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Valentine's Day, Sunday, February 14, 2010 at 10:20 am

Valentine's Day, Sunday, February 14, 2010 at 10:20 am

Valentine's Day, Sunday, February 14, 2010 at 10:20 am

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So again we have the Bb major, then C minor (notes C/Eb/G/C), D diminished,Eb major, F minor, G minor, Ab minor, then the higher octaves of the Bb major again, Cminor, and D dim.In Bar 34 (now C meter), the strings settle on Eb major half note dotted chord(Eb/G/Bb/Eb), playing the Doc Frail theme to G major 2nd inversion quarter note chord(D/G/B/D) to (Bar 35) half note dotted Bb major chord (Bb/D/F/Bb). Then we find thequarter note Bb major chord to (Bar 36) quarter note chords C minor (C/Eb/G/C), Ebmajor (Eb/G/Bb/Eb), repe<strong>at</strong>ed Eb major, down to Gb minor 2nd inv (D/G/Bb/D) to (Bar37) Bb major half note dotted. Etc.In Bar 34, after a quarter rest, the solo horn/harp'altri strings play a responsefigure of Eb major quarter note chord to half note chord. Etc.Starting in Bar 45, the sub-tone clarinet and soli bassoons play a sad piececonveying Frail's apparent rejection of Elizabeth. Theviolas join in <strong>at</strong> the end of Bar 49.Starting in Bar 59, the discussion of ghost money in a ghost town is conveyed bythe piano tremolo on notes F#/F# (octave apart). The tremolo vibe and solo bass playboth a spooky yet sad version of the Hanging tree motif. Th<strong>at</strong> section ends with a solobassoon figure followed by a solo bass clarinet figure. Then the gong sound as Runedemands, "I'll trouble you for th<strong>at</strong> bullet you're holding on me!"pt 3.[The Contract] R8/4. Note: This cue is coma sopra from the beginning of R 8[The Sluice Box] R9/1. Allegretto in 6/8 time, 122 bars, 18pp. Scene: Thesluice box is being given finishing touches. Rune is above and lets loose stre<strong>am</strong> w<strong>at</strong>er.The first 90 bars are coma sopra of the rousing Mining C<strong>am</strong>p Theme (see R 5 pt 4) butalso extended one half-tone higher. The theme starts on E major (E/G#/B) by the sordiniPos/2 Fags/violas/celli. The tuba/timp/bass drum/cymbal/harp/piano/CB addbe<strong>at</strong>. Then the sordini trumpets, flutes, oboe, clarinets, violins play the Mining C<strong>am</strong>pTheme, G quarter note down to E 8th up to G half note dotted, etc. Frenchy yells, "Lether come!" and the music changes to the dyn<strong>am</strong>ically piercing sluice box theme in 2/4meter. The flutes/oboes/clarinets/celeste are trill f (forte) on DIn Bar 94, flutes/oboes/clarinets altern<strong>at</strong>e each be<strong>at</strong> with a six-note figure of 16thnotes. So Flute I/oboe I/Cl I start off with a descent of 16th notes Bb-Ab-F-Db-Gb-Ab,then Fl II/Oboe II/Cl II takes over the descent with notes Ab-F-Db-Bb-Ab-F, etc. Theharp descends notes F-Db-Bb-Ab-F-Db, Db-Bb-Ab-F-Db-Bb, etc. Violas are fingeredtremolo E down to Cc, and Cb up to E. Violins play Bb minor quarter note chord(Bb/Db/F/Bb) to Db major 2nd inversion (Ab/Db/F/Ab). Etc.[Doc Visits Elizabeth] R9/2-<strong>10</strong>/1. Moder<strong>at</strong>o in 6/8 time, 72 bars, 16pp.Scene: Frail rides out to Elizabeth's and Frenchy's budding gold mine. Theoboe/clarinets/bass clarinet perform a "giocoso" (playful) figure for four bars. Thebassoons then play the Doc Frail theme, G quarter note up to C half note dotted, etc.In Bars 56-57 when Elizabeth tells Frail sitting on his horse, "We both miss you,Doctor," the music beautifully depicts the bucolic n<strong>at</strong>ure scene with the sustained stringsand gliss harp. Specifically, we find the C# minor 7 chord of the violins (notes76

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