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Valentine's Day, Sunday, February 14, 2010 at 10:20 am

Valentine's Day, Sunday, February 14, 2010 at 10:20 am

Valentine's Day, Sunday, February 14, 2010 at 10:20 am

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Instrument<strong>at</strong>ion: piccolo, flute, oboe, 2 clarinets, bassoon, 2 horns, trumpet, 2 Pos, timp,celeste, harp, full strings. Rozsa initially gives perfect 4 th dyads of E/A (celli) and perfect5 th (A/E) but the A is highlighted by the solo horn, the celeste’s “6” sextuplet 16 th notefigures on three registers of A notes, etc.[Cue # 3760] “Compassione” Part I. Reel 2/C. Molto Modto in C time, 47 bars.Dur<strong>at</strong>ion is 2:35. End reel. Spotting ex<strong>am</strong>ples: 1:28 = Cut to Leroux.2:07 = “Uh-huh.They agree now.”[Cue # 3761” “Compassione” Part II. Reel 3/A. <strong>14</strong> pages, 54 bars. Dur<strong>at</strong>ion is1:58. Spotting ex<strong>am</strong>ples: “I’m sorry” - :08. Gunn pushes him = :38. Dissolve to plane –2:37.[Cue # 3762] “Clarkson Falls Victim” Reel 3/B. Molto Modto in 4/4 time, 8pages, 29 bars. Dur<strong>at</strong>ion is 1:39. Spotting ex<strong>am</strong>ples: “We didn’t know” = :25. P/UClarkson = :53. “Did you get him?” = :53. End on “Wh<strong>at</strong> are you—“ Instrument<strong>at</strong>ioninitially: clarinets, bassoon, 2 horns, trombone, piano, harp, strings. Horn I starts the cue(muted) mf marc<strong>at</strong>o. The initial tonality is C# minor (C#/E/G#). CB play small octave C#whole note rinforzando-marked, while celli play double-stopped Gre<strong>at</strong> octave C#/G#whole notes, and violas on small octave C#/E mp. The harp is arpeggiando on Gre<strong>at</strong>octave C#/G#/small octave C#/E/G#. Horns I, after an initial 8 th rest, plays small octaveG# [written Line 1 D#] 8 th to A# [written E#] dotted quarter note to B to C# [written F#-G#] 16ths to D# 8 th to C#-D# 16ths to (Bar 2) small octave G#/A# dissonant whole notesmf. The sord trombone in Bar 3 plays a similar p<strong>at</strong>tern, joining two horns.[Cue # 3763] “Clarkson’s De<strong>at</strong>h” Con moto in 4/4 time, 16 pages, 63 bars.Dur<strong>at</strong>ion is 2:47. Spotting ex<strong>am</strong>ples: “After there” = :00. “Hello, C<strong>at</strong>hy” = 1:56. Dies =2:13. “He did it” = 2:44. Out of radio voice. Zador did this one.[Cue # 3764] “Desert Storm” Reel 4/B. Adagio in C time, <strong>14</strong> bars. Dur<strong>at</strong>ion is:50. “Cut to int. fort.” Ends <strong>at</strong> “Diss Morning Scene.” Instrument<strong>at</strong>ion: flute, vibe,celeste, harp, 2 solo violins, altri violins, violas, VC/CB. The vibe in Bar 1 sounds pp thedevil’s tritone of Line 1 Bb/Line 2 E (augmented 4 th ), and so do the two solo violinsharmonics Line 3 Bb/Line 4 E. Violas are sul pont. on small octave F/Bb/Line 1 Dbwhole notes. Violins II play Line 1 F/Bb whole notes, and violins I on Line 2 C#/Ewhole notes (curious Zador uses the enharmonic C# for Db). Etc.[Cue # 3765] “Search For Well” Part I. Reel 4/C. Con moto in C time, <strong>14</strong>pages, 54 bars. Dur<strong>at</strong>ion is 2:21. Morning Scene.[Cue #3766] “Search For Well” Part II. Reel 5/A. Molto Modto in C time, 5pages, 19 bars. Dur<strong>at</strong>ion is :55. Spotting ex<strong>am</strong>ples: “C.S. of Them Looking <strong>at</strong> EachOther”= :00. T<strong>am</strong>bul Reacts = :55.<strong>10</strong>2

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