Valentine's Day, Sunday, February 14, 2010 at 10:20 am

(Bar 3) F/small octave C half notes twice (repeated next bar). Horns play sfp small octaveC#/G#/middle C# whole notes (repeated next bar) to (Bar 3) E/B/Line 1 E whole notes(repeated next bar). The harp is col the english horn. Violins I sound sfp Line 1 C#rinforzando whole note (repeated next bar) to (Bar 3) E whole note sfp (repeated nextbar). Violins II play small octave G# whole notes to (Bars 3-4) B whole notes. Violas arecol violins I but in the small octave register. VC are col the bassoons. CB play mf >small octave D-D rinforzando half notes (repeated next bar) to (Bar 3) F-F half notes(repeated next bar). Etc. ][Doctor Up In Hill] R2/3. Broad in C time, 4 bars, 1 page. Scene: Rune ringsthe cowbell announcing that Doc Frail has set up practice on the hill. Interesting shortcue, rather ominous and ponderous. The bassclarinet/bassoons/trombones/tuba/timp/VC/CB sound a Bb sustained note. Specifically,for instance, VC/CB/Fags play forte Great octave Bb rinforzando dotted half note tied todotted 8 th note down to Gb rinforzando 16 th (repeated next bar). After an 8th rest, theoboe/clarinets/muted horns/violins/violas play three rising quarter notes. The violins andviolas play each note with the forced down-bow in f (forte). The combined sound is Fdiminished (F/Ab/Cb) then G major (G/B/D) and B dim (B/D/F), repeated next bar. Thebass clarinet etc end the bar with a Gb 16th note. [Added: Specifically, after a quarter restin Bar 1, violins I play forte Line 1 Cb to D to F quarter notes on the down-bow (repeatednext bar) to (Bar 3), after a quarter rest, Db-E-G quarter notes on the down-bow to (endBar 4, Rit.), after a quarter rest, Ab to B quarter notes on the down-bow up to Line 2 Dquarter note held fermata. After a quarter rest in Bar 1, violins II play small octave Ab-B-Line 1 D quarter notes on the down-bow (repeated next bar) to (Bar3) Bb-middle C-Equarter notes to (Bar 4)< after a quarter rest, F-Ab-B. After a quarter rest in Bar 1, violasplay small octave F-G-B quarter notes (repeated next bar) to (Bar 3), after a quarter rest,G-A-middle C to (Bar 4), after a quarter rest, D to E to G#. In Bar 3, VC/CB/Fags playsmall octave C half note tied to dotted 8 th down to Great octave Ab 16 th to (Bar 4) Gdotted half note legato to F quarter note held fermata.]In Bar 3 the bass clarinet etc play sustained C note in the pattern given forVC/CB/Fags. The oboe/cls etc play G dim (G/Bb/Db), A minor (A/C/E), then C major(C/E/G).In Bar 4 the bass clarinet etc play G note. Oboe/cls etc play D dim (D/F/Ab), thennotes E/Ab/B, and then G# dim (G#/B/D).[Poor Little Girl] R2/3A. Moderato in C time, 35 bars, 8 pp. Scene: Doc Frailtreats a malnourished little girl. He loans a cow to her dad to "fatten her up." Delightful,sweet, sympathetic music. Pure Steiner! The Doc Frail theme is elevated here to almost asublime level to convey the noble, healing side of the mysterious Doctor.2 flutes/oboe/cls/violins start on the G quarter note in the grace bar. Then the Cmajor chord is played by the instruments. After a quarter rest, the horns/harp/VC/CBplay a response figure of quarter to half note C major chords. Then the flutes etc play Eminor quarter note chord (E/G/B) down to (Bar 2) the G Dominant 7th chord (G/B/D/F).[ADDED: Specifically, violins I in the grace bar play mf Line 2 G quarter note to(Bar 1) E/Line 3 C dotted half notes to E/B quarter notes to (Bar 2) Line 1 B/Line 2 G65