Valentine's Day, Sunday, February 14, 2010 at 10:20 am

pages to UCSB. The person is Marcus Caratelli according to the News section of theBernard Herrmann Society:25 February 2008The Man Who Knew Too Much - Herrmann PapersSource: Marcus CaratelliA photocopy of Herrmann's autograph score to The Man (music by M.C.Tedesco). Who Knew Too Much was donated by researcher Marcus Caratelli tothe Bernard Herrmann Papers at the UCSB.The original manuscript is archived in the Paramount Music Library.Marcus has the makings of a good researcher. Part of researching is also luck &timing. When I tried years ago to convince Paramount to make a copy for UCSB(because it was missing there), the powers-that-be at that particular time was resistant tothe idea. They did not like the former person there at UCSB, and did not care to do anyfavors! But with a change of management at Paramount (due to retirement) came achange of attitude, and Marcus was there at the right time to facilitate a copy being madefor UCSB (and naturally for himself for his efforts). Good job!******************[Tuesday, February 09, 2010 at 5:09 pm] Rain today but it started in earnest late(around 3 pm) and I was already finished with my route by then, opting to keep on goingand take my lunch and break later.Return of the Vampire (music by M.C. Tedesco).Located in Box 13 at Sony/Columbia Studios. I worked very briefly onthat full score, sketches, and piano-conductor score. The full score was in ink.#3873 “Main Title” Largamente in 4/4 time. The F.S. is 6 pages but page 7,Bar 25 was missing, I believe. The 3-stave sketch was there, as well as the p-c score. Keysignature of Ab maj/F min (4 flats).[Added 2-14-10:] Initial Instrumentation: Flute, oboe, 2 clarinets, Novachord, 2trumpets (maybe a third later), 2 trombones (maybe a third later), timp, harp, piano,strings (I believe only 4 minimum to 6 violins). I only had time to work on the first fourbars. The flute plays ff Line 3 Eb rinforzando half note to Eb half note tied to (Bar 2 in2/4 time) quarter note and tied to 8 th note (followed by an 8 th rest). The oboe plays Line 2Bb notes in this same pattern. Clarinets play Line 1 E/G [written F#/A] notes in thispattern. The Novachord (brass effect) plays small octave G/Bb/Line 1 E/Eb/G/B/Line 2Eb [Note: either I wrote the accidentals wrong or the composer wanted the mixed notes interms of accidentals canceling the key signature] to another such set of half notes tied tonext bar as given. Once again it appears on the second set that we have both the Line 1Eb and E natural notes. Trumpets play the aforementioned pattern on Line 1 Bb/Line 2Eb notes. The Pos play small octave C notes in this pattern, and the timp is rolled onsmall octave C notes. The violas are bowed trem forte on small octave G/Line 1 E half13