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Valentine's Day, Sunday, February 14, 2010 at 10:20 am

Valentine's Day, Sunday, February 14, 2010 at 10:20 am

Valentine's Day, Sunday, February 14, 2010 at 10:20 am

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do buy one soon after I get my Visa bill paid off in a month, I'll first buy Tribute's Princeand the Pauper, an exciting classic score composed by Korngold._______________________________________________talkingherrmann mailing list*********************Talking Herrmann: chandosReply by: Bill Wrobel ()______________________________________________________________________Guenther:Do not doubt any further. I have a copy of the full score and it's in excellent condition.If anything, the problem is th<strong>at</strong> the complete score as written was never recorded(certainly not used in the film) except by McNeely. Here's a quote from my rundown onthe score:quote: One of the problems with the Kane score (unlike Vertigo and Psycho) is th<strong>at</strong> agre<strong>at</strong> deal of the music originally written was deleted, edited or dialed out. When youstudy the full score and then compare it to the final edit of the movie, it is unmistakablyclear th<strong>at</strong> the movie Herrmann composed was heavily altered over the course oftime. Some of these changes are probably due to Herrmann himself (for instance, thedeletion of music in the “Bernstein’s Narr<strong>at</strong>ion” scene), but many music-cued scenes inthe final print simply did not have enough footage to accommod<strong>at</strong>e the music as wasoriginally written (for instance, “Valse Present<strong>at</strong>ion”). It would’ve been fascin<strong>at</strong>ing tosee the full version (an unedited albeit work-in-progress) of the film th<strong>at</strong> Herrmann sawand composed for. It would not necessarily be a better movie, but it would beillumin<strong>at</strong>ing to see the deleted scenes th<strong>at</strong> ultim<strong>at</strong>ely ended up on the editing roomfloor. Th<strong>at</strong> is why it is refreshing to <strong>at</strong> least hear the complete cues in the McNeelyrecording. As I discuss each cue, I will elabor<strong>at</strong>e precisely on the bars of music not usedin the final edit of the film.Considering th<strong>at</strong> Chandos has included the Hangover Square tracks, there's no way itwill include everything th<strong>at</strong> McNeely has done. I'm s<strong>at</strong>isfied enough with his rendition.So I'm still wondering wh<strong>at</strong> Hogger "arranged"....Doesn't sound like a faithful recordingof the actual score as written...Maybe if he is reading this post he can fill in the detailsand dispel fears from fans like myself...I think I'll pass too (despite the Hangover Square tracks.___________________________________________________________________________________________________________talkingherrmann mailing list194

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