<strong>am</strong>ongst them. Very interesting chase music here. Trumpets and Pos play pronouncedostin<strong>at</strong>o figures of Cb 16th to Bb held notes in Bars 67-68. Then C to B next two bars.Etc. Violins etc play rapid triplet F-D-E, F-D-E to (Bar 68) F-D#-F played four timesth<strong>at</strong> bar, then Gb-E-Gb four times th<strong>at</strong> bar and next. This p<strong>at</strong>tern keeps rising a half toneevery two bars generally. The cue ends with Giles yelling, "Hurry, you sluggards! Keepapace!" Seque to next cue.[Turn Back] R<strong>14</strong>/4. <strong>14</strong>pp., 79 bars. The chase continues on. Giles seesMoslems up ahead and tells his men to turn back. Meanwhile, disguised Saladin stealsEdith away. Starting in Bar 38(when they turn back), the strings play in 6/8 time "collegno" a series of triplets (F#-G-B to next bar's C#-D-C#, descending C-A-G#, etc).[Kenneth’s Chase] R<strong>14</strong>/5. 6/8 time. <strong>14</strong>pp., 54 bars. Scene:Kenneth races after Sir Giles. In another scene, Saladin and Edith talkalone.[Kenneth C<strong>at</strong>ches Up] R15/1. 19 pp, 90 bars. Kenneth b<strong>at</strong>tles the c<strong>at</strong>alainsalone for a while but is soon joined by the King and his men.[Race To The Fortress] R15/2. 13 pp., 51 bars. Giles and two of his menmanage to break free and race to the castle. Kenneth c<strong>at</strong>ches up and slays his men.[Mo<strong>at</strong> and Bridge] R15/3. Cue #35929. Maestoso in 3/4 time,18pp., 70 bars.Trill of flutes in D# minor (notes D#/F#/A#). Oboes trill on F#/A#. Clarinet I trill on D#.Horns and trumpets rinforzando on half note dotted chord Eb min (notes Eb/Gb/Bb),enharmonically the s<strong>am</strong>e as the flutes D# min. Clarinets/bass cl/Fags/piano/organ/stgsplay rapidly descending series of 16th notes, each set bracketed as "6." So, after an 8threst, notes Cb-Bb-Cb-Bb, Ab-Gb-Ab-Gb-Ab-Gb, F-Eb-F-Eb-F-Eb to (Bar 2) Db/Cb set,then Bb/Ab set, then Gb/F set.Bar 3= Then a rising series of 16th notes, etc. When Sir Giles kicks Kennethnearly off the bridge, the music descends to note F by the lowwoodwind/horns/Pos/tuba/timp/violas/VC/CB in Bar 42. Etc.[End of B<strong>at</strong>tle] R15/4.13 pp., 57 bars. Scene: Kenneth slides down the bridgeand fights to lower it. Saladin and his men ride off and bid farewell in the distance.[Finale] R15/5. 7pp., 27 bars. The cue end on the Bb sus4 quarter note sforzando(notes Bb/Eb/F).[Trumpets] R15/5A. 2 pp. Addition of trumpets in separ<strong>at</strong>e track.* * * * * *Copyright Bill Wrobel wj@pavenet.net 2/15/99 5pm PST40
***************************************The s<strong>am</strong>e applies immedi<strong>at</strong>ely below. I will simply paste my old-style skeletalrundown of Herrmann’s The Man in the Gray Flannel Suit.Man In Grey Flannel SuitThe following is a cue rundown of Bernard Herrmann's <strong>20</strong>th Century Foxproduction of THE MAN IN THE GRAY FLANNEL SUIT (which is unlikely ever tobe issued on CD). Nevertheless, I feel it is an exceptional scoreduring his "Fox" years if you focus on a pure dr<strong>am</strong>a pic (r<strong>at</strong>her than thefantasy/western/adventure yarns and scores). Some consider it a clone orStepson dr<strong>am</strong>a of the likes of THE SNOWS OF KILIMINJARO (also staringGregory Peck). A movie like this would never be produced nowadays dueto our acquired taste for fast action and rel<strong>at</strong>ive shortage of dialogue.It would be considered slow, boring, too talky, and too long! But Ienjoyed w<strong>at</strong>ching the steady, unfolding dr<strong>am</strong>a played by such seasonedactors! And the music added to the dr<strong>am</strong><strong>at</strong>ic pleasure.THE MAN IN THE GRAY FLANNEL SUIT Feb 1-25/'56Reel 1 pt I "Prelude" Molto sost e larg<strong>am</strong>ente in C time. 3 fls, 2 oboes, 3 cls, 2 bass cls,2 fags, 4 horns, 3 "C" tpts, 3 Pos, tuba, timp, 2 harps, <strong>10</strong> vlns I, 8 vlns II, 6 violas, 6 VC,4 CB.Reel 2 pt I "The Children's Hour" Adagietto in 3/4 time. Stringsonly (sordini). 39 bars. 2:30. Begins and ends with the B-fl<strong>at</strong>.Reel 3 pt I "The Co<strong>at</strong>" Largo in C. 2 piccs, 1 flute, 4 cls, b.cl,c.fag, tuba, 3 timps, organ. Organ sustained <strong>at</strong> low C, up to F# to C.Reel 3 pt IA "The Killing" Largo in C. 2 bass cls, fag, C.F., 4horns, 3 Pos, tuba, organ, 2 timps., 2 bass drums, T<strong>am</strong> T<strong>am</strong>, 6 celli, 4CB. Accented timp in C/F#/C, then stopped horns.Reel 3 pt IB "Rome" Moder<strong>at</strong>o in C. 4 horns, celli and CB in B-fl<strong>at</strong>. 5bars. :16 and 1/3.Reel 3 pt II "Maria" Lento assi in C. Maria Italian themehighlighted starting bar <strong>10</strong> with 2 fls and 2 cls espr dolce."The Rain" Lento in C.41
- Page 1 and 2: FILM SCORE BLOGS [Blog # 41]Valenti
- Page 3 and 4: I enjoyed watching The Fugitive but
- Page 5 and 6: -“Fugitive Susp.” [I assume Fug
- Page 7 and 8: Then in the Fugitive episode comes
- Page 9 and 10: One purchase I did take advantage (
- Page 11 and 12: session but almost always left behi
- Page 13 and 14: pages to UCSB. The person is Marcus
- Page 15 and 16: triplet value 8ths down to (Bar 2)
- Page 17 and 18: for $2.50 long ago (probably at the
- Page 19 and 20: marriage with Groucho was a joke?
