Valentine's Day, Sunday, February 14, 2010 at 10:20 am

notes to another such sounding of half notes tied to quarter and 8 th notes next bar(followed by an 8 th rests). VC play Great octave C/G notes in this pattern, and CB onsmall octave C. The top staff piano plays Line 1 E/G/Bb/Line 2 Eb notes in this pattern(substantiating what I wrote for the Novachord). The bottom staff plays a roll betweenContra-octave C-Great octave C half notes sounded twice. In Bar 2 in 2/4 time, violins Iplay Line 3 Eb 8 th to rapidly descending 32 nd notes Eb-Db-C-Line 2 Bb to Ab-G-F-Eb toDb-C-Line 1 Bb-Ab to (Bar 3 in 4/4 time) Line 1 G 8 th (followed by an 8 th and quarterrest). Violins II play this an octave lower register. After an 8 th rest in Bar 2, the harp isgliss from Lines 2 & 3 Eb quarter notes gliss line down to (Bar 3) Lines 1 & 2 Eb 8ths(followed by an 8 th rest) to Ab/Line 2 C/G 8ths (followed by an 8 th and quarter rest). Theviolas in Bar 3 are pont p bowed trem on small octave F to E (natural glyph) half notes(repeated next bar).Celli are pont on small octave Db to C half notes. The Novachord inBar 3 (W.W. effect) play small octave Db/F half notes to C/E 8ths (followed by an 8 thand quarter rest) and repeated next bar. Clarinet I in Bar 3 is solo playing mp smalloctave G [written A] dotted quarter note to Ab-A 16ths to Bb quarter note tied to 8 th note(followed by an 8 th rest), and repeated next bar. Violins II in Bar 4 play the same as theclarinet. Etc.#3874 “Out of the Coffin” Calm in 4/4 time, 15 pages, 60 bars. DVD location:00:01:03.Annotated “Mario Oct 17, 1943.” At the 3:16 point in the p-c score is marked“Graveyard.” Hmmm…or perhaps graveyard was at the beginning (I don’t have the dvd).I do know that “dialog” is at 3:16. Before that at 2:57 is “Dog howling.”Harp is gliss pp from Line 3 A quarter note gliss line down to small octave Aquarter note gliss line up to (Bar 2) Line 3 A down to small octave A up to, and so forth.Violins I are divisi bowed trem playing Line 3 A/B half notes to G/A quarter notes to F/Gquarter notes to (Bar 2) Eb/F quarter notes to D/Eb quarter notes to C/D quarter notes toB/C quarter notes. Violins II play this an octave lower register. The violas are trill onsmall octave A whole note tied to whole note next bar. VC play rising to falling 16 th notefigures Great octave F up to small octave D up to A to same A down to D down to Greatoctave F (play this six-note figure 4X) to (Bar 2) F-Eb-A-A-Eb-F 16ths in the samepattern. CB play small octave F whole note tied to next bar. The celeste plays Lines 1 & 2A/B tenuto quarter notes (followed by a quarter rest) to G/A 8ths (followed by an 8 th rest)to F/G 8ths (followed by an 8 th rest) to (Bar 2) Eb/F 8ths (followed by an 8 th rest), and soforth. Etc.#3875 “Vampire at Window” Orchestrated by Sid Cutner. 6 pages, 24 bars,1:25 duration. DVD location: 00:07:06. Note of “Doctor Reading”. At the :57 point is“Shadow on Floor.”Two violins II play pp fingered trem figures of small octave A to B half notes(repeat in the second half of the bar) and repeated next several bars. Violas are fingeredtrem between small octave G-F half notes (I believe). VC are fingered trem betweensmall octave Eb-Db half notes. The Novachord (low stgs setting) play (top staff) Line 2 Dwhole notes and also above that F-G-F-G 16ths figure played 4X, while the bottom staffplays small octave G whole note and also Eb-Db-Eb-Db 16ths figure played four times.After a half and quarter rest, the english horn is solo playing p espr Line 1 D-F-E “3”14