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Valentine's Day, Sunday, February 14, 2010 at 10:20 am

Valentine's Day, Sunday, February 14, 2010 at 10:20 am

Valentine's Day, Sunday, February 14, 2010 at 10:20 am

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Reel 7/A "Caroline Lost" 4pp., 15 bars. Scene: Caroline gives back herengagement ring to John.Bar 1 = The harp plays an up rush of 16th notes E-G-Bb-Db, E-G-Bb-Db, E-G-Bb-Db-D. The clarinets and violins, after a triplet value 8th rest, play two 8th note tripletfigures G-A, Bb-Db-E, to 32nd notes G-Ab-Bb-C-Db-Eb-E. Oboes play th<strong>at</strong> last sevennote figure of 32nd notes. Horns play Gb major (Gb/Bb/Db/Gb), etc.Bar 2 = Cue changes to C meter. The oboes/clarinets/violins play theParrish theme starting on the F quarter note. Bassoons/violas/celliplay ascending triplets, etc.Reel 7/B "Laying Trap" Modto di marcia in C. 8pp., 32 bars. Last two barsnot used. Scene: Parrish orders "OK. Let's move out." The Main title opening march isperformed once again, but much more ponderously, slowly. In the grace bar, theE.H./Fags/horns/violins/VC/CB play a five note flourish of 16th notes A-A#-B-C-C#.Snare Drum also be<strong>at</strong>s th<strong>at</strong> p<strong>at</strong>tern.Bar 1 = The strings play quarter note chords (played on the down-bow) D minor(actual notes D/F/A/D), C major (C/E/G/C), Bb major (Bb/D/F), A min7 (A/C/E/G).Repe<strong>at</strong>ed next bar.Bar 3 = Cue changes to 6/8 time. Be<strong>at</strong> not<strong>at</strong>ion is quarter note/8th note, repe<strong>at</strong>ed,down bow to up-bow on 8th notes. Etc.Reel 7/C "House Burning" C meter. 26 pp., 1<strong>10</strong> bars. Bars 1-16, 92-1<strong>10</strong>deleted. Key sign<strong>at</strong>ure of E major (4 sharps). Scene: Parrish and his men are in the nearhills w<strong>at</strong>ching Cole and his gang burn his ranch.In Bar 59, the flutes/oboes/clarinets/violins play four sets of descending/ascending32nd notes, eight notes per figure (total = 32) as the fire starts to roar.Reel 8/A "John's Ambush" Moder<strong>at</strong>o in 6/8 meter. 2pp., 7 bars. Cue #9905.Note: This cue was deleted in the final print. Scene: Cole's men approach the rocky passwhere Parrish and his men are waiting. Starts with an ascending leg<strong>at</strong>o motion of thepiano in 16th and then 32nd notes in the first two bars. Pos in felts play the A minorchord 1st inversion (C/E/A). Timp rolls on B. Fags/VC/CB on B. Combined wehave a A min/9 chord (A/C/E/B). Then the harp takes over the ascent of 16th notes inBar 3, etc. Would've been a nice dr<strong>am</strong><strong>at</strong>ic effect if the music was kept in.Reel 8/B "Shoot It Out" Agit<strong>at</strong>o in C. 13pp., 48 bars. In the gracebar, flutes/oboes/clarinets/violins/violas play as ascending figure ofseven 32nd notes to (Bar 1) a trill on B to (Bar 2) a rapidly descendingseries of 16th notes, four per figure, four figures per bar.Reel 8/C "After B<strong>at</strong>tle" Andante. 5pp., 18 bars. Bars 7-18 not used.Reel 8/D "John's Torches" Moder<strong>at</strong>o in C. 12pp., 45 bars. Scene: Judith ridesout to Parrish's night c<strong>am</strong>p.98

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