- Page 21 and 22: I discuss this in my final Talking
- Page 23 and 24: “Main Title” Cue #35885 Maestos
- Page 25 and 26: on note B.Bars 13-14 = The ostinato
- Page 27 and 28: whole notes. Timp trill (roll) on G
- Page 29 and 30: Bar 14= The melody line continues w
- Page 31 and 32: find 16th notes G#-A-B-C-D-E to 32n
- Page 33 and 34: sound). In Bar 12, notes F#-C#-F#,
- Page 36 and 37: Bar 24 = Bis on E min again. Bass c
- Page 38 and 39: Cmaj7#9 (C/E/G/B/D#), etc. Clarinet
- Page 42 and 43: "Maria's Room" Lento (mesto) in C."
- Page 44 and 45: Principal recording date was July 1
- Page 47 and 48: to quarter notes as Hugo jokes abou
- Page 49: whole notes D/G held fermata. Bass
- Page 52 and 53: music "vira do minho" [unknown auth
- Page 54 and 55: ut with notes D-Eb-E, F, Gb-Ab to (
- Page 56 and 57: Bars 26-32 = The strings and organ
- Page 58 and 59: minor 2nd inversion 8th note chord
- Page 61 and 62: At the end of Bar 4 the baritone tr
- Page 63 and 64: octave F up to small octave C 8ths
- Page 65 and 66: (Bar 3) F/small octave C half notes
- Page 67 and 68: hiding), Rune questions Frail. The
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- Page 71 and 72: the beat and the cymbal sounds off
- Page 73 and 74: [“Like what?!”] R6/5. Dramatic
- Page 75 and 76: In Bars 12-19, as she opens her eye
- Page 77 and 78: C#/E/G#/B) followed, after a half n
- Page 79 and 80: starting on F minor by the violins
- Page 81 and 82: twice more. Bar 1 = VC/CB B half no
- Page 83 and 84: Reel 5 pt 4 "Little Mama" Slow & Te
- Page 85 and 86: Reel 9 pt 7 "The Camp(original)" Sl
- Page 87 and 88: G-A-Bb-Line 1 C-D-D# (connected as
- Page 89 and 90: next bar in the same rest pattern.
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D-F#-A-D-F#-A-D). The last note D (
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and violas play "rubato" quarter no
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case the scene works better without
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on the first two beats by the flute
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Reel 9/A "Judith Rejected". Deleted
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locations after all. These unaligne
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[Cue #3767] “Discovery of Well”
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First is John Barry's simple but ef
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different. But my guess is that the
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Universal-Revue Studios Television.
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-All cues # entries (whether 1 page
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Talking Herrmann: ON DANGEROUS GROU
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Idea for Markus M.: It would be fas
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last one is weirdly notated by Herr
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I did like DePalma's stylist approa
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Thanks for your interesting observa
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Mer,”…certain passages of it, I
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{Image http://img193.imageshack.us/
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talkingherrmann mailing list*******
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While Herrmann was not the King of
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___________________________________
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So Herrmann was playing with heavil
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different takes). I wonder if Bill
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Talking Herrmann: SUSPENSE THEME (C
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Talking Herrmann: Mind in the Shado
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13. Nathan Hale - Cue #8 1:48 Berna
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NotHitch:"Coll" or "col" (normally
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{Image http://img252.imageshack.us/
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I had long ago written a paper on t
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I will provide more examples shortl
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Below is another image from "A Man'
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CBS-television score for the pilot
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The image below is my own personal
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**********************Talking Herrm
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talkingherrmann mailing list*******
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six versions of the last two bars t
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You know, I've been trying to recal
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http://img695.imageshack.us/img695/
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The top of the scan shows On Danger
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Personally I was a bit disappointed
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5. BH discussed his meeting with Co
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Crime school, Four Daughters, Break
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I wonder if anybody here knows (per
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talkingherrmann mailing list*******
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was far more adaptable and willing
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I forgot to mention that the Wester
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On Monday, they will start showing
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Vera Miles is in episode # 19, "The
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gets a revelation at that instant w
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2010 and maybe into 2011). This esp
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Herrmann television scores, various
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I archived into Word whatever inter