor 2nd inversion(Bb/Eb/G). Here the Ladysays, "I ask th<strong>at</strong> you be consecr<strong>at</strong>ed to the Virgin Mary..."Bar 74 = After a half rest, the chorus sings a low half note C# minor triad(C#/E/G#). The C# is middle C#.Bar 75 = Half note A major 2nd inversion (E/A/C#) to half note C# Diminished2nd inversion (G/C#/E)Bar 76 = Whole note F minor 1st(A/C#/F#)Bar 77 = Whole note E minor 2nd inversion (B/E/G)Bar 78 = Whole note F major 1st inversion (A/C/F)Bar 79 = Whole note D minor 2nd inversion (A/D/F)Bars 80-81 = Whole note Db major 2nd inversion (Ab/Db/F) tied to next bar.Bar 82 = The crowd discusses wh<strong>at</strong> they think they hear as being a weird silence:"The whole earth is still." The strings are bowed tremolo Cb major (Cb/Eb/Gb). Theharp and celeste is bisbigliando, descending notes (treble clef) Gb/Eb/Cb, ascendingnotes (bass clef) Cb/Eb/Gb. The vibe strikes Cb major 7th chord 3rd inversion (notesBb/Cb/Eb/Gb). Etc.Bars 88-89 = The solo oboe d'<strong>am</strong>ore plays Max's arrangement of "Tis the Monthof Our Mother." The organ and strings are ferm<strong>at</strong>a on Ab major (Ab/C/Eb). The solocello plays quarter notes Eb to Ab. The vibe and bell strike a rising Ab half note.Reel 8 pt 5 ["Regina Coeli"] Allo modto in Cut time. Key sign<strong>at</strong>ure of Abmajor (4 fl<strong>at</strong>s). Scene: Lucia starts to sing "Regina Coeli" and the crowd en masse joinin. The music is sung by the mixed chorus, starting with the Ab major half note chord(notes Ab/C/Eb).Reel 9 pt 1 [Ministry of Police] Ominous in 2/4 meter. 2 bars, : 06. Scene:The singing stops and the scene switches to the Ministry of Police where a plan isproposed by the Magistr<strong>at</strong>e (Carl Milletaire)to the bumbling Administr<strong>at</strong>or. The Revoltmotif is dr<strong>am</strong><strong>at</strong>ically played as the Ministry of Police building is shown. Theclarinets/bass clarinet/Fags/strings combined play the half note C# minor chord(C#/E/G#) tied to next bar. The trumpets play a forced 8th note dyad only in th<strong>at</strong> cue(low notes G#/C#); tuba on C#. The horns and trombones play the Revolt motif in C#57

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