Valentine's Day, Sunday, February 14, 2010 at 10:20 am

dotted half notes to same B/G quarter notes to (Bar 3) Line 2 C/A quarter notes legato upto E/Line 3 C quarter notes to same E/C quarter notes to E/B quarter notes down to (Bar4) Line 1 B/Line 2 G dotted half notes to B/G quarter notes to (Bar 5) Line 2 C/A dottedhalf notes to C/G quarter notes legato down to Line 1 F/Line 2 D dotted half notes to F/Aquarter notes up to (Bar 7) A/Line 2 E whole notes tied to quarter notes next bar up tounison Line 3 E-F-F legato quarter notes Rit. Violins II in the grace bar play Line 1 Gquarter note to (Bar 1) Line 2 C/G dotted half notes to Line 1 B/Line 2 G quarter notesdown to (Bar 2) G/Line 2 D dotted half notes to same G/D quarter notes, and so forth.After a quarter rest in Bar 1, the violas play mf small octave E/G tenuto quarter notes toE/G tenuto half notes to (Bar 2), after a quarter rest, F/G tenuto quarter notes to half notesto (Bar 3), after a quarter rest, E/G tenuto half notes to E/G quarter notes, and so forth.After a quarter rest in Bar 1, VC play Great octave C/G quarter notes to C/G half notes(all tenuto-marked) and repeated next bar. CB play this on small octave C notes. After aquarter rest in Bar 1, two horns are quasi solo on small octave G [written Line 1 D]quarter note legato up to Line 1 E [written Line 1 B] half note mf < > for that bar. After aquarter rest in Bar 2, the horns play small octave G quarter note up to Line 1 F [writtenLine 2 C] half note. The two flutes are col the top line violins I. The oboe is col thebottom line violins II. Clarinets also play.]Bar 3 Quarter note chords A minor/C major/C major/E minor.Bar 4 G Dom 7th again.Bar 5 A minorBar 6 Bb major 2nd inversion.Bar 7 A major.By Bar 9, the violins are accented as soli instruments, played "dolce" C half notedotted to B quarter to (Bar 10) G half note dotted to G quarter to (Bar 11) quarter notesA/C/C/B to (Bar 12) G half note dotted, etc. The celeste is added for a delicate, sparklingtouch as the little girl is emphasized in the scene. [Specifically in Bar 9 (a tempo), allviolins play Line 3 C dotted half note down to Line 2 B quarter note down to (Bar 10) Gdotted half note to same G quarter note to (Bar 11) A up to Line 3 C to C to Line 2 Bquarter notes to (Bar 12) G dotted half note, and so forth. After a quarter rest in Bar 9,violas play Line 1 C/E 8ths (followed by an 8 th rest) to C/E tenuto-marked half notes to(Bar 10), after a quarter rest, B/Line 1 F 8ths (followed by an 8 th rest) to B/F tenuto halfnotes. After a quarter rest in Bar 9, the celli play small octave C/G 8ths (followed by an8 th rest) to same C/G tenuto half notes (repeated next three bars). After a quarter rest inBar 9, the celeste plays Lines 1 & 2 G quarter notes up to Lines 2 & 3 C quarter notes(followed by a quarter rest) to (Bar 10), after a quarter rest, Lines 2 & 3 D quarter notesdown to Lines 1 & 2 G quarter notes. The vibe is col the celeste. After a quarter rest inBar 9, the harp plays small octave C/G/Line 1 C/E 8ths (followed by an 8 th rest) to halfnotes, etc.]By Bars 21-22, the harp and celeste play rising 16th notes in D major, then Gmajor 6 and A Dom 7 (A/C#/E/G).[The Preacher’s Words] R3/1. Andante in C. 18 bars, 5 pp. Scene: PreacherGrubb (played marvelously by George C. Scott) warns approaching patients about theevil Doc Frail. After Frail dispenses him (by exposing the liquor bottle Grubb was66