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Valentine's Day, Sunday, February 14, 2010 at 10:20 am

Valentine's Day, Sunday, February 14, 2010 at 10:20 am

Valentine's Day, Sunday, February 14, 2010 at 10:20 am

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different. But my guess is th<strong>at</strong> the noble HORNS playing the Mahler idea (as in the StarTrek theme) were the selling point to you.You can get all kinds of music from other composers th<strong>at</strong> would start with this threenotebeginning and then come up with something else. For ex<strong>am</strong>ple, remember thef<strong>am</strong>ous Flying Theme of the old SUPERMAN series?? It too is a three-note motif <strong>at</strong> thestart, and repe<strong>at</strong>ed again, and then develops into a much larger and quicker structure--buthighly memorable. But INITIALLY it is not unlike Mahler's idea here. For all we know,subconsciously, Courage was actually influenced by th<strong>at</strong> Flying Theme than by this hardto-findor buried section of a Mahler movement!The start of the First symphony by Mahler is a longer and more enduring similarity orsentiment or infield ballpark--but still not a close m<strong>at</strong>ch. You get some close m<strong>at</strong>ches,however, with some of Herrmann's ideas with other composers such as Debussy,Rachmaninoff, Wagner, and others th<strong>at</strong> I have discussed before in this Forum and in myblogs.Portions of th<strong>at</strong> "A tempo" and "Subito Allegro" remind me by associ<strong>at</strong>ion of some ofTiomkin's music, specifically Fall of the Roman Empire, but no specific citing but r<strong>at</strong>hera very similar <strong>am</strong>biance.OK. Enough of Mahler and Star Trek (since they really have nothing to do with myupd<strong>at</strong>ed site and current blog!).**********************Talking Herrmann: MP3 of Cue XXXI 'Night Digger' Upd<strong>at</strong>ed FSR SiteReply by: Bill Wrobel ()______________________________________________________________________J.J.:All of your entries are fine, and I especially liked the "Monorail" selection.However, time and effort is limited (especially if it is free time & effort, finding room todo the Labor Of Love projects). I think the best applic<strong>at</strong>ion of such time & effort for theHerrmann Centennial is to be placed on World Premiere performances--music byHerrmann either never heard before (or rarely) and never recorded (cd, dvd, etc.). Thereis a lot of m<strong>at</strong>erial to select from, and several of my suggestions are:CBS television scores.-This would include <strong>at</strong> least several <strong>at</strong>mospheric and suspense cues from House on KStreet, including the cues, "Murder" (a pyr<strong>am</strong>id dyn<strong>am</strong>ic building & then deconstructingtype of music),"The Pencil" (brass and vibes), "Stone's House," and maybe "Fade-In" and"Finale" (although you can hear them in some old CBS series episodes).<strong>10</strong>7

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