Valentine's Day, Sunday, February 14, 2010 at 10:20 am

music "vira do minho" [unknown author] arranged by Steiner. Reference is also made to"the vira and amoba gallega."In the grace bar, the harp is gliss on quarter-dot note C. The accordion and violinsmake an upward sweep on nine 32nd notes C-D-E-F-G-A-B-C-D, played forteBars 1-2 = Key signature of E minor (1 sharp). The melody line starts withquarter note E (e''' for the violins, e'' for the mandolin) to G 8th note, followed bydescending triplet F#-E-D# to (Bar 2) E quarter note to B 8th, then E quarter to C 8th.The guitars strum an minor 1st inversion chord (notes B/B/E) to B major 2nd inversion(notes F#/B/D#), etc.By Bar 33, the cue changes to the key sig of E major (4 sharps) as the music takeson a melody variation, playing quasi-triplets in dyads. The feast dance ends as the sceneswitches to the interior church as Father Ferreira speaks with a devout older ladyparishioner whose son is crippled. The music is now Schubert’s "Salve Regina" arrangedby Max, part vocal, lasting 1:30Reel 4 pt 4A [The Administrator Arrives] Dramatic in 2/4 meter. 27pp., 106bars, 4:15. Orchestrated by Sid Cutner and Leo Shuken. Scene: Arturos dos Santos, thehead-twitching Administrator of the Province (played by Frank Silvera) arrives at theFeast by car with his aid and also the uniformed captain of police. The exciting RevoltTheme or police state motif is again played with gusto here, with greater effect than inthe opening shot of the movie since there is no crowd roar to drown out the music. Twotrumpets are in felts; tpt III in straight mute. Trombone III is the bass trombone. Alsoincluded is thebass saxophone and organ.As the car rolls into the scene, the bass clarinets, bassoons(octave apart), basstrombone, bass sax, organ, piano, VC and CB all play unison Bb half note tied to the nexttwo bars, "molto cresc." The timp rolls.Bar 4 = The Revolt motif is played by the oboes/clarinets/horns/violins/violas onC 8th note rinforzando( > ) followed by two C 16th notes in that connected notationfigure, then 8th notes E to C. Horns/violins/viols play ffz Line 1 C rinforzando 8 th to C-C16ths three-note figure up to E back down to C 8ths to G double dotted 8 th to 32nd notesA to A#, then B 8th to Line 2 C rinforzando 8ths with the C 8 th tied to (Bar 6) dotted 8 thdown to Line 1 A-A# rinforzando 32 nd notes to B 8 th to Line 2 C 8 th tied to double-dotted8 th next bar, and so forth.Bar 6 = Repeated motif notes. Now the trombones are pronounced, playing Cmajor (C/E/G) rinforzando quarter note chord tied to 8th. The bassclarinet/Fags/tuba/timp/bass sax/piano/VC/CB play note B, the combined sound with thePos being the C major 7(C/E/G/B). Repeat next bar. Etc.Bars 27-40 = Coma sopra from Reel 1 pt 2. Bar 74 starts a coma sopra from Reel11 pt 1. Etc.Reel 5 pt A [To The Cova] Molto espr. in C meter. 16 bars, :34. Scene: Hugospirits Lucia away from the town square. She requests that he take her to the cova on hisdonkey, which he does.52